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Books by Micaela Veronesi

by Lucia Cardone, Elisa Cuter, Ilaria Antonella De Pascalis, Giovanna Faleschini Lerner, Cristina Jandelli, Marta Perrotta, mariapaola pierini, Susanna Scarparo, Deborah Toschi, Lucia Tralli, and Micaela Veronesi

È possibile raccontare le avventurose storie del femminismo attraverso le immagini in movimento? ... more È possibile raccontare le avventurose storie del femminismo attraverso le immagini in movimento? Quello della macchina da presa è un occhio sufficientemente perspicace per vedere e mostrare la politica delle donne di ieri e di oggi senza tradurla in apparato ideologico, senza cadere nello stereotipo? I pensieri elaborati dal femminismo hanno in qualche misura intercettato lo schermo e segnato la produzione audiovisiva? Le non poche donne attive in ambito cinematografico e, in senso più ampio, mediale, hanno fatto la differenza?
Da qui sono partite le autrici del volume, ciascuna nel proprio ambito di ricerca, per tratteggiare un paesaggio nuovo e in divenire, abitato dalle pioniere del cinema, dalle donne dell’audiovisivo, dalle spettatrici e dalle artiste contemporanee.

Con contributi di:
Claudia Barolo, Maria Pia Brancadori, Lucia Cardone, Alice Cati, Elisa Cuter, Ilaria A. De Pascalis, Giovanna Faleschini Lerner, Giulia Fanara, Mariagrazia Fanchi, Sara Filippelli, Cristina Jandelli, Bernadette Luciano, Elena Marcheschi, Sara Martin, Elena Mosconi, Francesca Parmeggiani, Marta Perrotta, Mariapaola Pierini, Susanna Scarparo, Giulia Simi, Chiara Tognolotti, Deborah Toschi, Lucia Tralli, Micaela Veronesi, Federica Villa.

Papers by Micaela Veronesi

Quaderni del CSCI: rivista annuale di cinema italiano, 2020

Presències i representacions de la dona en els primers anys del cinema, 1895-1920 =: Presences and representations of women in the early years of cinema, 1895-1920 = Presencias y representaciones de la mujer en los primeros años del cine, 1895-1920, 2018, ISBN 978-84-8496-261-8, págs. 221-230, 2018

Renée Deliot is best known as Mario Guaita's screenwriter and wife. She collaborated exclusiv... more Renée Deliot is best known as Mario Guaita's screenwriter and wife. She collaborated exclusively with her husband, an actor and director best known as a strongman of the Italian silent cinema, in the style of Maciste. Deliot's role, however, was nonetheless central and much more important than film scholarship has revealed to date. Notably, Deliot and Guaita's relationship, which lasted thirty-seven years, was both a professional partnership and a love affair, even if they only were married toward the end of their life together, in 1955.

Elvira Giallanella was a film producer and distributor. She also wrote and directed one film, Uma... more Elvira Giallanella was a film producer and distributor. She also wrote and directed one film, Umanità (1920). Like many other women in the Italian film industry in the late 1910s, she began her career as a film distributor under her own name or possibly under the name of the company Verafilm. In 1917-1919, while at Verafilm, Giallanella also began collaborating on the production of films with the company founder, the journalist, director, stage designer, and screenwriter Aldo Molinari. First of three siblings, Giallanella was the only survivor. Her elder sister died at birth in 1887 and her other sister died of tuberculosis in 1915, leaving behind a husband and a very young daughter, Liana. These family events left a deep mark on Giallanella's life and career.

Bollettino Aib, Aug 31, 2012

CFP What’s Queer in Italian Film History? Looking for Non-normative Representations from the Sile... more CFP What’s Queer in Italian Film History?
Looking for Non-normative Representations from the Silent Era to the 1960s

Special issue of the journal "Immagine. Note di storia del cinema" n.22/2020 edited by Monica Dall’Asta, Dalila Missero, Micaela Veronesi (deadline 20 December 2019).

Not so Silent Women in Cinema before Sound Edited by Sofia Bull and Astrid Söderbergh Widding, 2010

The case of Umanità by Elvira Giallanella, a 1919 silent film rediscovered in 2007. The analysis ... more The case of Umanità by Elvira Giallanella, a 1919 silent film rediscovered in 2007. The analysis of the film reveals an interesting text.

"Elvira Giallanella" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers... more "Elvira Giallanella" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. Center for Digital Research and Scholarship. New York, NY: Columbia University Libraries, 2013. Web. March 4, 2016. <https://wfpp.cdrs.columbia.edu/pioneer/elvira-giallanella/>

"Renée Deliot" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Proje... more "Renée Deliot" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. Center for Digital Research and Scholarship. New York, NY: Columbia University Libraries, 2013. Web. March 5, 2018. <https://wfpp.cdrs.columbia.edu/pioneer/renee-deliot/>

Articolo introduttivo allo speciale di Segnocinema n. 190 dedicato alla Grande guerra.

by Lucia Cardone, Elisa Cuter, Ilaria Antonella De Pascalis, Giovanna Faleschini Lerner, Cristina Jandelli, Marta Perrotta, mariapaola pierini, Susanna Scarparo, Deborah Toschi, Lucia Tralli, and Micaela Veronesi

È possibile raccontare le avventurose storie del femminismo attraverso le immagini in movimento? ... more È possibile raccontare le avventurose storie del femminismo attraverso le immagini in movimento? Quello della macchina da presa è un occhio sufficientemente perspicace per vedere e mostrare la politica delle donne di ieri e di oggi senza tradurla in apparato ideologico, senza cadere nello stereotipo? I pensieri elaborati dal femminismo hanno in qualche misura intercettato lo schermo e segnato la produzione audiovisiva? Le non poche donne attive in ambito cinematografico e, in senso più ampio, mediale, hanno fatto la differenza?
Da qui sono partite le autrici del volume, ciascuna nel proprio ambito di ricerca, per tratteggiare un paesaggio nuovo e in divenire, abitato dalle pioniere del cinema, dalle donne dell’audiovisivo, dalle spettatrici e dalle artiste contemporanee.

