Relaxed, Loose, Effortless, Open, and Responsive in T'ai Chi Ch'uan (Taijiquan) and Qigong (Chi Kung) by Michael Garofalo (original) (raw)
Loosened
Relaxed, Loose, Open, Yielding, Free, Responsive, Effortless, Spacious
Song, Sung, Fang Song
A Defining Characteristic and Essential Quality of Taijiquan and Qigong Practice
Researched by
Michael P. Garofalo
Rooting and Centering Wuji (Empty State) and Standing Meditation
Somaesthetic Practices and Theory
Taijiquan Qigong Index Chen Style Taijiquan
Bibliography and Links Relaxation, Looseness, Openness, Effortlessness, Calmness (Song Sung Shoong Ching Song Fang Song)
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Autogenics and Visual Imagery By R. R. Danielson. 44Kb.
Autogenics TrainingBy Raymond Lloyd Richmond. 49Kb.
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Chen Style of Taijiquan: Bibliography, Links, Resources, Quotes
Chinese Boxing: Masters and Methods. By Robert W. Smith. Berkeley, CA, North Atlantic Books, 1974, 1990. ISBN: 155643085X.
Cloud Hands Blog By Mike Garofalo.
Cloud Hands Blog Posts about Relaxing, Being Loose, Song
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Dao De Jing, Laozi (The Tao Te Ching by Lao Tzu)
Dao House: Of Discourses and Dreams "A compendium of links to great online Daoist (Taoist) resources." An excellent selection of fine links with informative and fair annotations; all presented in an attractive and easy to read format. The in-depth and creative collection of links are arranged by 18 topics.
Daoism: Bibliography, Links, Resources, Quotations, Lessons
The Dao of Taijiquan: Way to Rejuvenation.By Tsung Hwa Jou. Charles E. Tuttle, 1998. 3rd Edition. 233 pages. ISBN: 0804813574. An outstanding textbook on Tai Chi Chuan. All styles are introduced and explained. A very informative introduction to the philosophy and practices of Tai Chi Chuan. VSCL.
Discussion on Relaxation 10Kb.
Eight Section Brocade Qigong By Michael P. Garofalo. History and purpose of this popular chi kung practice. Descriptions for each of the eight movements, health benefits, comments, variations, extensive links and bibliography, resources, quotations, animated .gif photographs of the movements, and charts. HTML format. 65 pages in Word.doc format. This file is updatedon a regular basis as I add new material, links, notes, and resources. A.K.A: Baduanjin, Pa Tuan Jin, Eight Silken Treasures, Ba Duan Jin, Pal Dan Gum, Ba Duan Gin, Pa Tin Kam, Otto Pezzi di Tesoro, Acht Delen Brokaat, Les Huit Exercices del la Soie, Eight Silken Treasures, Brocade Qigong, Wudang Brocade Qigong, Silk Treasures Qigong, First Eight Buddha Lohan Hands.
The Essence of T'ai Chi. By Waysun Liao. Boston, Shambhala, 1995. Shambhala Pocket Classics. 162 pages. ISBN: 1570620392. A discussion of shoong on pages 56-61. VSCL.
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The Healing Path of Yoga. Time-Honored Wisdom and Scinetifically Proven Methods that Alleviate Stress, Open Your Heart, and Enrich Your Life. By Nischala Joy Devi. New York, Three Rivers Press, 2000. Index, 238 pages. ISBN: 0609805029. VSCL.
The Healing Promise of Qi: Creating Extraordinary Wellness Through Qigong and Tai Chi By Roger Jahnke, O.M.D.. Chicago, Contemporary Books, 2002. Index, notes, extensive recommended reading list, 316 pages. ISBN: 0809295288. VSCL.
"How Do I Relax?" By Marvin Smalheiser. T'ai Chi, Vol. 23, No. 6, December 1999, p. 49.
How to Calm Down: Three Deep Breaths to Peace of Mind. By Fred L. Miller and Mark Bryan. Warner Books, 2003. 128 pages. ISBN: 0446679712.
The Intrinsic Energies of T'ai Chi Ch'uan. Compiled and translated by Stuart Alve Olson. Chen Kung Series, Volume Two. Saint Paul, Minnesota, Dragon Door Publications, 1994. Index, 194 pages. ISBN: 093804513X. VSCL.
Learn to Relax: A Practical Guide to Easing Tension and Conquering Stress. By Mike George. San Francisco, Chronicle Books, 1998. Index, bibliography, 159 pages. High quality layout, artwork, and typography. ISBN: 0811819086. 25 good techniques for helping you relax and reduce stress. A beautiful book with sage advice.
Lifestyle Advice From Wise Persons
"Li Yaxuan On Relaxation and Skills." Interview with Chen Longxiang. T'ai Chi: The International Magazine of T'ai Chi Chuan. Vol. 27, No. 4, August, 2003, pp. 21-25.
