Francesco Bono | University of Perugia (original) (raw)
Papers by Francesco Bono
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Filmowa Europa, 2020
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European Journal of Interdisciplinary Studies, 2020
The present essay investigates the representation of the First World War in Italian fascist cinem... more The present essay investigates the representation of the First World War in Italian fascist cinema by analyzing some of the major films about the war made during the Fascist regime and, notably, Marco Elter’s Le scarpe al sole (1935), Giovacchino Forzano’s 13 uomini e un cannone (1936) and Oreste Biancoli’s Piccolo alpino (1940). The films will be examined from an original and specific angle, devoting special attention to their portrayal of the Austrian enemy. Little consideration has been paid so far in scholarly research to this aspect. The essay will specifically address the question, investigating the changing representation of WWI and, particularly, the metamorphosis of Austria from foe to friend in Italian cinema in the course of the twenty years of Fascist regime. In doing so, the essay will place the above films against the background of the Fascist regime’s foreign policy, with special regard to the Italian-Austrian politics of friendship during the 1930s, followed at the e...
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Journal of Literature and Art Studies, 2019
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European Journal of Multidisciplinary Studies, 2019
This essay intends to investigate some aspects of the multifaceted relationship between the Vienn... more This essay intends to investigate some aspects of the multifaceted relationship between the Viennese operetta and Austrian film in the period from the 1930s to the 1950s. In particular, the essay will try to trace the influence of the operetta on the way in which Austrian films depicted the country’s history. Focusing on some of the most popular Austrian films of the period, including Willi Forst’s Operette (1940), Wiener Blut (1942) and Wiener Mädeln (1944-49), as well as Ernst Marischka’s trilogy from the late 1950s about the Austrian empress “Sissi”, the essay will critically discuss Austrian cinema’s penchant for the past, investigating the affinity of the Austrian (musical) film to the Viennese operetta, which served as its ideological and aesthetic model. In its affection for the past, Austrian cinema followed in the steps of the Viennese operetta. In contrast with the Hollywood musical genre or German musical films like Die Drei von der Tankstelle (1930) or Hallo Janine (1939...
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European Journal of Interdisciplinary Studies, 2019
This essay deals with a number of Italian and Austrian films produced around the mid-1930s as a r... more This essay deals with a number of Italian and Austrian films produced around the mid-1930s as a result of the cinematic cooperation that developed between Rome and Vienna at the time. The essay’s goal is to investigate a complex chapter in the history of Italian and Austrian film which has yet received little attention. The Austro-Italian cooperation in the field of film, which developed against the backdrop of the political alliance between Fascist Italy and Austria’s so-called Corporate State, involved some of the biggest names in Italian and Austrian cinema of the time, including Italian directors Carmine Gallone, Augusto Genina and Goffredo Alessandrini, Viennese screenwriter Walter Reisch, and Italian novelist Corrado Alvaro. In particular, the essay will consider the Italian film Casta Diva (1935) and its debt to one of the most famous Austrian productions of the 1930s, Willi Forst’s film Leise flehen meine Lieder (1933). Further films to be discussed include Tagebuch der Geli...
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Quaderni Del Csci Rivista Annuale Di Cinema Italiano, 2012
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For each of the major Scandinavian countries (Denmark, Finland, Iceland, Norway and Sweden) the n... more For each of the major Scandinavian countries (Denmark, Finland, Iceland, Norway and Sweden) the national historical development of television is described and the newest tendencies from the 1980s, where a fundamental change in the Scandinavian public ...
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Medien der 1950er Jahre (BRD und DDR), 2012
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Luigi Comencini: Il cinema e i film, 2007
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Luigi Comencni: Il cinema e i film, 2007
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Babylon in FilmEuropa: Mehrsprachen-Versionen der 1930er Jahre, 2006
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Tonfilmfrieden/Tonfilmkrieg: Die Geschichte der Tobis vom Technik-Syndikat zum Staatskonzern, 2003
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Willi Forst: Ein Filmstil aus Wien, 2003
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Elektrische Schatten: Beitraege zur oesterreichischen Stummfilmgeschichte, 1999
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Books by Francesco Bono
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Filmowa Europa, 2020
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European Journal of Interdisciplinary Studies, 2020
The present essay investigates the representation of the First World War in Italian fascist cinem... more The present essay investigates the representation of the First World War in Italian fascist cinema by analyzing some of the major films about the war made during the Fascist regime and, notably, Marco Elter’s Le scarpe al sole (1935), Giovacchino Forzano’s 13 uomini e un cannone (1936) and Oreste Biancoli’s Piccolo alpino (1940). The films will be examined from an original and specific angle, devoting special attention to their portrayal of the Austrian enemy. Little consideration has been paid so far in scholarly research to this aspect. The essay will specifically address the question, investigating the changing representation of WWI and, particularly, the metamorphosis of Austria from foe to friend in Italian cinema in the course of the twenty years of Fascist regime. In doing so, the essay will place the above films against the background of the Fascist regime’s foreign policy, with special regard to the Italian-Austrian politics of friendship during the 1930s, followed at the e...
