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Masaccio is important for developing naturalistic depiction of 3D space containing figures conceived as accurate plastic objects. In his paintings the newly discovered laws of perspective were applied, the drawing of foreshortened parts was correct, and the anatomy of the human body was well understood. According to Giorgio Vasari, Masaccio owed his artistic education to Masolino da Panicale, but Masaccio, although he died 20 years before his master, carried the advance in naturalism further. Much of his work has been destroyed, and what remains is often in poor condition, but undergoing some restoration. The largest remaining collection of work is the fresco decoration of the Brancacci Chapel in the Church of Santa Maria del Carmine in Florence. Here Masolino da Panicale had left unfinished a series of frescoes which Masaccio was asked to continue: his six paintings there created a sensation and became the training school of Florentine painters of the succeeding generations, of Michelangelo with the rest. Masaccio did not complete the decoration of the chapel. In 1428 he left for Rome, and was reported dead soon afterwards. What follows is an incomplete list of Masaccio's main paintings in chronological sequence. The arrangement is ordered by year and title, with brief comments and showing the artistic development of the artist. (en) Мазаччо — ключевая фигура в деле развития натуралистического изображения трёхмерного пространства. В его картинах применялись недавно открытые для того времени законы перспективы, рисунок частей в ракурсе был правильным, а анатомия человека хорошо понятной. По словам Джорджо Вазари, Мазаччо был обязан своим художественным образованием Мазолино да Паникале, хотя Мазаччо и умер за 20 лет до своего мастера, но продвинулся в натурализме намного дальше. Большая часть его работ была уничтожена, а то, что осталось, находится в плохом состоянии, но изредка реставрируется. Самым крупных сохранившимся собранием его работ является фреска в Капелле Бранкаччи церкви Санта-Мария-дель-Кармине во Флоренции. Здесь Мазолино да Паникале оставил незаконченным цикл фресок, который уже продолжил Мазаччо: шесть его работ вызвали большой интерес и стали материалами для подготовки флорентийских художников последующих поколений, таких как Микеланджело и другие. Мазаччо не успел завершить работы в капелле, так как в 1428 году он отбыл в Рим, где и умер. Ниже приводится неполный список основных картин Мазаччо в хронологической последовательности. (ru) |
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http://smarthistory.khanacademy.org/masaccios-expulsion.html https://www.piccoligrandimusei.it/en/blog/portfolio_page/the-masaccio-museum-of-sacred-art-s-pietro-a-cascia/ http://smarthistory.khanacademy.org/Masaccio.html http://www.artbabble.org/video/ngadc/empire-eye-magic-illusion-trinity-masaccio-part-2 http://smarthistory.khanacademy.org/holy-trinity-santa-maria-novella-florence.html |
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Masaccio's Expulsion of Adam and Eve from Eden, Smarthistory (en) Masaccio's Holy Trinity, Smarthistory (en) Masaccio's The Tribute Money in the Brancacci Chapel, Smarthistory (en) The Magic of Illusion: The Trinity-Masaccio, Part 2, National Gallery of Art (en) |
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Masaccio is important for developing naturalistic depiction of 3D space containing figures conceived as accurate plastic objects. In his paintings the newly discovered laws of perspective were applied, the drawing of foreshortened parts was correct, and the anatomy of the human body was well understood. According to Giorgio Vasari, Masaccio owed his artistic education to Masolino da Panicale, but Masaccio, although he died 20 years before his master, carried the advance in naturalism further. Much of his work has been destroyed, and what remains is often in poor condition, but undergoing some restoration. The largest remaining collection of work is the fresco decoration of the Brancacci Chapel in the Church of Santa Maria del Carmine in Florence. Here Masolino da Panicale had left unfinish (en) Мазаччо — ключевая фигура в деле развития натуралистического изображения трёхмерного пространства. В его картинах применялись недавно открытые для того времени законы перспективы, рисунок частей в ракурсе был правильным, а анатомия человека хорошо понятной. По словам Джорджо Вазари, Мазаччо был обязан своим художественным образованием Мазолино да Паникале, хотя Мазаччо и умер за 20 лет до своего мастера, но продвинулся в натурализме намного дальше. Большая часть его работ была уничтожена, а то, что осталось, находится в плохом состоянии, но изредка реставрируется. Самым крупных сохранившимся собранием его работ является фреска в Капелле Бранкаччи церкви Санта-Мария-дель-Кармине во Флоренции. Здесь Мазолино да Паникале оставил незаконченным цикл фресок, который уже продолжил Мазаччо: шесть (ru) |
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List of major paintings by Masaccio (en) Список картин Мазаччо (ru) |
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