Lohan Shaolin Buddhist Qigong Eighteen Buddha Hands Qigong.
Magic Pearl Qigong: A Tai Chi Medicine Ball Exercise Routine and Meditation Technique. Developed by Mike Garofalo.
Mastering Yang Style Taijiquan. Bu Fu Zhongwen (1903-1994). Translated by Louis Swaim. Berkeley, California, Blue Snake Books, North Atlantic Books, 1999, 2006. Glossary, bibliography, 226 pages. Translations of many Tai Chi classics are included. A list of the 85 movement long form and detailed notes and descriptions of each movement are provided. Originally published in Chinese in 1963. VSCL.
Meditation: Links, Bibliography, Notes, Quotes.
Meditation Therapy. By Andrew Shugyo Bonnici.
Muscle and Tendon Changing Qigong - Yi Jin Jing
One Old Druid's Final Journey: Notebooks of the Librarian of Gushen Grove
Opening the Energy Gates of Your Body: Qigong for Life Long Health. By Bruce Kumar Frantzis. Fairfax, California, Energy Arts, 1993, 2006. Index, 300 pages. ISBN: 9781583941461. VSCL.
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The Power of Relaxation. By Sifu John Adams. Instructional videotape.
The Practice of Happiness: Exercises and Techniques for Developing Mindfulness, Wisdom and Joy. By Mirko Fryba. Translated by Michael H. Kohn. Boston, Shambhala, 1995. Index, 214 pages. MGC. ISBN: 1570621233.
Progressive Muscle Relaxation By Bernd Harmsen. PMR.
Progressive Muscle Relaxation. By Raymond Lloyd Richmond. 34Kb. PMR. "There are two steps in the self-administered Progressive Muscle Relaxation procedure: (a) deliberately tensing muscle groups, and (b) releasing the induced tension."
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Qigong: Links and Bibliography
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Relaxation, Calmness, Sung, Poise, Effortlessness
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Relaxation Techniques and Tai Chi
Relaxation Techniques for Relief of Anxiety and Stress. By Susan M. Lark, M.D..
Relaxation Techniques - Sports Coach
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Relaxing More Effectively Through Yoga
Rooting, Grounding, Centering, and Balancing in T'ai Chi Ch'uan and Chi Kung
Rooting: Posts to the Cloud Hands Blog
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ShambhalaThe Way of the Warrior includes fearlessness.
Somaesthetic Practices and Theory
Standing Meditation, Wuji Posture, Rooting, Zhan Zhuang Qigong
Strength Training: Taijiquan, Qigong, Kung Fu and Yoga
Stress Management. Melissa Stoppler, M.D. Articles, news and links.
Stress Management and Emotional Wellness Links.
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Sun Style of Taijiquan: Bibliography, Links, Resources, Quotes, Lists.
T'ai Chi Ch'uan: Links and Bibliography
Tai Chi for Health and Relaxation
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The Tao Te Ching by Lao Tzu (Dao De Jing, Laozi) Selected Quotations, Commentaries, Guides, Indexes
Taoist Studies and Practices: Ripening Peaches
Therapies - Autogenics. "Autogenics is a relaxation technique involving a series of attention-focusing exercises designed to induce relaxation and enhance the body�s self-healing powers. Similar to self-hypnosis and meditation its purpose is to enable people to learn how to put themselves in a relaxed state releasing muscle tension and dealing with anxiety without the need of a trainer or therapists."
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Valley Spirit Center, Red Bluff, California
VSCL = Valley Spirit Center Library in Red Bluff, California
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Ways to RelaxNotes and links.
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Wild Goose Qigong: Links, Bibliography, Quotes, Notes
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Wu Qin Xi, Five Animal Frolics Qigong
Yang Style Taijiquan Bibliography, Links, Lists, Resources, Quotes.
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禽戲
Animal Frolics Qigong
Bear Tiger Monkey Deer Crane Dragon Animal Frolics
Quotations Relaxation, Looseness, Openness, Calmness, Effortlessness (Song, Sung, Shoong, Fang Song)
"The principle of sung implies loosening one's muscles and releasing one's tensions, giving up one's energy externally but preserving it internally so that one's body will be sensitive and alert enough to adapt itself to any circumstance."
The Ten Guiding Points of Tai Chi Chuan
"Shoong means "to relax, "to loose, "to give up," "to yield." It is a term that has been adapted and incorporated into the specialized terminology traditionally used by T'ai Chi masters. It is said that when the famous T'ai Chi master Yang, Chen-fu was training the late master Cheng Man-c'hing, Master Yang reminded his student daily to "be shoong, be really, really shoong." "If your are not shoong, " Master Yang would say, "even just a little bit not shoong, you are not in the stage of shoong. Your are then in the stage of a loser of T'ai Chi; you will be defeated."
