original ) (raw )Ducal display and the contested use of space in late sixteenth-century Venetian coronation festivals
Maartje van Gelder
Occasions of State, 2018
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The Baroque festivals in the king's court (1555-1808)
Inmaculada Rodriguez Moya
Court, nobles and festivals: studies on the Early Modern visual culture, 2019
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Review of 'Festival Culture in the World of the Spanish Habsburgs' in Sixteenth Century Journal (2017)
Laura Fernandez-Gonzalez
2017
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"Un Oratorio in Cappella Reale di parole italiane”: sacred music and rituals at the Brussels court during the War of Spanish Succession (1704-1707)., Religion and Magnificence - music and ceremonies at the European courts in 17th and 18th centuries, Lisbon 18-20 September 2020
Elena Abbado
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Oratorio e magnificenza: il panorama romano tra Sei e Settecento (Keynote Speaker) in Religion and Magnificence - Music and ceremonies at the European courts in 17th and 18thcenturies, International Conference, Queluz National Palace, September 18-20, 2020
Teresa Chirico
2020
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From Cardinal to Grand Master: The Display of Military Power in a Luxury Table Fountain For Ferdinando I de' Medici
Laura Marsolek
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Court Culture and Pageantry of the ‘Spanish Nation’ in Florence
Sara Mamone
Bulletin of Spanish Visual Studies, 2019
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[MA dissertation: abstract] Ceremonial and government practice in the Court of the Spanish Viceroys of Naples of 1600.
Diego Sola
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The Court of Don Fernando de Aragón, Duke of Calabria in Valencia, c. 1526-c. 1550: Music, Letters, and the Meeting of Cultures
Bernadette Nelson
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“Iberian Tournaments in Early Modern Italy: A Comparative Perspective, 15th-18th Centuries”, in Il Mediterraneo, la Sicilia, e il Mezzogiorno d'Italia tra Medioevo ed età contemporanea: nuove proposte di ricerca, eds. Salvatore Bottari and Giuseppe Campagna (Rome: Aracne Editrice, 2018), 120-41.
Gabriel Guarino , Francesco Tigani , Vincenzo Tedesco
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The Cultural Policy of Cosimo I and the Annual Festivities in Florence from 1541 to 1550
Michel Plaisance , Nicole Lebrun Carew-Reid
2008
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Ceremonial Entries in Early Modern Europe: The Iconography of Power
Maria Ines Aliverti
Renaissance and Reformation
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M. A. Bilotta (edited by), Medieval Europe in Motion. The Circulation of Artists, Images, Patterns and Ideas from the Mediterranean to the Atlantic Coast (6th-15th centuries). Introduction by G. Boto Varela; Conclusions by X. Barral i Altet, Palermo 2018, 464 pp.
Maria Alessandra Bilotta
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“Applausi festivi”: Music and the Image of Power in Spanish Italy
Anna Tedesco
2012
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Margaret Shewring, ed. Waterborne Pageants and Festivities in the Renaissance: Essays in Honour of J.R. Mulryne . Aldershot: Ashgate, 2013. Pp xxv, 439
Steve Mentz
Early Theatre, 2015
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Music and Visual Culture in Renaissance Italy
Tim Shephard
Chriscinda Henry and Tim Shephard ed., Music and Visual Culture in Renaissance Italy (New York: Routledge, 2023), 2023
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Medicean Metamorphoses: Carnival in Florence, 1513
Nicholas Scott Baker
Renaissance Studies, 2011
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Medici Carnivals from Lorenzo the Magnificent to Grand Duke Francesco I
Nicole Lebrun Carew-Reid , Michel Plaisance
Florence in the Time of the Medici. Public Celebrations, Politics, and Literature in the Fifteenth and Sixteenth Centuries, 2008
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Revista de História da Arte - Serie W, Baroque Festivals Between the Sacred and the Profane: Europe and the Atlantic, N.º 10. Instituto de História da Arte - FCSH/NOVA, 2021
Maria João Pereira Coutinho , Silvia Ferreira
2021
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Review of Resounding Images: Medieval Intersections of Art, Music, and Sound, eds. Susan Boynton and Diane J. Reilly, Studies in the Visual Cultures of the Middle Ages, vol. 9 (Turnhout, Belgium: Brepols, 2015) in Comitatus: A Journal of Medieval and Renaissance Studies 47, September 2016.
Campbell Garland
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[2020] "De modo qualiter Reges Aragonum coronabuntur. Visual, Material and Textual Evidence during the Middle Ages", in Arts, 9 (1) (and in M. Vagnoni (ed.), Royal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area, Basel)
Marta Serrano Coll
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Splendour displayed : state barges, embroideries and power in Renaissance Ferrara
Beatrice Mezzogori
2014
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"Non occorre nominare tanti musici": Private Patronage and Public Ceremony in Late Sixteenth-Century Florence
Tim Carter
I Tatti Studies: Essays in the Renaissance, 1991
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The Court Culture in France, Italy and England in 16-17th Centuries: Interaction and Mutual Influence
Alla Sokolova
Journal of History Culture and Art Research, 2020
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In Honour of the Polish Prince: The Festivities of the Duke of Alba in Naples and Ladislas-Sigismund's stay at the Medici Court (1625), in «Kronika Zamkowa. Roczniki», 8 (2021), pp. 97-118.
Elisa Spataro
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Venice & the Sea in Art and Culture
Deborah Howard
Venezia e il senso del mare: Percezioni e rappresentazioni, 2023
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Music in the Art of Renaissance Italy 1420-1540
Laura Stefanescu , Tim Shephard , Serenella Sessini , Sanna Raninen
Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020
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The Offspring of the Medici, a Visual Dialectic between Myth and History (1537-1609)
Ianthi Assimakopoulou
2020
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Monteverdi a San Marco. Venezia 1613–1643, eds. Marco di Pasquale, Rodolfo Baroncini, Lucca 2020
Bartłomiej Gembicki
Muzyka, 2021
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The Viceregal Court of Naples. Ceremony and Representation of the Spanish Viceroy in the Second Half of the XVIIth Century, in Piotr Salwa, Polish Baroque in European Context, Varsovia, 2012, pp. 77-95.
Diana Carrió-Invernizzi
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Music for the Doge in Early Renaissance Venice
Julie Cumming
Speculum, 1992
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The city as a festive scene in sixteenth-century Spain: between Flanders and Italy
Jesús F. Pascual Molina
BELLI, G., CAPANO, F. y PASCARIELLO, M. I. (eds.), La città, il viaggio, il turismo. Percezione, produzione e trasformazione / The city, the travel, the tourism. Perception, production and processing, 2017
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“The Sculpture of Atlas in the Stage Design of La clemenza di Tito (Lisbon 1755): Beyond the Representation of Heroic Clemency at the Portuguese Monarchy Court”, in Music in Art, XLII/1-2 (2017), in press.
Diana Blichmann
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The sight of sound : resonances between music and painting in seventeenth-century Italy
Charlotte Poulton
2009
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Exaltata Super Choros Angelorum: Musical Elements in the Iconography of the Coronation of the Virgin in the Italian Trecento Painting
jose maria
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