Sympathetic Vibratory Physics | native affinity (original) (raw)

Ramsay
In a musical air or harmony, i.e., when once a key has been instituted in the , all the various notes and chords seem animated and imbued with and ; and the center of attraction and repose is the , i.e., the key-note or . The moving notes have certain leanings or attractions to other notes. These leanings are from two causes, local proximity and native affinity. The attraction of native affinity arises from the and of the notes as seen in the six-octave genesis, and pertains to their harmonic combinations. The attraction of local proximity arises from the way the notes are marshalled compactly in the octave scale which appears at the head of the , and pertains to their melodic succession. In this last scale the proximities are diverse; the 53 commas of the octave being so divided as to give larger and lesser distances between the notes; and of course the attraction of proximity is strongest between the nearest; a note will prefer to move 5 commas rather than 8 or 9 commas to find . Thus far . [Scientific Basis and Build of Music, page 91]