- Waysun Liao, The Essence of T'ai Chi, 1995, p. 56
"To be relaxed means to release tension, but not to let go of substance. There is a quality in-between stiff and loose which is stable, yet flexible, that has fullness without being rigid, that is calm in motion yet conveys a vigorous presence. For lack of an equivalent English word, I refer to this concept as flowing within firmness, firmness within flowing. Flowing and firmness do not gain support from a rigid skeletal posture or strength from muscular tension. Rather, their integrity comes from expansion. Expansion is the ability to spread out in all directions. This is the key to relaxing without collapsing."
- Ting Kuo-Piao, Understanding Flowing and Firmness, 2000
"Relaxation of the whole body means the conscious relaxation of all the joints, and this organically links up all parts of the body in a better way. This does not mean softness. It requires a lot of practice in order to understand this point thoroughly. Relaxation also means the "stretching" of the limbs, which gives you a feeling of heaviness. (This feeling of heaviness or stiffness is a concrete reflection of strength.) This feeling is neither a feeling of softness nor stiffness, but somewhere in between. It should not be confined to a specific part, but involves the whole body. It is like molten iron under high temperature. So relaxation "dissolves" stiff strength in very much the same way. Stiff strength, also called "clumsy strength," undergoes a qualitative change after thousands of times of "dissolution" exercises. Just like iron which can be turned into steel, so "clumsy strength" can be turned into force, and relaxation is a means of gradually converting it into force. Our ancestors put it well: "Conscious relaxation will unconsciously produce force." There is truth in this statement."
- Yang Zhenduo, "Yang Style Taijiquan", p 16
"The most important point of t'aichi is relax. Relaxation helps your body repel illness; it allows your ch'i and blood to flow smoothly; it harmonizes the sinews and vessels, balances the Five Internal Organs, and opens the Triple Burners - how can any disease invade your body? The ancients said that the best doctor cured those not yet ill, and t'aichi is the finest medicine of the best doctor."
- Professor Cheng Man-ch'ing, Taijiquan Master and Doctor of Chinese Medicine,
Cheng Man-ch'ing: Master of Five Excellences.
"As far as a practitioner of Taijiquan is concerned, most important is that he should calm himself, banish distracting thoughts from his mind, relax both body and mind and not be constrained. In this way, the inborn inspiration and natural stableness will revive from varieties that are twisted. Do not be distracted, the quietness and stableness are important."
- Li Yaxuan
"To see the Self (Atman) one must become calm, controlled, quiet, patiently enduring, and contented."
- Brhadaranyaka Upanisad, 800 BCE
"'Sung' is often translated as 'relax', however as Louis Swaim observes etymologically the term 'Sung' is based on a character for 'long hair that hangs down' - that is, hair that is loosened and expanded, not 'drawn up'. This 'loose' and 'expanded' feeling is what is meant by relaxed in the context of Tai Chi Chuan."
- Bath Tai Chi Chuan
"We are told to be in a state of "Sung" which has been mistranslated as to "relax". So the early instructors did the whole form with even paced movements, slow and calm for the whole form. This is not yin and yang! Sung actually means something like "moving without the conscious knowledge of movement". It does not mean to completely relax, as we would fall on the ground if we were to do that. However, within this state of sung, there must also be yin and yang balance without losing the "sung". So built into the "Old Yang Style of Yang Lu-ch'uan" we have movements that balance each other out by having both yin and yang movements. We will be moving along calmly, slowly and in as a relaxed state as possible, then will come an energy release point in the form where we perform a movement or set of moves that are totally explosive. Not tense, but explosive still retaining that sung ideal. Then we will be back instantly into the calm and the flowing movements, just like the great river or nature in general."
- Erle Montaigue, The Nature of Tai Chi Chuan
"Activities like T'ai Chi and Yoga offer an incredible opportunity for promoting optimal health. These exercises train a high degree of internal awareness and powerfully stimulate the relaxation response. This combination of awareness, relaxation and exercise has tremendous benefits for reducing stress, enhancing the immune system and generating physical and emotional health."
- Fitness Matters - Life Matters
"The rigid person is a disciple of death;
the soft, supple, and delicate are lovers of live."
- Tao Te Ching, Chapter 76
"This is not to say that T'ai-chi does not require effort. It does. But it requires quite as much faith. I asked Cheng Man-ch'ing once whey none of his students approached him in skill. His terse answer: "No faith." Faith in what? Simply in the twin principles of relax and sink, in not resisting and always remaining gently attached to the opponent."
- Robert W. Smith, Chinese Boxing: Masters and Methods, 1974, p. 26.
