original ) (raw )Review of Prima Donna: The Psychology of Maria Callas by Paul Wink
Hilary Poriss
Music & Letters, 2022
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The Curatorial Turn and Opera: On the Singing Deaths of Maria Callas. A Conversation with Marina Abramović and Marko Nikodijević
Jelena Novak
Sound, Stage, Screen journal 1/2, 2021
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Opera and gender studies
Heather Hadlock
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The Diva in Modern Italian Culture
Katharine (Kate) Mitchell
Italian Studies, 2015
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Diva Rivalry for Fun and Profit: An Examination of Diva [Mis-] Conceptions via the Rivalry of Maria Callas and Renata Tebaldi
Sarah Pozderac-Chenevey
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The Diva in Modern Italian Culture’, special issue of Italian Studies, 70:3 (2015) with Clorinda Donato
Katharine (Kate) Mitchell
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Silent Singers. The Legacy of Opera and Female Stars in Early Italian Cinema
elena mosconi
2013
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Women, Opera and the Public Stage in Eighteenth-Century Venice
Britta Kägler , Eva-Maria Schreiner
Kägler B, Schreiner E-M. Women, Opera and the Public Stage in Eighteenth-Century Venice Fondazione Levi, Venice, 23–24 May 2022. Eighteenth Century Music. 2023;20(1):116-119, 2023
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ANIMATING PERFORMANCE: TRACING VENICE'S RESONANT DIVA ATTRAVERSO IL PALCO E LA SOGLIA
Claudia R E N E Wier
Dissertation, 2020
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The Good, the Bad and the Ugly? On Dangerous Liaisons Between Opera, Current Affairs and Cinema
Paolo Giorgi
highSCORE Proceedings 2011, edited by Ingrid Pustijanac, highSCORE Center, Pavia, 2012, pp. 57-68, 2012
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Feminist endings: challenges of operatic staging in the twenty-first century
Lola San Martín Arbide
CarmenAbroad.org, 2020
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From opera to cinema, from cinema to opera: the art of actor-singer
Luíza Alvim
Significação, 2020
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Review of Marina Abramović, “7 Death of Maria Callas” (2020)
Marida Rizzuti
Sound Stage Screen
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The Rise of the Diva on the Sixteenth-Century Commedia dell’Arte Stage
Rosalind Kerr
Quaderni D Italianistica, 2018
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Review of Naomi André, Voicing Gender: Castrati, Travesti, and the Second Woman in Early-Nineteenth-Century Opera (2006)
Kristina Guiguet
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Performing Death: Marina Abramović’s "7 Deaths of Maria Callas", in «Acta Universitatis Lodziensis. Folia Litteraria Polonica», 4(59) 2020, pp. 161-190
Francesco Marzano
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Alien Divas and Samples Sirens: A Brief Mapping of Opera in Popular Music from 1980-2005
Eve Klein
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How new media are changing opera: the opera singers’ social image transformed by cinema and audio-visual media
Sphera Publica
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ASECS 2023, CFP nr. 12: Backstage and Behind the Scenes: Italian Women and the (Family) Business of Theater
Elisa Cazzato
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The Italian Actress and the Foundations of Early Modern European Theatre: Performing Female Sexual Identites on the Commedia dell'Arte Stage
Rosalind Kerr
Early Theatre, 2008
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Between desires: Carmen Miranda and the international circulation of performances
Erik Borda
Contemporânea, 2020
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«ROSINA RESITS THE TEST OF TIME» A XXTH CENTURY SPANISH SOPRANO GENERATION FOCUSED ON IL BARBIERE DI SIVIGLIA
Zoila Martínez Beltrán
Rossini after Rossini: Musical and Social Legacy (Lucca, Italy), 2018
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Hilary Poriss. 2009. Changing the Score: Arias, Prima Donnas, and the Authority of Performance. Oxford: Oxford University Press
Elliott S . Cairns
Current Musicology, 2011
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“From Piazze to Courts: the Actresses’ Role in the Refashioning of Commedia dell’Arte.” Italian Culture 39.2 (2021): 1-19.
Nicla Riverso
https://www.tandfonline.com/eprint/SJWUINSSSM4QDAKPJQFZ/full?target=10.1080/01614622.2021.1988212
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The Limits of Operatic Deadness
Carlo Cenciarelli
_Cambridge Opera Journal_ Special Issue: Remaking the Aria, 2016
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The Arts of the Prima Donna in the Long Nineteenth Century
Rachel Cowgill
Journal of Modern Italian Studies, 2013
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Performing Celebrity and Anna Renzi's Cross-Dressed Performance as Ergindo
Claudia R E N E Wier
Theatre Survey (Cambridge University Press), 2023
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Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde
nick till
Transposition, 2019
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The Aura of Opera Reproduced: Fantasies and Traps in the Age of the Cinecast
João Pedro Cachopo
The Opera Quarterly, 2018
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Maria Callas. From Dust to Magic
Silvia Cattiodoro
The Life of a Diva in Unseen Pictures Roads Publishing, 2016
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Staging Crisis: Opera aperta and the 1959 Venice Biennale Commissions
Harriet Boyd-Bennett
The Opera Quarterly, 2014
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Opera and Society in Italy and France from Monteverdi to Bourdieu
Naomi Andre
2007
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New genres, “autoras” and feminine theatrical management in Madrid during the XVIII Century: María Hidalgo and Teatro de las Mujeres comunicación en el congreso internacional Women and music in the early modern age, Divino Sospiro, Palácio Nacional de Queluz, Queluz, 2-4 de julio de 2021.
Antonio Soriano Santacruz
2021
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Maria Callas and the Craft of Emotion
Kelley Hijleh , Craig Wich
Revue Internationale Dire et Chanter les Passions, 2024
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Maria Pia Pagani, Eleonora Duse: An Actress-Manager for the Italian Film Industry in the 1910s
Maria Pia Pagani
Nineteenth Century Theatre and Film
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