original ) (raw )Leonardo da Vinci: scriversi come uomo di scienza
Marina Della Putta Johnston
Mnemosyne, 2018
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Giuditta Cirnigliaro Fables, Emblems and Natural Forms in Leonardo Manuscripts (Bibliotheca Cusana, 2021)
Giuditta Cirnigliaro
Bibliotheca Cusana, 2021
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THE CARTOUCHE OF THE DOUBLE PORTRAIT OF LUCA PACIOLI AND PUPIL. THE DA VINCI'S ENIGMA DECODED
Carla Glori
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Leonardo da Vinci on Nature: Knowledge and Representation. Ed. Fabio Frosini and Alessandro Nova (Sixteenth Century Journal, 2017)
Giuditta Cirnigliaro
The Sixteenth Century Journal, 2017
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Art and Anatomy in Renaissance Italy. Images from a Scientific revolution. The Metropolitan Museum of Art New York and Yale University Press, New York 2012
Domenico Laurenza
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Giovanni Paolo Lomazzo’s “Trattato dell’Arte della Pittura”: Color, Perspective and Anatomy. Barbara Tramelli. Nuncius Series: Studies and Sources in the Material and Visual History of Science 1. Leiden: Brill, 2017[recensione] in "Renaissance Quarterly", 71 , 1 , 2018 , pp. 237 - 239
Mauro Pavesi
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«El dibujo como herramienta para pensar una nueva forma de la fortificación en el Renacimiento italiano: el caso de dos proyectos de Leonardo da Vinci» in «EGA Expresión Gráfica Arquitectónica» , n.42, pp.114-127
Aritz Díez Oronoz
2021
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Review: Leslie A. Geddes, Watermarks: Leonardo da Vinci and the Mastery of Nature (Princeton: Princeton University Press, 2020).
Francesca Fiorani
Reformation and Renaissance, 2020
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Leonardo da Vinci tra pittura, musica e scrittura. La figurazione delle cose invisibili - Parallel Text - English version by Mati Colarossi
Noemi Ghetti , Matilda Colarossi
https://paralleltexts.blog/category/poets-translating-poets/ , 2019
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Eva Struhal, Natural Painting and the New Science in Seventeenth-Century Florence Lorenzo Lippi’s “pura imitazione del vero”, Nuncius 32 (2017) 683–708.
Eva Struhal
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LEONARDO DA VINCI'S ANATOMICAL DRAWINGS
Alan Haryaki
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“Leonardo’s Optics in the 1470s,” in: Leonardo’s Optics: Theory and Pictorial Practice, ed. Francesca Fiorani and Alessandro Nova (Marsilio Editore, Venice, 2013), 265-292.
Francesca Fiorani
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Colloque / Leonardo da Vinci (1452-1519). From the Libro di Pittura to the Trattato. The Circulation, Transmission and Reception of Leonardo’s Ideas and Writings in the Sixteenth and Seventeenth Centuries / Rome, 24-25 octobre 2019
Sabine Frommel
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The Science of Art and the Art of Science: Leonardo's Authorial Strategy in Codex Madrid I
Marina Della Putta Johnston
Explorations in Renaissance Culture, 2000
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Picturing the Book of Nature: Image, Text, and Argument in Sixteenth-Century Human Anatomy and Medical Botany
Lucia Dacome
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Scientific Aspects of Leonardo da Vinci\u27s Drawings: An Interdisciplinary Model
Sally Struthers
2014
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El dibujo como herramienta para pensar una nueva forma de la fortificación durante el Renacimiento italiano: el ejemplo de dos proyectos de Leonardo da Vinci
Aritz Díez Oronoz
EGA Revista de Expresión Gráfica Arquitectónica, 2021
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Review: Fabrizio Meroi and Claudio Pagliano, eds., Immagini per conoscere: Dal Rinascimento alla Rivoluzione scientifica (Florence: Olschki, 2001
Francesca Fiorani
Renaissance Quarterly, 2003
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Meaning and Appearance - A Merleau-Pontian account of Leonardo's studies from life
kate dunton
Art History, 1999
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Bambach, “Review of Italian Drawings from Fra Angelico to Leonardo.” The Burlington Magazine, vol. 153 (June 2011), pp. 417-19.
carmen bambach
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Anatomy and physiology by Leonardo: The hidden revolution?
