Joaquín Torres-García (original) (raw)
Joaquín Torres García (* 28. Juli 1874 in Montevideo, Uruguay; † 8. August 1949 ebenda; auch Joaquín Torres-García) war ein uruguayisch-spanischer Maler.
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dbo:abstract | Joaquim Torres i García (Montevideo, 1874 – 1949) –conegut com a Joaquim Torras, Quim Torras, Joaquín Torres García en castellà o Joaquim Torres-García– va ser un pintor i escultor muralista, novel·lista, escriptor, professor i teòric uruguaianocatalà que va passar la major part de la seva vida adulta a Espanya i França. «Artista uruguaià-català, no només pel fet de ser el fill d'un mataroní sinó perquè va viure a Catalunya des de l'edat de disset anys fins que en va tenir quaranta-sis, va adquirir de la terra del seu pare la seva forta formació artística i hi va dedicar una part important de la seva obra. Va ser una de les personalitats més notables del moviment artístic de la primera meitat del segle.» Va començar a pintar a la darreria del segle xix a la Barcelona modernista, i aviat es va convertir en un dels pintors més representatius del noucentisme, l'ambiciós projecte cívic i cultural que aspirava a transformar, tot modernitzant-la, la Catalunya dels primers decennis del segle xx, i a convertir-la en portaveu de la tradició cultural mediterrània. Va estar casat amb Manolita Piña de Rubies, xilògrafa i pintora catalana. És conegut per la seva col·laboració amb Gaudí el 1903 als vitralls de la Catedral de Palma i a la Sagrada Família. El 1913 va pintar els famosos frescos monumentals a la seu medieval del Palau de la Generalitat del govern català. Com a teòric, va escriure més de 100 articles, llibres i assajos en català, francès i espanyol, i va pronunciar més de 500 conferències. Mestre infatigable, va fundar dues escoles d'art, l'una a Barcelona i l'altra a Montevideo, i nombrosos grups d'art, incloent-hi el primer grup europeu d'art abstracte i la revista Cercle et Carré ('cercle i quadrat') a París el 1929. Molts artistes l'han qualificat de mestre, entre els quals Joan Miró, Jean Hélion, Pere Daura o Engel Rozier. (ca) Joaquín Torres García (* 28. Juli 1874 in Montevideo, Uruguay; † 8. August 1949 ebenda; auch Joaquín Torres-García) war ein uruguayisch-spanischer Maler. (de) Joaquín Torres García (Montevideo, 28 de julio de 1874-Montevideo, 8 de agosto de 1949) fue un pintor, profesor, escritor, escultor y teórico del arte uruguayo. Es el creador del universalismo constructivo y del Taller Torres García, uno de los principales movimientos artísticos de su país. (es) Joaquín Torres García (28 July 1874 – 8 August 1949) was a Uruguayan-Spanish artist who was born in Montevideo, Uruguay. Torres-García emigrated to Catalunya, Spain as an adolescent, where he began his career as an artist in 1891. For the next three decades, Torres-García embraced the Catalan identity and led the cultural scene in Barcelona and Europe. As a painter, sculptor, muralist, novelist, writer, teacher, and theorist, Torres-García was considered a "renaissance" or "universal man." He used a simple metaphor to deal with eternal struggles he faced between the old and the new, between classical and avant-garde, between reason and feeling, and between figuration and abstraction: there is no contradiction or incompatibility. Like Goethe, Torres-García sought to integrate classicism and modernity. Although he lived and worked primarily in Spain, Torres-García was also active in the United States, Italy, France, and Uruguay; he influenced European and North American and South American modern art. Torres-García is known for his 1903 collaboration with Antoni Gaudí on the stained-glass windows for the Palma Cathedral and the Sagrada Família. He decorated the medieval Palau de la Generalitat