original ) (raw )Film, Art, New Media: Museum Without Walls? edited by Angela Dalle Vacche
Jill Murphy
Alphaville: Journal of Film and Screen Media, 2015
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With and Without Walls: Photographic Reproduction and the Art Museum
Michelle Henning
The International Handbooks of Museum Studies, 2015
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'Pictures of an Exhibition'. Review essay of L’oeuvre d’art et sa reproduction photographique Musée d’Orsay, 27th June – 24th September, 2006. Exhibition curated by Dominique de Font- Réaulx and Joëlle Bolloch, exh. catalogue, Musée d'Orsay/Le Seuil, Paris, 2006.
Dana A MacFarlane
History of Photography, Volume 31, Number 1, Spring 2007, ISSN 0308-7298
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Art and the Human Adventure. André Malraux’s Theory of Art.
Derek Allan
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Touching Art: The Art Museum as a Picture Book, and the Picture Book as Art
Journal of Literary Education
Journal of Literary Education, 2018
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Book review: What Photographs Do: The Making and Remaking of Museum
Science Museum Group Journal
Science Museum Group Journal, 2023
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Artists’ Interventions in the Family Album
Logan Sisley
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Call for Papers Photographica, N°12 "Bound Histories: Memories, Materialities, and Meanings of Photo Albums"
Photographica Journal , Alice Morin
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The Concept of a Museum Without Walls in the Research of Rosalind Krauss
Ирина Куклинова
Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, 2017
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Andrea MEYER, Museums in Print: The Interplay of Texts and Images in the Journal Museumskunde
Andrea Meyer
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Artists' Books from the Home Museum: August 5-30, 2008
Megan Bertagnolli
2008
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Between Libraries and Museums: Housing the Early Modern Drawing Album
Genevieve Warwick
Ordnen Vergleichen Erzählen: Materialität, kennerschaftliche Praxis und Wissensorganisation in Klebebänden des 17. und 18. Jahrhunderts, eds. Elisabeth Oy-Marra & Annkatrin Kaul-Trivolis, 2024
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L’audace par procuration : lorsque l’exposition est reproduite / Audacity by Proxy: the Reiteration of Exhibitions / Family of Man / New Topographics
Bénédicte Ramade
2014
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The End of Art and the Origin of the Museum
Douglas Crimp
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The book & the artist: rethinking the traditional order / Word & Image A Journal of Verbal/Visual Enquiry
William Cole
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The Artist's Book and Photography (1979)
Karen O'Rourke
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The Portfolio as ‘Portable Museum’: Disrupting French Collecting Practices, ASECS 2019, march 21-23th, Denver, Session 22, Collecting Studies: Circulation and Disruption Chair: Bénédicte MIYAMOTO
Sarah Bakkali
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Editorial: Photograhy, Artists and Museums
Elena Stylianou
Photographies, 7(2), 2014
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A Place for Everything When Everything in Its Place: Photobooks as Autonomous Works of Art
N. Toros Mutlu
Tsukuba Global Science Week , 2021
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Images for Sale: Cards and Colours at the Photothèque of the Musée de l'Homme
Anaïs Mauuarin
Max Planck Institute - Photo-Objects. On the materiality of Photographs and Photo-Archives in the Humanities and Sciences, 2020
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The Artist’s Book in the Age of Digital Reproduction: Walter Benjamin and the Artist’s Book
Stephen Bury
Arts
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From photo libraries to photo archives. On the epistemological potential of art-historical photo collections, in: Photo Archives and the Photographic Memory of Art History, ed. by Costanza Caraffa, Munich-Berlin 2011, pp. 11-44
Costanza Caraffa
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"Rooms of Our Time: László Moholy-Nagy and the Stillbirth of Multi-Media Museums." In Screen/Space, edited by Tamara Trodd, 25-52. Manchester: Manchester University Press, 2011.
Noam Elcott
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Conditions of being: artists and archives
Liz Bruchet
2020
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The Ideology of the Gallery Space · Expanded Edition Annandale-on-Hudson, NY
Katarina Rawlins
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Grasping the World: The Idea of the Museum
Veronica Davies
Journal of Design History, 2005
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Artworks as Historical Individuals
Guy Rohrbaugh
European Journal of Philosophy, 2003
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The Visual Archive: the self as author and actor
Maria João Baltazar
Kepes, 2015
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Creating Entangled Histories of Museum Collections: Isaac Julien's Vagabondia (2002) and Camille Henrot's Grosse Fatigue (2013).
Miriam De Rosa
Exposing the Moving Image: the Cinematic Medium across World Fairs, Art Museums, and Cultural Exhibitions, 2019
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Thinking Onto the Box: The Photographer’s Archive as Instrument
Michel Hardy-Vallée
Anales de Historia del Arte, 2022
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“The Art of Keeping Art Together: On Collectors’ Museums and Their Preservation”, in Res: Anthropology and Aesthetics, no. 52 (Autumn 2007), pp. 181-189
Dario Gamboni
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Memories, Images, and the End of Writing [Vilém Flusser’s Into the Universe of Technical Images, Does Writing Have a Future?], in “Art Journal”, 72/1, Spring 2013, pp. 104-107
riccardo venturi
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On the Strangeness of Pop Art Picturebooks: Pictures, Texts, Paratexts (with Jörg Meibauer)
Bettina Kümmerling-Meibauer
New Review of Children’s Literature and Librarianship 72.2. 103-121 , 2011
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Inside the White Cube: The Ideology of the Gallery Space
Wang Jingsi
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On the experience of encountering art in museum spaces : an inquiry with Gilles Deleuze's concepts of desire and assemblage
Marie France Berard
2017
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