Not Just a Zine: the “Rollin Under” Zine and Thessaloniki’s DIY Music-making (1985 – 1990). Thessaloniki’s DIY Music Scene (original ) (raw )Local Music Scenes. Forms of musical creation, production and consumption in Thessaloniki, Greece
Nikos Dallas
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Histories of DIY music making scene in Thessaloniki the case of NAYTIA band
Alexandra Karamoutsiou
2018
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2.5 Not just… 'Angry music for angry people'1: Thessaloniki's DIY music activity and 'The Capitalist State of Metapolitefsi'
Alexandra Karamoutsiou
Keep it Simple, Make it Fast! : an approach to underground music scenes (vol. 5) ed. Paula Guerra, Sofia Sousa, 2022
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BOOK OF ABSTRACTS International Conference Keep it Simple, Make it Fast! Underground Music Scenes and DIYCultures
Paula Guerra , Pedro Quintela , Keep it simple, make it fast! KISMIF
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Music scenes, music worlds, music networks? Different ways of approaching the independent live music in Milan
Tarassi Silvia
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Keep it Simple, Make it Fast! Crossing Borders of Underground Music Scenes. Book of Abstracts.pdf
Paula Guerra , Keep it simple, make it fast! KISMIF
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Other Scenes, Other Cities and Other Sounds in the Global South: DIY Music Scenes beyond the Creative City
Paula Guerra
Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik, 2020
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2013. ʻEthnomusicological Student Fieldwork in the City of Thessaloniki: Cultural Difference and Cultural Politics in the Field and the Universityʼ. In Crossroads: Greece as an intercultural pole of musical thought and creativity, edited by Evi Nika-Sampson et al
Eleni Kallimopoulou
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Digital platforms and the professionalization of DIY in popular music
Francesco D'Amato
Keep it Simple, Make it Fast! An approach to underground music scenes (vol. 4), Paula Guerra and Thiago Pereira Alberto (eds.), 2019
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Looking at music scenes as creative industries: the independent live music sector of Milan
Tarassi Silvia
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The underground music scene in Belgrade, Serbia: A multidisciplinary study
Milan Todorovic
2004
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DIY and Popular Music: Mapping an Ambivalent Relationship across Three Historical Case Studies
Ellis Jones
Popular Music and Society, 2021
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The Appearance of an Underground Electromusic Subculture in the Cultural Sphere of the City
Terezia Nagy
Acta Ethnographica Hungarica, 2003
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Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
Paula Guerra
2016
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KISMIF INTERNATIONAL CONFERENCE Underground Music Scenes and DIY Cultures
Paula Guerra
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Music Technology and Production Processes in Macedonia
Vlatko Georgiev
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DYNAMIC MUSICSCAPES IN NORTHERN GREECE: A ROMA CASE STUDY
Christos Papakostas , Dimitris Goulimaris
DYNAMIC MUSICSCAPES IN NORTHERN GREECE: A ROMA CASE STUDY, 2018
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KISMIF An Approach to Underground Music Scenes Vol.4
Paula Guerra , THIAGO PEREIRA ALBERTO
2019
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Doing-it-Yourself or Doing the Right Thing: Tensions within Creative Labor in Underground Music Scenes
David Farrow
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DIY as a Tool for Understanding Musicological Paradigms
Christophe Levaux
Keep it Simple, Make it Fast! An Approach to Underground Music Scenes. Volume 1, 2015
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Forging the Nation in the Greek 'Nèes Chòres': Popular Music and Nationalism in the Greek Press of Thessaloniki, 1912–1922
Argyrios Kokoris
Journal of Modern Hellenism 36, 2024
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"A translocal music room of one's own: Female musicians within the Budapest lo-fi music scene." In: Emília Barna and Tamás Tófalvy (eds.) Made in Hungary. Studies in Popular Music. Routledge, 2017, 47-57.
Emilia Barna
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Musicking, participating, and identifying selves through musical communities of practice: a cosmopolitan band in Greece
Evanthia Patsiaoura
Book Chapter in Taking Part in Music: Case Studies in Ethnomusicology, edited by Ian Russell and Catherine Ingram. Aberdeen: Aberdeen University Press, in association with the European Seminar in Ethnomusicology., 2013
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What is Punk Rock? What is DIY? Masculinities and politics between l’art pour l’art and l’art pour la révolution
Martin Winter
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Popular Music and Society On the Production of Alternative Music Places: Im- materiality, Labor, and Meaning
Amanda Scherbenske
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Napster and beyond: How online music can transform the dynamics of musical production and consumption in DIY subcultures
Jess Reia
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Review - Made in Greece: Studies in Popular Music
Oded Erez
Ethnomusicology Forum, 2019
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Keep it Simple, Make it Fast! An approach to underground music scenes. Volume 1
Paula Guerra
2015
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Music venues in transition: States of autonomy, dependence and subcultural institutionalization
Robin Kuchar
2020
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Towards the institutionalization of Musical Life in Nineteenth-Century Greece and Southeastern Europe: The First Steps of the Formation of New Creative and Cultural Industries
Avra Xepapadakou
Institutionalization in Music History, Saijaleena Rantanen & Derek B. Scott (eds), Helsinki: DocMus Research Publications, 15-36, 2022
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In the Company of Strangers: Avant-garde Music and the Formation of Performance Art in Greece from the 1960s to the 1980s
Irene Gerogianni
Evangelos Kourdis, Maria Papadopoulou και Loukia Kostopoulou (eds.), The Fugue of the Five Senses and the Semiotics of the Shifting Sensorium. Selected Proceedings of the XI International Conference of the Hellenic Semiotics Society, 2019
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Review: Keep it Simple, Make it Fast! Crossing Borders of Underground Music Scenes, International Conference, University of Porto, Porto, Portugal, 13–17 July 2015
Mike Dines , Alastair Gordon
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On the Production of Alternative Music Places: Im- materiality, Labor, and Meaning
Amanda Scherbenske
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Call for Papers | KISMIF International Conference 2015 | Crossing Borders of Underground Music Scenes
Keep it simple, make it fast! KISMIF , Paula Guerra , Andy Bennett
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ROCK IN PORTUGAL: effects of the rock music in the Portuguese youth (1960 vs. 2013)
Ana Martins
Kismif Book of Abstracts, 2014
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