Jacopo Caraglio (original) (raw)
Caraglio (Gian Giacomo ou Giovanni Giacopo) né vers 1500/1505 à Vérone et mort le 26 août 1565 à Cracovie, est un graveur italien.
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| dbo:abstract | Gian Giacomo Caraglio (* ca. 1500 in Parma oder Verona; † 26. August 1565 in Krakau) war ein italienischer Zeichner, Kupferstecher, Architekt und Medailleur des Manierismus. Caraglio gilt als Nachfolger des als Kopisten zahlreicher Werke Raffaels bedeutenden Kupferstechers Marcantonio Raimondi, dessen Schüler er wahrscheinlich war. Er stach einzelne Blätter nach Parmigianino („Anbetung der Hirten“, „Diogenes“, und viel mehr), Serien nach Rosso Fiorentino („Herkulestaten“, „Götter“) und Perino del Vaga („Götterlieben“). Seine Stiche, gelegentlich als pornographisch betrachtet, wirken weniger plastisch als die Raimondis und betonen die dekorativ bewegte Linie. Sein Stil wurde in der Stechkunst von der Schule von Fontainebleau und in Mantua weiterentwickelt. Ab 1539 war Caraglio in Krakau Medailleur für den polnischen König Sigismund I. (de) Giovanni Giacomo Caraglio (Verona, 1500 - Parma, 26 de agosto de 1565), también conocido en latín como Jacobus Parmensis o Jacobus Veronensis, fue un grabador italiano del Renacimiento. Es mayormente conocido por copiar los trabajos de artistas como Rosso Fiorentino, Parmigianino, Rafael Sanzio, Giulio Romano, Tiziano y Miguel Ángel. Tras una etapa en el círculo de grabadores de Marcantonio Raimondi, trabajó como grabador en la corte del rey Segismundo I de Polonia entre 1539 aproximadamente y 1551. Después volvió a Italia, donde se asentó cerca de Parma y desarrolló allí su carrera hasta su muerte. (es) Jacopo Caraglio, Giovanni Jacopo Caraglio or Gian Giacomo Caraglio (c. 1500/1505 – 26 August 1565) known also as Jacobus Parmensis and Jacobus Veronensis was an Italian engraver, goldsmith and medallist, born at Verona or Parma. His career falls easily into two rather different halves: he worked in Rome from 1526 or earlier as an engraver in collaboration with leading artists, and then in Venice, before moving to spend the rest of his life as a court goldsmith in Poland, where he died. In Italy, he was one of the first reproductive printmakers, rendering versions of specially made drawings (mostly) or paintings rather than creating new works for the print medium, although detailed comparison of surviving drawings with the prints made from them show he had input into the creative process. He was in Rome at the brief period when the small but flourishing printmaking industry created by Raphael working with engravers to diffuse his work had been disrupted by Raphael's sudden death in 1520, cutting off the supply of new designs, and other artists were recruited fill the gap. A. Hyatt Mayor describes Caraglio as "the most individual member of the group", who had a particular influence on French printmaking of the First School of Fontainebleau, although unlike Rosso he never went there. His skill in engraving was available to artists developing the early style of full-blown Mannerism, and played a significant role in diffusing advanced Mannerist style around Italy and Europe. (en) Caraglio (Gian Giacomo ou Giovanni Giacopo) né vers 1500/1505 à Vérone et mort le 26 août 1565 à Cracovie, est un graveur italien. (fr) Giovanni Jacopo Caraglio (Verona, 1500 – Parma, 26 agosto 1565) è stato un incisore, pittore e medaglista italiano. Noto soprattutto come Jacobus veronensis, come amava firmarsi, e come lo conosceva anche Vasari, Caraglio nacque a Verona all'incirca nel 1500. Sappiamo che lasciò molto presto la città natale per trasferirsi in varie località italiane, tra cui Parma, la sua prima tappa, e Roma, l'ultima. Dopo aver soggiornato a Roma e aver consolidato qui la sua fama di incisore, si trasferì alla corte di Sigismondo I di Polonia, presso