"There are three golden steps to relaxation. First, have your body symmetrical. For example, if you are standing, check that you are standing upright, with your shoulders level and your arms hanging loosely at your sides. Then loosen all your muscles. Don't worry how or why you do it; just do it. Second, have your lips gently open and smile from your heart. Again, just do it. Third, close your eyes gently and do not think of anything. Then just let go. All these are easier done than described, and need not worry about the principles behind them. Just do them and enjoy the benefits."
- Sifu Wong Kiew Kit, On Shoong
"A flower is relaxed."
- Charlotte Selver
"The Chen Old Frame First Routine helps to instill the three characteristics of song(looseness), yuan (roundness, centerness), and rou (pliancy). Song means not using stiff force. Many practitioners of Taijiquan will probably have been exhorted repeatedly to look for the quality of fangsong, or to let loose. Western texts often translate the term simply as "to relax," which fails to capture the energetic state that is actually required. the renowned Taijiquan historian Gu Luixin describes this state as one of the essential features of Chen style Taijiquan. He explained, "... you reuire looseness (song) to get pliancy (rou) and then softness to get hardness (gang). From hardness you need to be able to revert to softness. So the goal is to simultaneously have softness as well as hardness and to be able to alternate hardness and softness."
- David Gaffney and Davidine Siaw-Voon Sim, The Essence of Taijiquan, 2012, p.185
"In meditation, effort must be applied in a direction opposite to what we are used to. Our "effort" must be to relax ever more deeply. We must ultimately release the tension from both our muscles and our thoughts. When we relax so deeply that we are able to internalize the energy of the senses, the mind becomes focused and a tremendous flow of energy is awakened. ... Meditation is a continuous process, and can be said to have three stages: relaxation, interiorization, and expansion."
- John Novak, Lessons in Meditation, p. 14
"To practice mindfulness of the body, we need to kindle an awareness of sensations, accept what we have kindled exactly as it appears, and then surrender to the process of change that inevitably occurs. Kindling is a function of alignment. Acceptance is experienced through relaxation. Surrender is made possible through resilience. It is not really possible to separate out these three aspects of the posture of meditation into discrete units any more than it would be possible to conceive of the three faces of a pyramid as distinct entities, unrelated to one another."
- Will Johnson, Aligned, Relaxed, Resilient, 2000, p. 15
"Song is translated into English as relax. But this meaning is generally regarded as incomplete. It also can mean loosening, releasing tension, relaxed alertness. To my mind the state of Song is directly related to correct posture and structural alignment as described in the Ten Essential Points by Yang Chen-fu. By realigning the body to attain and maintain correct natural alignment of the skeleton several things result. Internal organs are able to locate in the body as they were designed to enabling them the opportunity to function at their optimum. Secondly, correct natural alignment enables the skeleton to assume its job of supporting the body as it was designed to do. Consequently the ligaments, tendons, tissue and muscles of the body can also assume the particular job they were designed for, namely to support the skeleton and not expend additional energy or create unnecessary tensions. If we can achieve and maintain this natural state, then we can allow the body to function naturally and optimally. In this state, we have a chance of achieving the state of Song from the inside out rather than superficially from the outside in as we all tend to do."
- Ian Etcell, How to Improve Your Tai Chi, 2003
"Relaxation occurs by degrees. On one hand, a too-high level of relaxation or lack of muscle tone will produce limpness and will undermine our ability to both maintain our structure and get the job done. On the other hand, to much tension produces stiffness and a lack of sensivity and responsiveness. ... Relaxation is where the level of tone in the muscles is balanced and the joint is mobile or loose."
- Nando Raynolds, Relaxing and Integrating Body Movement, 2001
"The first principle of Tai Chi Chuan is relaxation, without which there is no Tai Chi. The initial lecture Professor Cheng Man-ch'ing gave to each beginning class was on the importance of relax. "The whole body must be relaxed, loose and open, so that the ch'i, the vital energy, can pass through without blockage. This is the principle of Tai Chi as a health exercise, as well as a system of self-defense." Relaxation is not simply becoming limp. There should be a quality of vitality about it. The beginner must focus entirely on letting go of tension and hard force, but, building on that foundation, the practitioner must contemplate the difference between going limp, which is lifeless, and the relaxation of a cat, which is completely vital and alert."
- There Are No Secrets: Professor Cheng Man-ch'ing and His Tai Chi Chuan, p. 6.
"The essence of collecting body and mind is in openness and calm. Empty and open the mind, and spirit and essence join. Calm the body, and vitality and sense are still. When the will is greatly stabilized, the three bases - vitality, energy, and spirit - merge into one. This is called "the three flowers gathering on the peak," "the five energies returning to the source," and "the spiritual embryo congealing." Refining vitality into energy is the first pass - the body is not agitated. Refining energy into spirit is the middle pass - the mind is not agitated. Refining spirit back into openness is the upper pass - the will is not agitated."
