| dbo:abstract |
Der Tod Jesu ist ein Passionsoratorium (auch Passionskantate genannt) von Carl Heinrich Graun (1704–1759) nach einem Libretto von Karl Wilhelm Ramler (1725–1798). Es zählte im 18. und 19. Jahrhundert zu den populärsten Passionsoratorien und war nach seiner Uraufführung im Jahre 1755 die meistaufgeführte evangelische Passionsmusik in Deutschland. (de) Der Tod Jesu (The Death of Jesus) is an oratorio libretto by Karl Wilhelm Ramler. In its setting by Carl Heinrich Graun in 1755, it was the most often performed Passion of the 18th century in Germany. The poem is part of the Empfindsamkeit movement of the 1750s. It is the middle of three oratorio texts by Ramler – Die Hirten bei der Krippe zu Bethlehem, Der Tod Jesu, and Die Auferstehung und Himmelfahrt – which may have been viewed by Ramler as a libretto cycle, though they were never set as a cycle by any composer. The libretto was intended for Graun but a copy of Ramler's text was somehow received by Telemann who produced his own setting of the oratorio (TWV 5:6) in Hamburg before Graun could perform the premiere in Berlin. Ramler revised his text in 1760. The text is not a full retelling of the Passion of Christ and it does not quote Bible texts. Instead, it presents emotively various aspects of the Passion. (en) |
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| dbp:cname |
Der Tod Jesu (en) |
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Der Tod Jesu, GraunWV B:VII:2 (en) |
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dbr:Libretto |
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| rdfs:comment |
Der Tod Jesu ist ein Passionsoratorium (auch Passionskantate genannt) von Carl Heinrich Graun (1704–1759) nach einem Libretto von Karl Wilhelm Ramler (1725–1798). Es zählte im 18. und 19. Jahrhundert zu den populärsten Passionsoratorien und war nach seiner Uraufführung im Jahre 1755 die meistaufgeführte evangelische Passionsmusik in Deutschland. (de) Der Tod Jesu (The Death of Jesus) is an oratorio libretto by Karl Wilhelm Ramler. In its setting by Carl Heinrich Graun in 1755, it was the most often performed Passion of the 18th century in Germany. The poem is part of the Empfindsamkeit movement of the 1750s. It is the middle of three oratorio texts by Ramler – Die Hirten bei der Krippe zu Bethlehem, Der Tod Jesu, and Die Auferstehung und Himmelfahrt – which may have been viewed by Ramler as a libretto cycle, though they were never set as a cycle by any composer. The libretto was intended for Graun but a copy of Ramler's text was somehow received by Telemann who produced his own setting of the oratorio (TWV 5:6) in Hamburg before Graun could perform the premiere in Berlin. Ramler revised his text in 1760. (en) |
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Der Tod Jesu (en) Der Tod Jesu (Graun) (de) |
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