Jähnichen, Gisa & Jasmina Talam (2016). Call for Papers for the 21st Symposium of the ICTM Study Group on Musical Instruments in Sarajevo, 5-8 April, 2017; deadline for abstract submission 15 July 2016. (original) (raw)
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Abstracts of the 23rd Symposium, hosted by the Music Faculty of UVPA, Colombo, Sri Lanka Abstracts follow the session order. The session number indicates the day (1=24 March, 2=25 March, 3= 26 March 2021) and the daytime (A=first morning session, B=second morning session, C=first afternoon session, D=second afternoon session). All times are local times of Colombo, Sri Lanka. Please, adjust time to your time zone.
Chinthaka P Meddegoda, Gisa Jähnichen, Rūta Žarskienė, Gaila Kirdiene, Otgonbayar Chuluunbaatar, Jasmina Talam, Mojca Kovačič, Fatima Hadžić, Xiangkun Liu, Mahmut Cemal Sari, Lejla Dzambazov, Wan Huang, Danka Lajic Mihajlovic, Özlem DOĞUŞ VARLI
STUDIA INSTRUMENTORUM MUSICAE POPULARIS (NEW SERIES), 2023
This collection of contributions is a choice of papers given at the 24th symposium of the ICTM Study Group on Musical Instruments held from 29th of March to the 1st of April, 2023, at the Faculty of Music, University of the Visual and Performing Arts, Colombo, Sri Lanka. One may find contributions of Rastko Jakovljevic, Ahmad Faudzi Musib, Choduraa Tumat and Bernard Kleikamp, Hoh Chung Shih, Huang Wan, Gisa Jähnichen, Liu Xiangkun, Sulwyn Lok and Andrew Filmer, Chinthaka P. Meddegoda, Nishadi Prageetha Meddegoda, Christopher A. Miller, Renzi, Nicola, Timkehet Teffera, Xue Tong, Adilia Yip, and Zhong Wei Cheng. All had to say something very important either about sound manipulation or about musical instruments of humans as part of nature. Or did anyone know before that Jimi Hendrix manipulated his sound effects or how waza trumpets of the Berta are quickly tuned and which instruments accompany a joik in reality? These, and many other questions can be answered through reading the articles compiled in this volume. They celebrate diversity in their own way.
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The accelerated development of technology and climatic changes, which is progressively interwoven with each other, will unavoidably lead to changes in the production and use of musical instruments. It is time to investigate into these upcoming changes and their impact on many features of social life, with the views on past issues included. In this regard, the aim of this paper is to give a first overview on how practices with musical instruments can be continued on different levels of production and use through a historically informed kind of musician and instrument producer. Insofar, this overview can be seen as a beginning of diverting from a physical fixing in ethnic belongings and financial approaches widely requested among musicologists of the 21st century. 'The global perspective cannot be the end of musical instruments' is one of the theses being discussed with the help of most recent literature on the topic. It is dedicated to the second main topic of the symposium.