- The Book of Balance and Harmony: A Taoist Anthology of the 13th Century, Translated with an Introduction by Thomas Cleary, 1989, p. 27
"To develop listening energy in accordance with t'ai chi ch'uan principle you must first rid yourself of the hindrances of external muscular force. Loosen and relax the waist and legs; meditate on stilling the mind; accumulate the ch'i and concentrate the spirit, otherwise you cannot develop listening."
- Chen Kung, Intrinsic Energies of T'ai Chi Ch'uan
"The more an individual advances his development the greater will be his ease of action, the ease synonymous with harmonious organization of the senses and the muscles. When activity is freed of tension and superfluous effort the resulting ease makes for greater sensitivity and better discrimination, which make for still greater ease in action. He will now be able to identify unnecessary effort even in actions that formerly seemed easy to him. As this sensitivity in action is further refined, it continues to become increasingly delicate up to a certain level. In order to pass this limit there must be improved organization of the entire personality. But at this stage further advance will no longer be achieved slowly and gradually, but by a sudden step. Ease of action is developed to the point where it becomes a new quality with new horizons."
- Moshe Feldenkrais, Awareness Through Movement, p. 87.
"Perfections in an asana is achieved when the effort to perform it becomes effortless and the infinite being within is reached.
- Pata�jali, Yoga Sutras, 300 B.C.
"A yoga practitioner can be considered firm in his postures when persevering effort is no longer needed. In this stability, he grasps the physiology of each asana [yoga posture] and penetrates within, reaching the minutest parts of the body. Then he gains the art of relaxation, maintaining the firmness and extension of the body and consciousness. In this way he develops a sensitive mind. With this sensitivity, he trains his thinking faculty to read, study and penetrate the infinite. He is immersed in the boundless state of oneness which is indivisible and universal."
- B.K.S. Iyengar, Light on the Yoga Sutras of Panta�jali, p. 151
"Song is not merely the absence of tension, but rather the absence of unnecessary tension. Song is the art of becoming aware of an inhibiting the habitual contraction of muscles due to emotional stress and poor habits of posture, breathing and movement. ... Active relaxation is a form of qigong in itself; it is also essential preparation for all styles of qigong. It includes the following attributes: awareness and tranquility, effortlessness, sensitivity, warmth and rootedness."
- Kenneth Cohen, The Way of Qigong, 1997, p 97.
"Throughout this book one encounters the terms _song_and fang song. These are often translated as "relaxed" and "relax." Etymologically the term song is based on a character for "long hair that hangs down ─that is, hair that is loosened and expanded, not "drawn up." Therefore, "loosened" and "loosen" are more accurate renderings for _song_and fang song. The phonetic element that gives the character song its pronunciation means, by itself, "a pine tree,"" which carries an associated imagery of "longevity," much as evergreens are associated with ongoing vitality in the West. This may provide a clue to the Taijiquan usage of this term, which must not be confused with total relaxation, but is closer to an optimal state of the condition referred to as tonus in English anatomical parlance: that is, the partial contraction of the musculature, which allows one to maintain equilibrium and upright posture. The aligned equilibrium that is prescribed in Taijiquan is associated with imagery of being "suspended" from the crown of the head. One can, therefore, draw upon the available imagery of both something that is loosened and hangs down, and that of the upright pine, whose limbs do not droop down, but are buoyant and lively."
- Mastering Yang Style Taijiquan. Bu Fu Zhongwen (1903-1994). Translated by Louis Swaim. p. xv.
"The reason that one can acquire the art of T'ai Chi by slow motion is that its practice is based entirely upon the natural way, not stressing external muscular force and holding of the breath, but emphasizing the use of the mind to direct all movements. Using external muscular force make movement clumsy; holding the breath hinders the circulation of the blood. Therefore it is of the utmost importance to sink the ch'i to the tan t'ien and completely relax the entire body, without exerting the slightest energy. The principle of T'ai Chi is to control action by tranquility and to conquer the forceful and unyielding with the gentle and yielding. From nothingness something is produced: it look s like nothing, though it is something; it looks soft, but in reality it is firm."
- T. T. Liang, T'ai Chi Ch'uan for Health and Self-Defense, 1977, p. 74.
