Sympathetic Vibratory Physics | Measure (original) (raw)

noun: how much there is of something that you can quantify
noun: musical notation for a repeating pattern of musical beats
noun: measuring instrument having a sequence of marks at regular intervals; used as a reference in making measurements
noun: the act or process of measuring ("The measurements were carefully done")
noun: a basis for comparison; a reference point against which other things can be evaluated ("They set the measure for all subsequent work")
verb: have certain dimensions ("This table surfaces measures 20 inches by 36 inches")
verb: determine the measurements of something or somebody, take measurements of ("Measure the length of the wall")
verb: place a value on; judge the worth of something
verb: express as a number or measure or quantity

"I have spoken elsewhere of the almost infinite difficulties of getting into position, to hold hydrogen gas in between soap film a proper period of time, to conduct these experiments. The setting of the other parts of the is quite easy in comparison. All wave propagations, or otherwise by being thus refracted can be measured in regard to the time of their propagation all of which are introductorily subservient to the luminiferous ether. The theory put forward by "men of " in regard to forces shows that they are misled by the imperfection of their instruments. They are trying to measure the by the , necessitating terms of avoidance, to the instantaneous propagation of nature's sympathetic evolutions, of the same nature as the one advanced in the assertion that a force does not exist in the embrace of all matter. <ELECTROMAGNETIC RADIATION - Snell>

"Great is simple. My universe is great , for it is simple.

"Great is balanced. My universe is consummate , for it is balanced simplicity.

"My universe is one in which many things have majestic measure; and again another many have measure too fine for sensing.

"Yet I have not one law for majestic things, and another law for things which are beyond the sensing.

"I have but one law for all My opposed pairs of creating things; and that law needs but one word to spell it out, so hear Me when I sat that the one word of My one law is

BALANCE

And if man needs two words to aid him in his knowing of the workings of that law, those two words are

BALANCED INTERCHANGE

If man still needs more words to aid his knowing of My one law, give to him another one, and let those three words be

RHYTHMIC BALANCED INTERCHANGE."
[The Secret of Light, page 104-105]

ALL MOTION IS EXPRESSED IN WAVES - THEREFORE MUST ALL DIMENSIONS BE MEASURED WITHIN WAVES. [Dimension Chart 5]

The of dimensions is divided into plus and minus equilibrium. The universal is ever tilting above and below its balancing point in . Both movements are and exactly balance[d]. The is the universal within which all dimensions are measured. [Dimension Chart 5]

[7] To give a greater understanding of events at , that ancient Egyptian city in the Nile delta, The Secret Doctrine by H P Blavatsky relates: "...And how little could tell is confessed by himself when speaking of a mysterious tomb of an Initiate at , in the precinct of . There, he says 'behind the chapel is the tomb of One, whose name I consider it impious to divulge... In the enclosure there are large obelisks and there is a lake near, surrounded with a stone wall in a circle. In this lake they perform, by night, that person's adventures, which they call mysteries. It is well to know that no was so well-preserved and so with the ancients as that of their cycles and computations. From the Egyptians down to the it was held as the highest to divulge anything pertaining to the correct measure of time. It was for divulging the secrets of the Gods, that was plunged into the infernal regions; the keepers of the Sybilline Books were threatened with the death for revealing a word of them.' The Secret Doctrine, Vol II, page 396. While not directly related to the Seven Veils of Sais, the following quotation from The Secret Doctrine, Vol. III, p.132, may afford further insight into what was hidden behind them. "An impenetrable of was thrown over the Occult and Religious Mysteries, after the of the last remnant of the Atlantean Race, some 12,000 years ago, lest they should be shared by the unworthy, and so desecrated. Of these Sciences several have now become exoteric — such as , for instance, in its purely mathematical and physical aspect." Ed. [The Energy Evolution - Harnessing Free Energy from Nature, The Life-Current in Air and Water]

, which, upwards, are able to surmount freely overfalling waterfalls several metres high, if particularly hollowed out flow-guiding stones cause the to flow in 'cycloid-spiral-space-curves', the form of that arises and can be observed above every through which is able to . This how the water-inwinding suctional forces and the reactive forces acting in the come into being in the of the . It is the latter forces that are at issue here. Today's , which measures and weighs everything exactly, overlooked them, because the ' of measure and ' can neither be measured with a , nor weighed with decimal scales. [The Energy Evolution - Harnessing Free Energy from Nature, The Life-Current in Air and Water]

The raw materials out of which this fine matter arises under very specific preconditions, consist of the naturalesquely interred earthly remnants of life. On no account are they senselessly and purposelessly reduced to and ashes, but once again, under particular preconditions, they into the '' in the form of the and levitative current mentioned earlier. This spiritualising and uplifting current, which inwinds, impels and whirls around like a , is partially condensed by the above heat-forms and can be readily measured and generated in any and almost without cost. By means of this and levitative current all can be increased and qualitatively improved almost at will, and any can be lifted or moved indirectly at any desired rotationally and / or vertically with a power that increases by the square. [The Energy Evolution - Harnessing Free Energy from Nature, The Life-Current in Air and Water]