de Catalunya with monumental frescoes. His art is associated with archaic universal culture, including Mediterranean cultural traditions, Noucentisme, and modern classicism. Torres-García developed a unique style (first known as "Art Constructif") during the 1930s, while he lived in Paris. Arte Constructivo (Constructive Art), a school he opened in Madrid, became Universalismo Constructivo (Universal Constructivism, a treatise he published in South America while teaching in his workshops Asociación de Arte Constructivo and El Taller Torres-García). Torres-García's art combines classical and archaic traditions with twentieth-century "-isms": Cubism, Dada, neo-plasticism, primitivism, surrealism, and abstraction. Torres-García published over 150 books, essays and articles in Catalan, Spanish, French and English, and delivered more than 500 lectures. He founded several art schools in Spain and Montevideo and a number of artistic groups, including the first European abstract-art group. Torres-García founded the magazine Cercle et Carré (Circle and Square) in Paris in 1929. Retrospectives in Paris (1955) and Amsterdam (1961) are the earliest shows documenting Torres-García in the world of abstract art. In the United States, he exhibited in New York during the 1920s as the Whitney Studio Club, the Society of Independent Artists and the Societe Anonyme were emerging. In the 1930s, Albert Eugene Gallatin exhibited Torres-García's work in the Museum of Living Art with modern masters Picasso, Georges Braque, Henri Matisse and Fernand Léger. The Museum of Modern Art opened its Latin American collection in the 1940s with the acquisition of Torres-García's work, and the Sidney Janis and Rose Fried galleries sponsored shows during the 1950s. The Solomon R. Guggenheim Museum had a retrospective exhibition in the 1970s, and more-recent retrospectives at the Museum of Modern Art (2015) and the Acquavella Galleries (2018) exhibited Torres-García's art with a contemporary perspective. (en) Joaquín Torres García, né le 28 juillet 1874 à Montevideo (Uruguay) où il est mort le 8 août 1949, est un peintre muraliste, sculpteur, écrivain, enseignant et théoricien hispano-uruguayen. « Torres-Garcia est l'une des grandes figures de l'art de ce siècle », son influence comprend l'art moderne européen, américain et sud-américain, et il est considéré comme le père du constructivisme universel. Aux États-Unis, il était probablement sous-estimé précisément parce qu'il était si influent ; Adolph Gottlieb et la dette de Louise Nevelson à son travail n'a jamais été pleinement reconnu Il est connu pour sa collaboration avec Gaudi en 1903 sur les vitraux pour la cathédrale de Palma et la Sagrada Família les fresques peintes dans le Palau de la Generalitat de Barcelone, et pour être le fondateur de l'association d'artistes européens Cercle et Carré à Paris en 1929. (fr) Joaquín Torres García (Montevideo, 28 luglio 1874 – Montevideo, 8 agosto 1949) è stato un pittore, designer e imprenditore uruguaiano. Lasciato l'Uruguay nel 1891, studiò a Barcellona, dedicandosi soprattutto alla pittura murale; nel 1924 si stabilì a Parigi dove fu in stretto rapporto con M. Seuphor, T. van Doesburg, G. Vantongerloo, V. Kandinskij e P. Mondrian, e orientò la sua ricerca pittorica verso il costruttivismo. Impostò in piani rigorosamente ordinati l'oggetto rappresentato, ricercandone un suo aspetto universale, fino a giungere alla invenzione di pure forme astratte. Nel 1929 con Seuphor fondò il gruppo Cercle et Carré. Tornato in patria nel 1934, svolse un ruolo di primaria importanza per il rinnovamento dell'arte in Uruguay e in Argentina. Il suo testamento artistico può essere considerato la pubblicazione Universalismo constructivo (1944). In parallelo può essere visto anche una