"True relaxation is always a dropping into ourselves, a movement toward our core and very center of self. In addition to distorting what we can see, hear, and feel, the inability to relax and release tension will inevitably fuel the involuntary internal monologue of the mind. As we become more enmeshed in the drama that our mind is scripting about ourselves, our ability to relate in a wholesome and relaxed manner with the current condition and circumstances of our lives becomes further distorted. ... The relaxation of tension in our bodies melts the armoring that keeps our bodies hard and inflexible. This hardening of the tissue creates a layer of numbness that keeps our awareness of the rich web of shimmering sensations concealed and contained. Relaxation allows the armoring to begin to soften and melt away. The inevitable result is a much greater awareness of sensational presence and a diminution of the ongoing involuntary monologue of the mind. Learning how to relax by surrendering the weight of the body to the pull of gravity and remaining standing at the same time significantly catalyzes the practice of mindfulness."
- Will Johnson, Aligned, Relaxed and Resilient, 2000, p. 55
"Asana now refers to all the yoga postures. In Pantanjali's Yoga Sutras, it meant the place on which the yogi sits and the manner in which he sits there. All of the postures require a clear, conscious awareness of contact with the ground. According to Pantanjali, asana is both firm and relaxed. This is achieved through relaxation of effort, or by a mental state of balance. The idea that firm and stable posture could be achieved through relaxation of effort seems to be a contradiction. We need to learn how to find strength and stability without effort and stress."
- Esther Myers, Yoga and You, 1996, p. 14
"Sung [Relax] the waist. The waist is the commander of the whole body. If you can sung the waist, then the two legs will have power and the lower part will be firm and stable. Substantial and insubstantial change, and this is based on the turning of the waist. It is said "the source of the postures lies in the waist. If you cannot get power, seek the defect in the legs and waist."
- Yang Cheng-fu (1883-1936), Yang's Ten Important Points
"Harmony is itself paradise. The "miraculous" element is the way that relaxation, well-being, and harmony allow the heart-mind to take control of and focus the greatness of the ch'i, the power of thought, and the effect that this can have in ourselves and in the world."
- Wolfe Lowenthal, Gateway to the Miraculous, 1994, p. 14.
"Sung is probably one of the most important terms in t'ai chi ch'uan. It implies a very high level of alertness, sensitivity, nimbleness and lightness, with an inordinate mindfulness for the conservation of energy. ... _Sung_is the very modus operandi of all energies in t'ai chi ch'uan."
- Stuart A. Olson, Intrinsic Energies of T'ai Chi Ch'uan, 1994, p. 55
"In Taiji, "relaxation" (fang song) has a very specific meaning: it is active and it is connected. Any part of the body that is completely limp is, in fact, not relaxed. Limpness usually implies a stiffness or blockage effectively disconnecting the limp part from the rest of your structure. Many beginners, when they see the quality of movement that a Taiji expert exhibits in doing forms, think that the expert is actually using a lot of force and that the concept of relaxation is more philosophical than practical. This is exactly wrong. By concentrating on total relaxation, you will eventually develop a sort of deep coordination that allows you to move with superb economy and cohesiveness. The subjective experience of correct relaxation is a feeling of aliveness and consciousness throughout your whole body. Your body feels substantial when it moves, as if possessing great internal mass, yet movement is effortless."
- Mark Chen, Old Frame Chen Family Taijiquan, pp. 53-56.
"The whole body relaxed, the spirit focused.
Apply intention to circulate chi, the whole body coordinated.
Relaxation better for chi flow, relaxation better for blood circulation.
Relaxation better to transmit the intention, relaxation better for the mind.
Nimbleness produces understanding, relaxation produces buoyancy.
Release from one touch, relaxation produces chi growth."
- Tai Chi Classic, Translated by Vincent Chu
"First, last, and always the student must relax. Various calisthenics aid him in achieving this. All rigidity and strength must be emptied from the upper torso and must sink to the very soles of the feet, one of which is always firmly rooted to the ground. Without proper relaxation the student can never hope to achieve the trueness of the T'ai-chi postures. The student relaxes completely and breathes as a child - naturally through the nose, the diaphragm being aided by the abdominal rather than the intercostal muscles. Man's intrinsic energy, the ch'i, should be stored just below the navel. The mind directs this energy throughout the body according to need. But the ch'i cannot circulated in an unrelaxed body."
- Robert W. Smith, Chinese Boxing: Masters and Methods, 1974, p. 26.
"I did not get it. He then demonstrated what he meant with two piles of coins. He put the first pile in a paper bag and laid a knife next to it. He said, "You want sung be like money. Make body be like money." Then he took the knife and cut the bag. The coins poured out (letting go of physical tension), fell (releasing the chi downward), separated (loosening the insides of the body), scattered over the floor and soon stopped moving (the body fully sung). I tried again. He saw that I was just half getting it. So he made fists and raised his hands above his navel and suddenly, with his entire body loosening, opened his hand and let them fall to his sides. He grabbed the second pile of coins and brought them up to the same place above his navel and suddenly let go of them. They fell, separated and scattered on the floor. Then just as suddenly, he again let his body relax as his hand and arms visibly loosened and dropped to his sides just as the coins had to the floor. I put the two images in my head and got it."
