Books in Motion. Adaptation, Intertextuality, Authorship (original) (raw)

Cinema and Its Representations

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Cambridge Academic Publishing, 2020

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Film Adaptation as Translation: On Fidelity

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Radical Reflexivity in Cinematic Adaptation: Second Thoughts on Reality, Originality, and Authority

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Literature Film Quarterly, 2013

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Adaptation, Remediation and Intermediality: Forms of In-Betweenness in Cinema

Judit Pieldner

Cluj University Press, 2020

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How Film Adaptations Make the Original Poetic

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Culture as Text, 2024

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THE APPEAL OF LITERATURE-TO-FILM ADAPTATIONS Adaptation as interpretation

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The Diegesis of Benjamin Button: A Method for Comparing Literature and Film (La diégesis de Benjamin Button: método para comparar literatura y cine)

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2017

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The Ambivalence of Representation: Fiction and the Filmic Craft

Janesh Kapoor

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The Great Gatsby meets Alain Badiou: Rethinking Fidelity in Film Adaptation

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From Film to literature

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Beckett and nothing, 2020

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“Books and Letters in Joe Wright’s Pride & Prejudice (2005): Anticipating the Spectator’s Response through the Thematization of Film Adaptation.” Persuasions On-Line 27.2 (Summer 2007).

David Roche

Persuasions On-Line 27.2, 2007

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Foreign Films in the Context of Hollywood: A Look into Adaptations and Remakes from Foreign Cinema

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The Look: From Film to Novel

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Loving Texts Two at a Time: The Film Remake

Leonardo Quaresima

2008

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Review: Carroll & Choi (eds.): Philosophy of Film and Motion Pictures

Anna Christina Ribeiro

The British Journal of Aesthetics, 2006

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Telling and Re-telling Stories: Studies on Literary Adaptation to Film

Paula Baldwin Lind

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Books and Letters in Joe Wright's Pride & Prejudice (2005): Anticipating the Spectator's Response through the Thematization of Film Adaptation

David Roche

Persuasions On-Line, 2007

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Identity and Individuality of Derivative Fictions: Fictional Archetype and Equivalency of a Movie to the Original Novel_1

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Who Am I In This Story?": On the Film Adaptations of Max Ophuls

Walter Metz

LITERATURE FILM QUARTERLY, 2007

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The Questionable Identity of Films

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The Narrative Role of Films in Four Contemporary Novels

Hannasofia Hardwick

2017

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