specie di manifesto tipo la Ricostruzione futurista dell'Universo di Balla e Depero. Fondò le sue fabbriche per realizzare i suoi giocattoli gli Alladin Toys in Barcellona (Spagna), Fiesole (Italia) e New York (USA).I suoi giocattoli trasformabili sono singolari per quanto a innovazione e originalità si avvicinano, come matrice artistica a quella dell'ungherese Ladislav Sutnar.Ma l'opera di creazione di giocattoli non fu la sua attività principale. Torres García nasce soprattutto come pittore e grafico e solo in secondo tempo si dedica alle arti applicate forse in concomitanza con l nascita di sua figlia Olimpia.I suoi giocattoli risentono della sensibilità di osservatore delle arti e di mondi diversi. Infatti per motivi famigliari la sua famiglia si sposta più volte dalle americhe all'Europa.Riuscì ad unire le teorie dei pedagoghi a lui contemporanei in primis Friedrich Fröbel alle scoperte delle avanguardie artistiche europee: cubismo, futurismo e costruttivismo. Nei suoi personaggi che rappresentano i modelli dello spirito del tempo, le auto e gli altri mezzi di locomozione, si osserva, soprattutto nei volti che sembrano davvero venire fuori da una umanità osservata con dedizione e riesce a tradurli in personaggi che vivono e possono vivere delle storie tramite le riproduzioni nei suoi giocattoli. A Montevideo è presente il Museo della sua opera (it) ホアキン・トレス・ガルシア(Joaquín Torres García、1874年7月28日 - 1949年8月8日)はウルグアイ生まれのスペインの画家である。 (ja) Joaquín Torres García (ur. 28 lipca 1874 w Montevideo, zm. 8 sierpnia 1949 tamże) – urugwajski artysta malarz. (pl) Joaquín Torres García (Montevideo, 28 juli 1874 – aldaar, 8 augustus 1949) was een Uruguayaanse schilder en publicist. (nl) Joaquín Torres García ou Joaquín Torres-García (Montevidéu, 28 de julho de 1874 — Montevidéu, 8 de agosto de 1949) foi um pintor, desenhista, escultor, escritor e professor uruguaio, que conquistou renome internacional. Ele era o marido da pintora espanhola-uruguaia Manolita Piña. (pt) Хоакин Торрес Гарсия (исп. Joaquín Torres-García; 28 июля 1874, Монтевидео — 8 августа 1949, Монтевидео) — уругвайский художник, живописец, скульптор, писатель, педагог и теоретик искусства. (ru) |
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dbo:deathDate | 1949-08-08 (xsd:date) |
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dbo:thumbnail | wiki-commons:Special:FilePath/Joaquín_Torres-García...rada_Familia,_Barcelona.jpg?width=300 |
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dbp:birthDate | 1874-07-28 (xsd:date) |
dbp:birthName | Joaquín Torres Garcia (en) |
dbp:birthPlace | Montevideo, Uruguay (en) |
dbp:caption | Torres-García at the Sagrada Família in Barcelona in 1903 (en) |
dbp:deathDate | 1949-08-08 (xsd:date) |
dbp:deathPlace | Montevideo, Uruguay (en) |
dbp:field | Painting, sculpture, writing, teaching, illustration (en) |
dbp:imageSize | 200 (xsd:integer) |
dbp:movement | dbr:Noucentisme dbr:Modern_art dbr:Constructivism_(art) |
dbp:name | Joaquín Torres García (en) |
dbp:nationality | Uruguayan, Spanish (en) |
dbp:training | Escuela Oficial de Bellas Artes Barcelona (en) |
dbp:website | https://jtorresgarcia.com/ |
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rdfs:comment | Joaquín Torres García (* 28. Juli 1874 in Montevideo, Uruguay; † 8. August 1949 ebenda; auch Joaquín Torres-García) war ein uruguayisch-spanischer Maler. (de) Joaquín Torres García (Montevideo, 28 de julio de 1874-Montevideo, 8 de agosto de 1949) fue un pintor, profesor, escritor, escultor y teórico del arte uruguayo. Es el creador del universalismo constructivo y del Taller Torres García, uno de los principales movimientos artísticos de su país. (es) ホアキン・トレス・ガルシア(Joaquín Torres García、1874年7月28日 - 1949年8月8日)はウルグアイ生まれのスペインの画家である。 (ja) Joaquín Torres García (ur. 28 lipca 1874 w Montevideo, zm. 8 sierpnia 1949 tamże) – urugwajski artysta malarz. (pl) Joaquín Torres García (Montevideo, 28 juli 1874 – aldaar, 8 augustus 1949) was een Uruguayaanse schilder en publicist. (nl) Joaquín Torres García ou Joaquín Torres-García (Montevidéu, 28 de julho de 1874 — Montevidéu, 8 de agosto de 1949) foi um pintor, desenhista, escultor, escritor e professor uruguaio, que conquistou renome internacional. Ele era o marido da pintora espanhola-uruguaia Manolita Piña. (pt) Хоакин Торрес Гарсия (исп. Joaquín Torres-García; 28 июля 1874, Монтевидео — 8 августа 1949, Монтевидео) — уругвайский художник, живописец, скульптор, писатель, педагог и теоретик искусства. (ru) Joaquim Torres i García (Montevideo, 1874 – 1949) –conegut com a Joaquim Torras, Quim Torras, Joaquín Torres García en castellà o Joaquim Torres-García– va ser un pintor i escultor muralista, novel·lista, escriptor, professor i teòric uruguaianocatalà que va passar la major part de la seva vida adulta a Espanya i França. És conegut per la seva col·laboració amb Gaudí el 1903 als vitralls de la Catedral de Palma i a la Sagrada Família. El 1913 va pintar els famosos frescos monumentals a la seu medieval del Palau de la Generalitat del govern català. (ca) Joaquín Torres García (28 July 1874 – 8 August 1949) was a Uruguayan-Spanish artist who was born in Montevideo, Uruguay. Torres-García emigrated to Catalunya, Spain as an adolescent, where he began his career as an artist in 1891. For the next three decades, Torres-García embraced the Catalan identity and led the cultural scene in Barcelona and Europe. As a painter, sculptor, muralist, novelist, writer, teacher, and theorist, Torres-García was considered a "renaissance" or "universal man." He used a simple metaphor to deal with eternal struggles he faced between the old and the new, between classical and avant-garde, between reason and feeling, and between figuration and abstraction: there is no contradiction or incompatibility. Like Goethe, Torres-García sought to integrate classicism and (en) Joaquín Torres García, né le 28 juillet 1874 à Montevideo (Uruguay) où il est mort le 8 août 1949, est un peintre muraliste, sculpteur, écrivain, enseignant et théoricien hispano-uruguayen. « Torres-Garcia est l'une des grandes figures de l'art de ce siècle », son influence comprend l'art moderne européen, américain et sud-américain, et il est considéré comme le père du constructivisme universel. Aux États-Unis, il était probablement sous-estimé précisément parce qu'il était si influent ; Adolph Gottlieb et la dette de Louise Nevelson à son travail n'a jamais été pleinement reconnu (fr) Joaquín Torres García (Montevideo, 28 luglio 1874 – Montevideo, 8 agosto 1949) è stato un pittore, designer e imprenditore uruguaiano. Lasciato l'Uruguay nel 1891, studiò a Barcellona, dedicandosi soprattutto alla pittura murale; nel 1924 si stabilì a Parigi dove fu in stretto rapporto con M. Seuphor, T. van Doesburg, G. Vantongerloo, V. Kandinskij e P. Mondrian, e orientò la sua ricerca pittorica verso il costruttivismo. Impostò in piani rigorosamente ordinati l'oggetto rappresentato, ricercandone un suo aspetto universale, fino a giungere alla invenzione di pure forme astratte. Nel 1929 con Seuphor fondò il gruppo Cercle et Carré. Tornato in patria nel 1934, svolse un ruolo di primaria importanza per il rinnovamento dell'arte in Uruguay e in Argentina. (it) |
rdfs:label | Joaquim Torres i García (ca) Joaquín Torres García (de) Joaquín Torres García (es) Joaquín Torres García (fr) Joaquín Torres García (it) Joaquín Torres-García (en) ホアキン・トレス・ガルシア (ja) Joaquín Torres García (pl) Joaquín Torres García (nl) Торрес Гарсия, Хоакин (ru) Joaquín Torres García (pt) |
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