CALL FOR PAPERS tosc@bern.2017: 2nd Transnational Opera Studies Conference, Bern 5 - 7 july 2017 (original) (raw)

2nd transnational opera studies conference : "Le méta-opéra baroque comme source d’informations sur la pratique musicale au dix-huitième siècle", Daniel Issa Gonçalves, Bern, July 5-7, 2017.

Daniel Issa

2nd transnational opera studies conference : "Le méta-opéra baroque comme source d’informations sur la pratique musicale au dix-huitième siècle", Daniel Issa Gonçalves, Bern, July 5-7, 2017., 2017

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Hybrid Critical Editions of Opera: Motives, Milestones, and Quandaries

Eleanor Selfridge-Field

Notes, 2015

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Operatic Objects OBERTO/RMA Conference Report

Hayley Fenn

RMA Newsletter, 2017

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“«Se cantassi sovente con quell’impegno febbrile, presto morrei»: notes from Romilda Pantaleoni’s unpublished correspondence”, 1st Transnational Opera Studies Conference, Università di Bologna, 1.7.2105

Cristina Scuderi

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CONTEMPORARY OPERA IN BRITAIN, 1970-2010

Mario Ferraro

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[Review of Hebert Lindenberger, Situating Opera: Period, Genre, Reception (Cambridge UP, 2010)], Modern Drama 55.2 (Summer 2012): 274–276.

Samuel Dwinell

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Opera reviews 2007-11

Robert J Del Bonta

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‘Review Article: A Passion for Italy’, Cambridge Opera Journal, 23/3 (2011), 191-200.

Francesca Vella

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A Note from the Guest Editor (introduction to "Opera and the Avant-Garde")

Arman Schwartz

Opera Quarterly 30, 2014

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Building an opera repertoire : the example of the Festival d'Aix-en-Provence (1948-1964)

Apolline Gouzi

Tosc@ - Junior Scholar Opera Conference (University of Bayreuth), 2021

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JOHN WARRACK GERMAN OPERA: FROM THE BEGINNINGS TO WAGNER Cambridge: Cambridge University Press, 2001 pp. xvi 447, ISBN 0 521 23532 4

David Buch

Eighteenth Century Music, 2004

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German Opera: From the Beginnings to Wagner (review)

Kevin Amidon

Notes, 2002

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Abstracts from the Belfast International Verdi Congress (pt. 2)

Carlo Matteo Mossa

1995

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Opera and Society in Italy and France from Monteverdi to Bourdieu

Naomi Andre

2007

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Syllabus: Opera History (Graduate)

Joseph Morgan

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Opera reviews 2012-15

Robert J Del Bonta

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Italian Verista Opera Libretti, 1890-1920: A Historical, Structural and Statistical Survey

Remo Nannetti

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MICHAL GROVER-FRIEDLANDER, Operatic Afterlives, New York, Zone Books, 2011, pp. 253 (ISBN 978-1-935408-06-2)

Nicola Badolato

2012

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Opera reviews 2001-03

Robert J Del Bonta

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Operatics: The Interdisciplinary Workings of Opera

Linda Hutcheon

University of Toronto Quarterly, 2012

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Essays on Opera, 1750–1800

John A Rice

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Opera History, the Travel Edition

Jonathan Hicks

Cambridge Opera Journal, 2021

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16th International Conference on Baroque Music 9-13 July, 2014 Mozarteum University, Salzburg

Evangelia Kopsalidou

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Chapter 7 - Operas and Stage Works

Dr Lydia Buttigieg

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Cambridge Opera Journal

John Romey

Cambridge Opera Journal, 2024

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« Musical dramaturgy », The Oxford Handbook of Opera, ed. Helen Greenwald, Oxford : Oxford University Press, 2014, 177-205

Damien Colas Gallet

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2003 Deborah Burton ORFEO, OSMIN AND OTELLO: TOWARDS A THEORY OF OPERA ANALYSIS 1

Deborah Burton

Studi Musicali, 2004

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'Tamagno Otherwise', Cambridge Opera Journal, 28/2 (2016), 235-37

Francesca Vella

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Exploring opera with a companion

Clive McClelland

Early Music, 2011

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Opera and Music Drama (1850-1900)

Thomas Grey

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Culture and History in the Performance of Diegetic Music in German Opera A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Musical Arts in Music by

Geoffrey Pope

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Early Operas (review)

Eldonna May

Notes, 2010

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Orgoglio nazionale e modernità nei trattati d’orchestrazione italiani del primo Novecento

Marica Bottaro

Music, Individuals and Contexts. Dialectical Interaction, edited by Nadia Amendola, Alessandro Cosentino, Giacomo Sciommeri, Università degli Studi di Roma “Tor Vergata”, 27-28 aprile 2017, Roma, UniversItalia, 2019, pp. 309-318. , 2019

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Operatic ambiguities and the power of music

Ellen Rosand

Cambridge Opera Journal, 1992

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Opera and Italianità in Transnational and Global Perspective

Axel Körner, Paulo Kühl

Italian Opera in Global and Transnational Perspective Reimagining Italianità in the Long Nineteenth Century, 2022

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