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Journal of Literature and Art Studies, 2019
Bookmarks Related papers MentionsView impact
European Journal of Multidisciplinary Studies, 2019
This essay intends to investigate some aspects of the multifaceted relationship between the Vienn... more This essay intends to investigate some aspects of the multifaceted relationship between the Viennese operetta and Austrian film in the period from the 1930s to the 1950s. In particular, the essay will try to trace the influence of the operetta on the way in which Austrian films depicted the country’s history. Focusing on some of the most popular Austrian films of the period, including Willi Forst’s Operette (1940), Wiener Blut (1942) and Wiener Mädeln (1944-49), as well as Ernst Marischka’s trilogy from the late 1950s about the Austrian empress “Sissi”, the essay will critically discuss Austrian cinema’s penchant for the past, investigating the affinity of the Austrian (musical) film to the Viennese operetta, which served as its ideological and aesthetic model. In its affection for the past, Austrian cinema followed in the steps of the Viennese operetta. In contrast with the Hollywood musical genre or German musical films like Die Drei von der Tankstelle (1930) or Hallo Janine (1939...
Bookmarks Related papers MentionsView impact
European Journal of Interdisciplinary Studies, 2019
This essay deals with a number of Italian and Austrian films produced around the mid-1930s as a r... more This essay deals with a number of Italian and Austrian films produced around the mid-1930s as a result of the cinematic cooperation that developed between Rome and Vienna at the time. The essay’s goal is to investigate a complex chapter in the history of Italian and Austrian film which has yet received little attention. The Austro-Italian cooperation in the field of film, which developed against the backdrop of the political alliance between Fascist Italy and Austria’s so-called Corporate State, involved some of the biggest names in Italian and Austrian cinema of the time, including Italian directors Carmine Gallone, Augusto Genina and Goffredo Alessandrini, Viennese screenwriter Walter Reisch, and Italian novelist Corrado Alvaro. In particular, the essay will consider the Italian film Casta Diva (1935) and its debt to one of the most famous Austrian productions of the 1930s, Willi Forst’s film Leise flehen meine Lieder (1933). Further films to be discussed include Tagebuch der Geli...
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Quaderni Del Csci Rivista Annuale Di Cinema Italiano, 2012
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For each of the major Scandinavian countries (Denmark, Finland, Iceland, Norway and Sweden) the n... more For each of the major Scandinavian countries (Denmark, Finland, Iceland, Norway and Sweden) the national historical development of television is described and the newest tendencies from the 1980s, where a fundamental change in the Scandinavian public ...
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Medien der 1950er Jahre (BRD und DDR), 2012
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Luigi Comencini: Il cinema e i film, 2007
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Luigi Comencni: Il cinema e i film, 2007
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Babylon in FilmEuropa: Mehrsprachen-Versionen der 1930er Jahre, 2006
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Tonfilmfrieden/Tonfilmkrieg: Die Geschichte der Tobis vom Technik-Syndikat zum Staatskonzern, 2003
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Willi Forst: Ein Filmstil aus Wien, 2003
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Elektrische Schatten: Beitraege zur oesterreichischen Stummfilmgeschichte, 1999
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Willi Forst: Ein filmkritisches Portraet, 2010
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Tenoere, Touristen, Gastarbeiter. Deutsch-italienische Filmbeziehungen, 2011
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Morte a Venezia. Thomas Mann / Luchino Visconti: Un confronto, 2014
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Così bella così dolce. Dalle pagine di Dostoevskij al film di Bresson, 2012
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