- Bruce Frantzis, Opening the Energy Gates of Your Body, 1993, 2006, p. 114.
"Yoga is the focusing of attention to whatever object is being contemplated to the exclusion of all others. This is not merely a matter or preventing thoughts from arising. It is a whole-bodily focusing in which one's entire being is quieted. ... Patanjali explains that when this psycho-mental stoppage has been successful accomplished, the transcendental Witness-Consciousness shines forth. This Witness-Consciousness, or "Seer" (drashtri), is the pure Awareness (cit) that abides eternally beyond the senses and the mind, uninterruptedly apperceiving all the numerous and changeable contents of consciousness. All schools of Hinduism agree that the ultimate Reality is not a condition of stone like stupor but super-consciousness."
- Georg Feuerstein, Yoga: The Technology of Ecstasy, 1989, p. 13.
"When you train, free yourself from distracting thoughts:
Keep your hear buoyant, your body buoyant, too.
Do not forget the principle of "return to the center":
Strive and strive, with single-minded devotion.
This is the true path of softness.
This is the true path of softness."
- Kyuzo Mifune (1883-1965), Judo Master, The Song of Judo
Budo Secrets: Teachings of the Martial Arts Masters, p. 30
"Alive, a man is supple, soft;
In death, unbending, rigorous.
All creatures, grass and trees, alive
Are plastic but are pliant too,
And dead, are friable and dry.
Unbending rigor is the mate of death,
And wielding softness, company of life:
Unbending soldiers get no victories;
The stiffest tree is readiest for the axe.
The strong and mighty topple from their place;
The soft and yielding rise above them all."
- Translated by Raymond Blakney, 1955, Chapter 76
"But am I relaxed? What does it really mean to relax in terms of Tai Chi practice? Why is that first movement, so important? The English translation of Fu Zhongwen�s book, Mastering Yang Style Taijiquan (essential reading) is by Louis Swaim. In his introduction he talks about translation issues and points out that the terms, song and_fang song_ are usually translated as �relaxed� and �relax.� He says: "Etymologically the term song is based on a character for �long hair that hangs down�--- that is, hair that is loosened and expanded, not �drawn up.� Therefore, �loosened� and �loosen� are more accurate renderings for _song_and fang song." Fu Zhongwen, in speaking of the Preparatory Posture, says the ��spirit of vitality (jingshen) should be naturally elevated. The mind should be calm, without a trace of distracting thoughts.� And therein lies another important element of relaxation: emptying the mind. Thinking causes stress and stress increases tension in the muscles. Therefore, it makes sense to empty the mind of daily problems. Standing correctly relaxed at the beginning (or, some say, before the beginning) puts one in the proper state of mind and of body for continuing to be loose during movement: moving, as they say, like a string of pearls. The story goes that Sun Lu Tang went to study the martial art of Xing Yi Quan with the master, Li Kui Yuan. Li taught him only the Standing Posture which he practiced for a whole year. One day as Sun was in the Standing Posture, Li approached him from behind and struck him on his back. Sun was unmoved by the blow and so was allowed to advance in his studies. Sun Lu Tang (originator of Sun Style Taijiquan) wrote about Wu Ji: "Wu Ji is the natural state occurring before one begins to practice martial arts. The mind is without thought; the intent is without motion; the eyes are without focus; the hands and feet are still; the body makes no movement; yin and yang are not yet divided; the clear and the turbid have not yet separated; the qi is united and undifferentiated.""
- Byron Grush,Tai Chi Snob
"The first level of stillness is about being with yourself in order to know yourself. This is accomplished by being wide awake and aware as you deliberately relax into yourself. The idea is to consciously enter into a state wherein you temporarily suspend everything you think you know about who you are, including anything you have ever been taught, and simply be attentive to what's going on right there where you are. You practice being quiet, both physically and mentally, as you pay attention to the sensations in your body, the various thoughts in your mind, and your current experience of being conscious and alive. You practice simple body-mind awareness, being conscious of the moment you are now in, and thereby experience with clarity the energy of you. You consciously experience yourself as you actually are. In this way you open yourself to a new, truer, less distorted experience of you and the world."
- Erich Schiffmann, Yoga: The Spirit and Practice of Moving Into Stillness, 1996, p. 7.
"Whole Body Relaxed: Quan Shen Fang Song. The word _fang_means "to release," and it implies that relaxation is not merely the lack of tension. It is an activity. Quan shen fang song is alive, alert relaxation. It means eliminating unnecessary tension, being supple and alert to the environment. Relaxation is the first and most important principle of qigong. It is often considered a system of qigong in itself."
- Kenneth Cohen, The Way of Qigong, 1997, p 88.