When the fruit juices that have flourished in the begin to , it is a sign that differences have triggered the fermenting , which in the initial stages has to the from the . The former will be separated and centrifugated out through . The latter interconnects with itself, as it were, and the of this remarkable marriage is that something, which also brings us out of the delicately balanced that the Earth ceaselessly enjoys. Not being in a of stable equilibrium, she has constantly to about her own in a form of that declinates and oscillates in two directions. This is how she generates the inversely symmetrically- and inversely proportionally-acting force, which enables everything that crawls and flies on this Earth to move 'originally' (autonomously) in order to seek out its , which also contains allotropic energy-producing substances. These are then broken down through the vibration of the organs, leading to the familiar of strength and vigour, whose ur-causes have not been perceived by scientists, who with common calories and measure them with scales and rulers. Moreover, they also believe they have captured everything with their tweezers that is proper to . Unfortunately, however, this cannot be accomplished with such an , because the of 'measure' and '' is an imperceptible extraordinary , which as the '' is the 'reactivated' itself, which actively moves the . [The Energy Evolution - Harnessing Free Energy from Nature, New Forms of Motion and Energy]

already very shaky scientific edifice would come tumbling down, if the full scope of the reactive energy should become known too quickly. An of such a kind would then arise, which could not be endured in these days of shortages, and the baby would be thrown out with the bath-water by those, who have only one idea left: somehow to struggle through life and to be of all problems. Were this implemented, however, then the most marvellous things would come to life again, which compared to the present situation would be a . The trick therefore is - how do I tell the innocent children that the end has come for all manner of lusts for power, because a power is now appearing, before which everything else must unconditionally capitulate. Today this new power rejoices over the victory, which was brought about by the fact that the Germans - and this can be examined from any desired viewpoint - were unfortunately the best exponents of a founded on faecal matter. Unhappily they exploited precisely those expulsive energies that enable us, for example, to rid ourselves of those substances so vital to the Earth for maintaining the eternal of her motive forces. With the aid of these earthly and other waste materials she recreates everything anew, which our evolutionally older descendants absolutely require for their various necessities of life. For this reason wise will not hesitate much longer before she clears everything off the green with a single sweep of the hand, as it were, upon which, using scales and an , attempts were made to discover the '', namely, that which provides for the and measure of all things. And thus, instead of specific elements they found absolutely remnants, which they then declared to be 'atoms'. That these remnants of a former , which have been artificially rendered (stripped of life-force, so to speak), interact in a lively fashion, is quite obvious. Under no circumstances, however, do the products of that produce higher products come into being in this way, but only forms of heat and cold. These promote the of decay through further interactions, which in turn give rise to the and factors that promote an accelerated as well as the annihilating energies that by the square. That these energy-forms, which foster and are possessed of a force of resistance that increases by the square, contradict the irrational assumption that they actually further the of culture, is perhaps only incomprehensible to those who know nothing of the specific counter-elements and who, because of a tragic , established the crowning law of contemporary technology, such that under all circumstances the resistance must by the square of the velocity. The specific , the falling as it were, comes into being when etherialised substances are transferred to the 4th dimension. This happens, due to the fact that negatively potentiated constituents of carbonic [The Energy Evolution - Harnessing Free Energy from Nature, The Economy Founded on Reactively Produced Energy]

All requires fertilisation. Fertilisation, however, necessitates the of the original . All of which brings us to the fundamental question: What actually is ? This question is answered by a free-falling droplet of , from which a horizontally and vertically radiating springs forth, the power of the corresponding to about 12,000 seed-volts as measured with an . These are referred to as seed-volts here, because in this case we are concerned with a which contains about 12,000 embryos in an energetic state. These are when a of merely falls about 20 cm (8 inches). Naturally, special is required to measure this capacity. To describe it in more detail here, would stray too far from the present theme, therefore of the 'essentials' will have to suffice. [The Energy Evolution - Harnessing Free Energy from Nature, The Ennoblement of Water]

this is conducted into a glass bulb super-saturated with air containing oxygen, then about the same of water-droplets appear as the seed-volts measured on the . With this we are already presented with the of and the form of that induces it. [The Energy Evolution - Harnessing Free Energy from Nature, The Ennoblement of Water]

What cannot measure or exactly, exists just as little as what the cannot grasp, see or . [The Energy Evolution - Harnessing Free Energy from Nature, The Liquefaction of Coal by Means of Cold Flows]

Just a small is enough to the higher factors from more inferior ones contained in good . As the condensing reversionary elements of , the latter appear and become in the form of substantial matter. It should therefore be quite obvious that with the high temperatures known to be necessary for contemporary methods of , the identical processes of and concentration must take place in increased measure. [The Energy Evolution - Harnessing Free Energy from Nature, The Liquefaction of Coal by Means of Cold Flows]