Varsavia. In Polonia lavorò sino al 1539; era incisore, ma anche architetto, medaglista e intagliatore di pietre preziose. Per quanto riguarda la sua produzione di incisore, sappiamo che la sua prima opera stampata è una Madonna con i SS. Rocco, Sebastiano e Anna, che riprende un dipinto di Girolamo Dai Libri. Incise da illustri pittori del Rinascimento italiano e del Manierismo come Raffaello Sanzio, Tiziano Vecellio, il Parmigianino, Rosso Fiorentino. (it) Giovanni Jacopo Caraglio, född omkring 1500 och död 1565 var en italiensk kopparstickare och guldsmed. Han var elev till Marcantonio Raimondi, och utförde ett stort antal fintoniga kopparstick efter bland annat Rafael och Tizian. Han övergick dock senare till guldsmedskonsten, och verkade från 1539 och till sin död vid polska hovet, främst som medaljgravör. (sv) |
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| rdfs:comment | Caraglio (Gian Giacomo ou Giovanni Giacopo) né vers 1500/1505 à Vérone et mort le 26 août 1565 à Cracovie, est un graveur italien. (fr) Giovanni Jacopo Caraglio, född omkring 1500 och död 1565 var en italiensk kopparstickare och guldsmed. Han var elev till Marcantonio Raimondi, och utförde ett stort antal fintoniga kopparstick efter bland annat Rafael och Tizian. Han övergick dock senare till guldsmedskonsten, och verkade från 1539 och till sin död vid polska hovet, främst som medaljgravör. (sv) Giovanni Giacomo Caraglio (Verona, 1500 - Parma, 26 de agosto de 1565), también conocido en latín como Jacobus Parmensis o Jacobus Veronensis, fue un grabador italiano del Renacimiento. Es mayormente conocido por copiar los trabajos de artistas como Rosso Fiorentino, Parmigianino, Rafael Sanzio, Giulio Romano, Tiziano y Miguel Ángel. (es) Gian Giacomo Caraglio (* ca. 1500 in Parma oder Verona; † 26. August 1565 in Krakau) war ein italienischer Zeichner, Kupferstecher, Architekt und Medailleur des Manierismus. Caraglio gilt als Nachfolger des als Kopisten zahlreicher Werke Raffaels bedeutenden Kupferstechers Marcantonio Raimondi, dessen Schüler er wahrscheinlich war. Er stach einzelne Blätter nach Parmigianino („Anbetung der Hirten“, „Diogenes“, und viel mehr), Serien nach Rosso Fiorentino („Herkulestaten“, „Götter“) und Perino del Vaga („Götterlieben“). Seine Stiche, gelegentlich als pornographisch betrachtet, wirken weniger plastisch als die Raimondis und betonen die dekorativ bewegte Linie. Sein Stil wurde in der Stechkunst von der Schule von Fontainebleau und in Mantua weiterentwickelt. Ab 1539 war Caraglio in Krakau Med (de) Jacopo Caraglio, Giovanni Jacopo Caraglio or Gian Giacomo Caraglio (c. 1500/1505 – 26 August 1565) known also as Jacobus Parmensis and Jacobus Veronensis was an Italian engraver, goldsmith and medallist, born at Verona or Parma. His career falls easily into two rather different halves: he worked in Rome from 1526 or earlier as an engraver in collaboration with leading artists, and then in Venice, before moving to spend the rest of his life as a court goldsmith in Poland, where he died. (en) Giovanni Jacopo Caraglio (Verona, 1500 – Parma, 26 agosto 1565) è stato un incisore, pittore e medaglista italiano. Noto soprattutto come Jacobus veronensis, come amava firmarsi, e come lo conosceva anche Vasari, Caraglio nacque a Verona all'incirca nel 1500. Per quanto riguarda la sua produzione di incisore, sappiamo che la sua prima opera stampata è una Madonna con i SS. Rocco, Sebastiano e Anna, che riprende un dipinto di Girolamo Dai Libri. Incise da illustri pittori del Rinascimento italiano e del Manierismo come Raffaello Sanzio, Tiziano Vecellio, il Parmigianino, Rosso Fiorentino. (it) |
| rdfs:label | Gian Giacomo Caraglio (de) Giovanni Jacopo Caraglio (es) Jacopo Caraglio (en) Jean Jacques Caraglio (fr) Giovanni Jacopo Caraglio (it) Giovanni Jacopo Caraglio (sv) |
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