Con contributi di:
Claudia Barolo, Maria Pia Brancadori, Lucia Cardone, Alice Cati, Elisa Cuter, Ilaria A. De Pascalis, Giovanna Faleschini Lerner, Giulia Fanara, Mariagrazia Fanchi, Sara Filippelli, Cristina Jandelli, Bernadette Luciano, Elena Marcheschi, Sara Martin, Elena Mosconi, Francesca Parmeggiani, Marta Perrotta, Mariapaola Pierini, Susanna Scarparo, Giulia Simi, Chiara Tognolotti, Deborah Toschi, Lucia Tralli, Micaela Veronesi, Federica Villa.

Quaderni del CSCI: rivista annuale di cinema italiano, 2020

Presències i representacions de la dona en els primers anys del cinema, 1895-1920 =: Presences and representations of women in the early years of cinema, 1895-1920 = Presencias y representaciones de la mujer en los primeros años del cine, 1895-1920, 2018, ISBN 978-84-8496-261-8, págs. 221-230, 2018

Renée Deliot is best known as Mario Guaita's screenwriter and wife. She collaborated exclusiv... more Renée Deliot is best known as Mario Guaita's screenwriter and wife. She collaborated exclusively with her husband, an actor and director best known as a strongman of the Italian silent cinema, in the style of Maciste. Deliot's role, however, was nonetheless central and much more important than film scholarship has revealed to date. Notably, Deliot and Guaita's relationship, which lasted thirty-seven years, was both a professional partnership and a love affair, even if they only were married toward the end of their life together, in 1955.

Elvira Giallanella was a film producer and distributor. She also wrote and directed one film, Uma... more Elvira Giallanella was a film producer and distributor. She also wrote and directed one film, Umanità (1920). Like many other women in the Italian film industry in the late 1910s, she began her career as a film distributor under her own name or possibly under the name of the company Verafilm. In 1917-1919, while at Verafilm, Giallanella also began collaborating on the production of films with the company founder, the journalist, director, stage designer, and screenwriter Aldo Molinari. First of three siblings, Giallanella was the only survivor. Her elder sister died at birth in 1887 and her other sister died of tuberculosis in 1915, leaving behind a husband and a very young daughter, Liana. These family events left a deep mark on Giallanella's life and career.

Bollettino Aib, Aug 31, 2012

CFP What’s Queer in Italian Film History? Looking for Non-normative Representations from the Sile... more CFP What’s Queer in Italian Film History?
Looking for Non-normative Representations from the Silent Era to the 1960s

Special issue of the journal "Immagine. Note di storia del cinema" n.22/2020 edited by Monica Dall’Asta, Dalila Missero, Micaela Veronesi (deadline 20 December 2019).

Not so Silent Women in Cinema before Sound Edited by Sofia Bull and Astrid Söderbergh Widding, 2010

The case of Umanità by Elvira Giallanella, a 1919 silent film rediscovered in 2007. The analysis ... more The case of Umanità by Elvira Giallanella, a 1919 silent film rediscovered in 2007. The analysis of the film reveals an interesting text.

"Elvira Giallanella" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers... more "Elvira Giallanella" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. Center for Digital Research and Scholarship. New York, NY: Columbia University Libraries, 2013. Web. March 4, 2016. <https://wfpp.cdrs.columbia.edu/pioneer/elvira-giallanella/>

"Renée Deliot" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Proje... more "Renée Deliot" in Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. Center for Digital Research and Scholarship. New York, NY: Columbia University Libraries, 2013. Web. March 5, 2018. <https://wfpp.cdrs.columbia.edu/pioneer/renee-deliot/>

Articolo introduttivo allo speciale di Segnocinema n. 190 dedicato alla Grande guerra.

Programma definitivo di FASCinA-Foruma Annuale delle Studiose di Cinema e Audiovisivi_ 2015: L’im... more Programma definitivo di FASCinA-Foruma Annuale delle Studiose di Cinema e Audiovisivi_ 2015: L’imperfezione nel cinema delle donne. Spazi imprevisti di libertà femminile, Università di Sassari 5-7 novembre 2015

IMMAGINE NOTE DI STORIA DEL CINEMA 27 CALL FOR PAPERS! Dossier: Afriche di celluloide. Produ... more IMMAGINE NOTE DI STORIA DEL CINEMA 27
CALL FOR PAPERS!

Dossier:
Afriche di celluloide. Produzioni, circolazione, pratiche di archiviazione e di riuso
Afriche di celluloide. Production, circulation, archival practices, and re-use experiences

A cura di/edited by Valentina Fusari, Gianmarco Mancosu, Micaela Veronesi
Scadenza/deadline: 15 aprile / April 2023
Info e CFP: http://www.airsc.org/callforpapers/