Ramsay
This is in the key of E? Major, and the key into which it moves for a passage is the next above it, B? Major. The first chord, E? G B?, is the ; the second and third are the and dominant; the fourth, C E? G, whose full form would be C E? G B?, is the compound subdominant of the new key, which suggests the approaching modulation. The next two chords, in which the measure closes, may either be viewed as the and dominant of the key, or the subdominant and of the new key. The second measure opens with the same chord which closes the first measure, and is best defined as the of the new key; the second chord is clearly the dominant of the new key, and the whole of the second measure is in the new key, and reads, T. D. S. T. compound D. T. Some of these chords might be read as chords of the old key, so near to each other and so are the contiguous keys. All contiguous keys to a certain extent overlap each other, so that some of the chords may be variously read as belonging to the one or to the other. [Scientific Basis and Build of Music, page 94]

In the opening of the third measure the returns to its own key by striking the . This case is a very simple illustration of how a will move with perfect naturalness in more keys than one, the keys so grow out of each other, and may either merely snatch a passing chord from a new key, or pass quite into it for a or two, or for a whole measure, then return as naturally, either by a smooth and quiet or by a strongly contrasted turn, according to the chords between which the turn takes place. In such modulation there may or there may not be marked a sharp, ?, or ?, in the air itself; the note which raises in the new key may occur in one of the other parts of the harmony. In it is A, the fourth, which is altered; from being ? it is made ?. The change which takes place in the of the scale, which is C in , is only one comma, the ratio of 80 to 81, and it slips into the new key as if nothing had happened. No mark is placed to it, as the comma difference is never taken notice of, although it is really and regularly taking place, with all the precision of , in every new key. It is, however, only the note which is altered four commas, which is marked by a sharp, ?, or ?, as the case may be. [Scientific Basis and Build of Music, page 94]

The being divided into 53 commas, the intervals are measured, as usual, by these, the large second having 9-commas, the medium second having 8, and the small second 5. These measures are then made each the by which to draw hemispheres showing the various and comparative areas of the seconds. The comparative areas of the are shown by the hemispheres of the seconds which them facing each other in pairs. The comma-measures of the various thus determined are then made the radii by which to draw the two hemispheres of the fifths. The areas of the three fifths are identical, as also the attitudes of their unequal hemispheres. The of the six , on the other hand, in their two kinds, being reversed in the upper and under halves of the scale, their gives them the appearance of being attracted towards the center of the ; while the of the three fifths is all upward in the , and all downward in the ; their attraction being towards the common center of the twelve scales which has placed between the of the and the fourth of the , as seen in the two D's of the dual genetic scale, - the two modes being thus seen, as it were, revolving [Scientific Basis and Build of Music, page 113]

with her irrevocable proportions to measure his scales for him. The stars at the C of the first scale and at the B# of the last show the of 12 fifths and 7 octaves. The of B# is 3113 467/512; C24 multiplied 7 times by 2 brings us to the 3072; these two notes in the tempered system are made one, and the unbroken horizon of the musical world of twofold keys is created. The very small between these two pitches is so distributed in the 12 tempered scales that no single key of the 12 has much to bear in the loss of perfect intonation. [Scientific Basis and Build of Music, page 118]

I enter upon the subject with the deepest of my own inability to do justice in any measure to the grandeur of the topic; but I trust that my remarks may prove suggestive to others of far higher truths. They are the result of the leisure hours of nearly fifty years, during which the conviction has ever deepened, that " of the natural kind does but push man's farther back," and that, in the concluding words of Sir John Lubbock's inaugural address to the British Association at York in 1881, "the great lesson which Science teaches is, how little we yet know, and how much we have still to learn." [Harmonies of Tones and Colours, Introduction2 - Harmonies, page 10]

" must be looked at in two ways at least: first, up the from bottom to top—the view; second, along the from side to side—the view. Then as to its periods or pulsations—its to and fro, its flow and ebb. This brings us to rhythm and measure. At the bottom of these lie what is called or —emission and remission—strong and weak: of these the bar in modern music is an outward and visible sign of certain facts which ought to be in the music, but which, if not in the music, the presence of the bar is of no avail. The bar cannot give or . 'Wherever there is time, there must be ;'* but the tick of a clock has no . (or Chorley) should have said life." "The makes music. What operation has it upon the or to and fro? It creates the call, it supplies the answer." [This point, I believe, Dr. Gauntlett never alluded to with me, and I have feared that making no difference between tones and semitones might be considered a difficulty with regard to the scheme. In the working of the natural laws of harmony, they must all equally be employed.—F. J. H.] "Art (grand and true) does not depend upon the teaching of facts. The is of less importance than the . Unless the tone of , the and , be well fixed, nothing enduring can come out of the misdirected artist." [Harmonies of Tones and Colours, Fragments from the Last Note-book, page 50]

R. A. Schwaller de Lubicz
"Measure can be considered the quantitative definition of irreducible magnitudes." [R. A. Schwaller de Lubicz, The Temple in Man, page 57]

" belongs to geometry and harmony, measurement to the object and to ; and one necessitates the other. is the comparison of sizes; harmony is the relationship to measures; geometry is the of numbers." [R. A. Schwaller de Lubicz, The Temple in Man, page 61]

"Nature, the universe, is nothing but the measure of the unknowable One—eternal God, the Almighty—because everything is virtually in Him, in the Self. This Measure contains all the functions of measures, the innumerable fractions each of which is a creature of this universe." [R. A. Schwaller De Lubicz - Esoterism And Symbol]