"To study Tai Chi Chuan means to learn to relax," were his first words to my beginners' class, and it was his constant message. "Relax. Let go of all tension, all hardness. Be soft. Hardness is the discipline of death; softness is the discipline of life. So, wherever you identify tension or hardness, let it go. Relax completely. This is what it means to study Tai Chi Chuan."
- The words of the Tai Chi Chuan Master Cheng Man-ch'ing, 1967. Gateway to the Miraculous: Further Explorations in the Tao of Cheng Man-ch'ing. By Wolfe Lowenthal, p. 41.
"Human beings are
soft and supple when alive,
stiff and straight when dead.
The myriad creatures, the grasses and trees are
soft and fragile when alive
dry and withered when dead.
Therefore, it is said:
The rigid person is a disciple of death;
The soft, supple, and delicate are lovers of life.
An army that is inflexible will not conquer;
A tree that is inflexible will snap.
The unyielding Yongey Mingand mighty shall be brought low;
The soft, supple, and delicate will be set above."
- Lao Tzu, Tao Te Ching, Chapter 76
Translated by Victor H. Mair, 1990
"You've probably experienced something similar after finishing a long and difficult job, whether it involved physical labor or the type of mental effort involved in writing a report or completing some sort of financial analysis. When you finish the job, your mind and body naturally come to rest in a state of happy exhaustion. This perfectly effortless state of relaxation is what is meant by natural peace." ...
"First, assume a position in which your spine is straight, and you body is relaxed. Once your body is positioned comfortably, allow your mind to simply rest for three minutes or so. Just let your mind go, as though you just have finished ad long and difficult task.
Whatever happens, whether thoughts or emotions occur, whether you notice some physical discomfort, whether you are aware of sounds or smells around you, or you mind is a total blank, don't worry. Anything that happens or ─doesn't happen─ is simply part of the experience of allowing you mind to rest.
So now, just ret inn the awareness of whatever is passing through you mind ...
Just rest ...
Just rest ..."
"Let me confide in you a big secret. Whatever you experience when you simply rest your attention on whatever's going on in your mind at any moment is meditation. Simply resting in this way is the experience of natural mind." ...
"In fact, experiencing natural peace is easier than drinking water. In order to drink, you have to expend effort. You have to reach for the glass, tip the glass so that the water pours into your mouth, swallow the water, and then put the glass down. No such effort is required to experience natural peace. All you have to do is rest your mind in its natural openness. No special focus, no special effort is required."
- Yongey Mingyur Rinpoche, "The Joy of Living," 2007, pp. 55-58
So, I relax, breathe gently and easily, stand up straight, unloosen myself from thinking and judging, settle down into ease, rest the mind, and begin a slow and easy Taiji form ... a path to natural peace.
Notes Relaxation, Looseness, Openness, Effortless (Song, Sung, Shoong, Fang Song)
Fearlessness
When threatened or attacked one's natural reaction is to tense up the muscles and still the breath. Dangerous situations can suddenly cause the muscles to tighten, sweat to appear, emotions of fear to overpower one's consciousness, and even one's hair to stand on end. A frightening experience can lead to extreme muscular tension to the point of shaking, paralysis, and even moving into a state of shock. A martial artist can ill afford to allow this kind of bodily reaction to occur during a martial confrontation.
Reflexive reactions to being startled or placed in threatening situations can involve fighting back, fleeing, paralysis or fainting. The martial artist needs to remain alert, on guard, relatively relaxed, and ready or fight or flee as circumstances dictate.
One approach to overcoming this natural tendency is to toughen the body - physically condition it to a high level by rigorous and painful training. Appropriate response to attack becomes more automatic, thoughtless, conditioned. The martial artist might not be relaxed during combat, but he is not physically paralyzed by fear.
The martial artist must use psychological training techniques, value systems, and religious beliefs that encourage him to face danger with fearlessness, courage, tenacity, bravery and resoluteness. A belief that he is willing to die in battle as a worthy sacrifice to a higher social-religious-political cause is a strong foundation for fearlessness. The Way of the Warrior, Bushido, the Goodness of the Martyr, and other Soldier's Codes of Conduct provide these sorts of value systems that contribute to courage, bravery, self-sacrifice and fearlessness. This pathway can sometimes produce the fighter who is more relaxed during combat.
One can also train consistently in staying relaxed, centered, focused, and loose during combat simulation situations. This practice leads to confidence in his or her improved fighting skills insofar as relaxed movements can be more agile, quicker, correct, and technically proficient. He comes to realize that superior performance requires that he stay relaxed, calm, loose, and in control of emotions. This confidence leads martial artist to believe that she will succeed, will prevail, will overcome the opponent. Relaxed confidence contributes to fearlessness.
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