Filippo Parodi (1630-1702): Genoa's Bernini. A Bust of Vitellius (original) (raw)

“ ‘Impresa quasi imposibilie’: The Making of Bernini’s Bust of Francesco I d’Este”

Irving Lavin

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Archivio della Società romana di storia patria vol.139 (2016)

Alberto Bartola

Archivio della Società romana di storia patria, 2016

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Gian Lorenzo Bernini, The Bust of Pope Urban VIII Barberini, Milan, Carlo Orsi, 2019

Andrea Bacchi

Gian Lorenzo Bernini, The Bust of Pope Urban VIII Barberini, Milan, Carlo Orsi, 2019

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« La comédie des erreurs : Sénèque travesti. Guido Reni, Sculptor and the Antique or Expression versus Archeology », The Eternal Baroque. Studies in Honour of Jennifer Montagu, (éd. Carolyn H. Miner), Milan, 2015

Philippe Malgouyres

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Book review of: Eunice D. Howe, Art and Culture at the Sistine Court. Platina’s “Life of Sixtus IV” and the Frescoes of the Hospital of Santo Spirito. Vatican City (Biblioteca Apostolica Vaticana, Studi e testi, 422), 2005, in: The Burlington Magazine 149/1246, January 2007, 44 – 45

Jan L . de Jong

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La campagna Romana dei Colonna contro l’Urbe di Paolo III in un’ignota lettera di Vittoria Colonna a Carlo V ("Early Modern Rome 3", Rome, University of California, 5-7 ottobre 2017)

Veronica Copello

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Five New Youthful Sculptures by Gianlorenzo Bernini and a Revised Chronology of his Early Works"

Irving Lavin

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A nymphaeum for the Villa Salviati at Ponte alla Badia in Florence, in "The Burlington Magazine", CLIX, 1376, november 2017, pp. 893-899

Oronzo Brunetti

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BERNINI AND THE ROMAN BAROQUE Paintings from Palazzo Chigi in Ariccia

dominique lora

BERNINI AND THE ROMAN BAROQUE Paintings from Palazzo Chigi in Ariccia, 2021

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Joseph Connors, “Bernini and Borromini for Alexander VII and Other Sienese Patrons.” Talk given on 21 March 2016 at the Renaissance Society of America meeting in Boston in the panel, Secrets of Seicento Siena, organized with Machtelt Brüggen Israëls and Jane Tylus.

Joseph Connors

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"Un ricco e bel camino". Ancient portraits in the Seventeenth hundreds lay-out of the Foliage Room at Palazzo Grimani, Venice.

Marcella De Paoli

Viri Antiqui. , 2017

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>Fifteenth-Century Reliefs of Ancient Emperors and Empresses in Florence: Production and Collecting<, in «Collecting Sculpture in Early Modern Europe», “Studies in the History of Art”, 70, 2008, pp. 66-109

Francesco Caglioti

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“The Origins of the Self-Portrait Bust: Rediscovering Bartolomeo di Jacopo,” Source, XXVI, No. 4 (Summer 2007), pp. 9-15.

Louis Alexander Waldman

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Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490-1530

A. Victor Coonin

Renaissance Quarterly, 1998

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Francesco Contini ‘architetto di casa’ Barberini: progetti, opere e cantieri nei feudi della provincia romana (1638-1669), at "Early Modern Rome 5", Rome 14-16 November 2024 (13

Nicoletta Marconi

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Review (book): N. Aricò, Architettura del tardo Rinascimento in Sicilia. Giovannangelo Montorsoli a Messina (1547-57) Florence: Leo S. Olschki Editore, MMXIII (2013), in "Renaissance Quarterly", Volume 68, n. 2, Summer 2015, pp. 650-652

Orietta Lanzarini

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“A New View of Naples from the Campus Neapolitanus and its Authorship.” Gateways to Medieval Naples. The Edith O'Donnell Institute of Art History and Franklin University Switzerland Museo e Real Bosco di Capodimonte / La Capraia. June 8, 2022.

Ronald G. Musto

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S. MUSETTI, Le più antiche pitture della pieve di San Giorgio di Valpolicella. Appunti per una rilettura iconografica, in «Annuario Storico della Valpolicella», XXXVII (2020-2023), pp. 65-86.

Silvia Musetti

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Stefano Bardini: Forming the Canon of Fifteenth-Century Italian Sculpture

Lynn Catterson

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Visconti Painting at Pandino Castle. Antique and Modern in Fourteenth-Century Lombardy

Romano Serena

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Conference Program. Early Modern Rome III: 1341-1667. 5-12 October 2017, Rome.

Ruth Sargent Noyes

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Archivio della Società romana di storia patria vol.140 (2017)

Alberto Bartola

Archivio della Società romana di storia patria, 2017

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"Two reconstructions for Ghirlandaio’s workshop and a new altarpiece by Bastiano Mainardi,” Arte Cristiana, vol. 110, no. 931 (July-August 2022): pp. 304-315

Christopher Daly

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“Bernini’s Bust of Cardinal Montalto”

Irving Lavin

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A. Orlando, Giulio Cesare Procaccini. Doria'Judith and Genoa, Moretti Gallery, London 2023,

Anna Orlando

2023

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Review of M. Buonocore (ed.), Gaetano Marini (1742-1815) protagonista della cultura europea. Scritti per il bicentenario della morte, Rome 2015, Histos 10 (2016), liii-lx

Federico Santangelo

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Review of exhibition: Bagliori dorati: Il Gotico Internazionale a Firenze, 1375-1440, Galleria degli Uffizi, Florence, 2012, Renaissance Studies, 27:5, 2013, pp. 754-764

Scott Nethersole

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C. Pietrabissa, ‘Giulio Romano. La forza delle cose (catalogue review)’, The Burlington Magazine, vol. 165 n° 1440 (March 2023), p. 459-461.

Camilla Pietrabissa

2023

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L’architettura della Compagnia di Gesù in Italia XVI-XVIII sec. Luciano Patteta [et al.]

David Navarro Catalan

VLC arquitectura. Research Journal, 2015

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Sul Monumento funebre di Margherita di Brabante, sulla Tomba del doge Tommaso Campofregoso e su altre opere liguri del Quattrocento

Maria Falcone

Prospettiva nn.169-171

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Portraiture and Patronage in Quattrocento Florence, with special reference to the Tornaquinci and their chapel in S. Maria Novella - vol. 1 - 1985

Patricia Simons

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Docere, Delectare, Movere: From the Library of the College of the Society of Jesus in Genoa to the Iconographic Interpretation of the Great Fresco Painted by Giovanni Andrea Carlone in the Salone degli Esercizi Letterari

Giacomo Montanari

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Looking at italian renaissance sculpture

Sarah Blake McHam

Recherche, 1998

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“Larciani and Granacci Side by Side (Octahedron Tattianum IV),” in Renaissance Studies in Honor of Joseph Connors, ed. Machtelt Isräels and Louis A. Waldman, 2 vols. (Florence: Villa I Tatti, 2013), I, pp. 8-10, 763.

Louis Alexander Waldman

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“Lucantonio degli Uberti, ‘Albertus Pictor Florentinus’, and the Master of the Esztergom Virtues (Octahedron Tattianum II),”, in Renaissance Studies in Honor of Joseph Connors, ed. Machtelt Isräels and Louis A. Waldman, 2 vols. (Florence: Villa I Tatti, 2013), I, pp. 3-7, 759-761.

Louis Alexander Waldman

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