original ) (raw )German Cinematic Expressionism in Light of Jungian and Post-Jungian Approaches
christina stojanova
Acta Universitatis Sapientiae, Film and Media Studies
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Surrealism, Cinema, and the Search for a New Myth (2017)
Kristoffer Noheden
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Abstractio Multiplicata: Abstract cinema and the utopia of the synesthetic work of art, catalogue of the exhibition "The Small Utopia. Ars Multiplicata", curated by Germano Celant, Progetto Prada Arte, Milano 2012, pp. 115-127
Marie Rebecchi
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The Reception of German Cinematic Expressionism: A Multidisciplinary, International and Contemporary Phenomenon
Paloma Ortiz-de-Urbina , Fernández Jesús , Magdalena Pujadas
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German Expressionism in Cinema. The Cabinet of Dr. Caligari (1919) in Cinematographic Art & Documentation Journal of cinematographic studies Nr. 12 (16). New Series. 2015
Monica Ilie-Prica
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The Surrealistic Spaces Through the Films.pdf
Rafaella Siagkri
Bachelor Thesis, 2016
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"From Painting to Film: Abstract Cinema and Synaesthesia", in From Sensation to Synaesthesia in Film and New Media, ed. by R. Catanese, F. Scotto Lavina and V. Valente, Cambridge Scholars Publishing, 2018, pp. 205-215.
Marie Rebecchi
2019
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The dream screen: an artistic analysis of the representation of dreams in cinema
Yoong Wah Alex Wong
2016
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What are the means used in surrealist films for claiming the medium for the unconscious?
Jemma Craig
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Screen As Threshold: the Disorientating Topographies of Surrealist Film
Wendy Everett
Screen, 1998
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FMS8055: Approaches to Film Theory and History Semester 2, 2018-19 Student Number: 180599439
Amir Nazar
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The Generalized Image: Imagery Beyond Representation in Early Avant-Garde Film
Ulrik Schmidt
Artifact, 2017
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With reference to TWO surrealist films, evaluate the relation between surrealist cinema (of the 1920s and 1930s) and the filmic norms of the period.
Lewis Pringle
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"The Flickering Window: Early Cinema's Realist Fantasies" in Das Kino träumt: Projektion. Imagination. Vision, ed. Winfried Pauleit, et al. (Berlin: Bertz + Fischer, 2009) 78-95.
Paul Young
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Figures of Desire: A Theory and Analysis of Surrealist Film
Linda Williams
Camera Obscura: Feminism, Culture, and Media Studies, 1984
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Posthuman Subjectivity and Implied Dreams in Animation Cinema
Ahmet Oktan , Gülsüm Büşra Çon
Posthuman Subjectivity and Implied Dreams in Animation Cinema, 2021
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Painting the Psyche: Decoding the Caravaggesque Baroque Aesthetic Influences in Post-war Expressionist Cinema
Temara Prem
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Cinema is a dream. New Images and the principles of modernity
Andrea Rabbito
2013
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Bergman. In memoriam. Towards a Chamber Cinema. The Tension between Realism and Abstraction in Ingmar Bergman’s Cinema
Fabio Pezzetti Tonion
2008
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Discuss and analyse the ways in which Surrealist poetry and Surrealist film correspond
Alex Elder
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Shadows Illuminated. Understanding German Expressionist Cinema through the Lens of Contemporary Filmmaking Practices
Acta Universitatis Sapientiae, Film and Media Studies Journal
Acta Universitatis Sapientiae, Film and Media Studies, 2019
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Matter-Reality in Cinema: Realism, Counter-Realism and the Avant-Gardes
Rea Walldén
Gramma: Journal of Theory and Criticism, 2012
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Forgotten Dreams: Revisiting Romanticism in the Cinema of Werner Herzog by Laurie Ruth Johnson
Kamaal Haque
Goethe Yearbook, 2017
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Some themes in cinema
Mirsat Demirci
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The Aesthetic Experience of Modernity: Benjamin, Adorno, and Contemporary Film
Richard Allen
New German Critique, 1987
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Comprehending Abstract themes in avant-garde film
Trev Cross Hargreaves
Comprehending Abstract themes in avant-garde film, 1999
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Mechanical Creativity in the Shift from the Absolute of German Idealism to Real Thinking: Towards a Transcendental Materialism of Film-Philosophy
Warwick Mules
Transformations, 2024
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"Abstract Moving Images and Expanded Architectures. The 1958 World’s Fair in Brussels and the Philips Pavilion", in D. Cavallotti, S. Dotto, A. Mariani (dir.), Exposing the Moving Image: the Cinematic Medium across World Fairs, Art Museums, and Cultural Exhibitions, FilmForum 2018, pp. 95-100.
Marie Rebecchi
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Like a Dream: A Critical History of the Oneiric Metaphor in Film Theory
Laura Rascaroli
Kinema
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"Envisioning the Scene of the Modern: Modernism and European Cinema"
Michael V Moses
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The "Magism" of Cinema and Imaginary Spiritism in France at the Beginning of the Twentieth Century – Early Popular Visual Culture, vol. 13, n°2, 2015, edited by Benoît Turquéty.
Mireille Berton
Early Visual Popular Culture, vol. 13, n°2, pp. 113-133
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4 / JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS Films, the Visual, and their Effects on our Minds and Emotions METKA ZUPANCIC
Metka Zupancic , Metka Zupancic
JCLA, 2020
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Masculinity in the shadow of the slashed eye: surrealist film criticism at the crossroads
Phil Powrie
Screen, 1998
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Contemporary Perspectives on Film and Philosophy (= Contemporary Aesthetics Special Volume 5) [ed. with Mario Wenning]
Stefan Deines
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Memories of Cinema
Rob Luzecky
Deleuze and Time, 2023
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