Antonio Sterpetti
Surgery, 2016
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From the "Libro di Pittura" to the "Trattato". The Circulation, Transmission and Reception of Leonardo's Ideas and Writings in the Sixteenth and Seventeenth Centuries | International Study Days | Rome, Accademia Nazionale di San Luca, Palazzo Carpegna, Salone d'onore | 24-25/10/2019
Vita Segreto , Salvatore Carannante , Anna Sconza , Francesco Moschini , Francesca Fiorani , Janis Bell
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Perseo e Caravaggio: la mano guidata dalla scienza, in La prima Medusa. Caravaggio, a cura di Ermanno Zoffili, 5 Continents Editions, Milano 2011, pp. 120-147.
Filippo Camerota
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PROGRAM: From the Libro di Pittura to the Trattato The Circulation, Transmission and Reception of Leonardo's Ideas and Writings in the Sixteenth and Seventeenth centuries international study days
Janis Bell
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Leonardo's Treatise of Painting: The First English Edition and the Manuscripts Owned by Patch, Smith and Johnson
juliana Barone
Leonardo in Britain: Collections and Historical Reception (ed. J. Barone and S. Avery-Quash), 2019
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Review of Gregorio Comanini, The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance, trans., with introduction and notes, by Ann Doyle-Anderson and Giancarlo Maiorino (Toronto, 2001), in: Renaissance Quarterly, LVI (2002), pp. 773-774.
Louis Alexander Waldman
Renaissance Quarterly, 2002
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Questions of Authorship and Authority in Some Early Modern Anatomical Images, the 'Tabulae Anatomicae' of Pietro da Cortona, New Europe College Ştefan Odobleja Program Yearbook 2013-2014, 2015
Ioana Magureanu
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Leonardo da Vinci on Nature: Knowledge and Representation
Alessandro Nova
Leonardo da Vinci on Nature. Knowledge and Representation, ed. by Fabio Frosini and Alessandro Nova, (Studi e Ricerche, 11), Venezia 2015, pp. 11-31.
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Sine ars scientia nihil est: Leonardo da Vinci and beyond
Eduardo Kickhöfel
Epilepsy Behavior, 2008
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Leonardo Da Vinci's study and portrayal of the Human Figure in Renaissance Art
Thomas Mifsud
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Bambach, “On the role of scientific evidence in the study of Leonardo’s drawings.” In Leonardo da Vinci’s Technical Practice: Paintings, Drawings, and Influence / La pratique technique de Léonard de Vinci: peintures, dessins et influence, ed. by Michel Menu, Paris, 2014, pp. 222-53.
carmen bambach
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Review: Giancarlo Fiorenza, Dosso Dossi. Paintings of Myth, Magic, and the Antique
Arvi Wattel
The Burlington Magazine, 2010
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Bambach, “Leonardo, Tagliente, and Dürer: ‘la scienza del far di groppi.’” AchademiaLeonardiVinci: Journal of Leonardo Studies and Bibliography of Vinciana (Armand Hammer Center for Leonardo Studies at UCLA), vol. 4 (1991), pp. 72-98.
carmen bambach
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Marc’Antonio Della Torre and Leonardo Da Vinci: an encounter that changed the history of medicine, art and anatomy
Pasquale Gallo
Child's Nervous System
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LA BIBLIOTECA, IL TEMPO E GLI AMICI DI LEONARDO LEONARDO'S LIBRARY, TIMES AND FRIENDS
Edoardo Villata
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