original ) (raw )Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century
Carlotta Sorba
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‘Bridging Divides: Verdi’s Requiem in Post-Unification Italy’, Journal of the Royal Musical Association, 140/2 (2015), 313-42.
Francesca Vella
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Music and Italian National Identity: Mme de Staël’s Corinne ou l’Italie
Franco Piperno
Studia Musicologica, 2011
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The Reception of Neapolitan Opera and Southern Italian Nationalism
Francesco Bracci
Rivista Italiana di Musicologia, 2018
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Opera across Borders: the Construction of Italian and Turkish National Identities by Raffaella Bianchi and Bezen Balamir Coskun
Bezen Coskun
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Alexandra Wilson. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge: Cambridge University Press, 2007. pp. 334
Laura Wittman
Cambridge Opera Journal, 2008
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“«Se cantassi sovente con quell’impegno febbrile, presto morrei»: notes from Romilda Pantaleoni’s unpublished correspondence”, 1st Transnational Opera Studies Conference, Università di Bologna, 1.7.2105
Cristina Scuderi
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National identity, national music and popular music in the Italian music press during the long 19th century
Anna Tedesco
Studia musicologica, 2011
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Laughter between Two Revolutions: Opera Buffa in Italy, 1831-1848. By Francesco Izzo (review), Music & Letters, 95/4 (2014), 662-4.
Francesca Vella
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The Risorgimento Rec(h)anted: Historical Revisionism of the Italian Unification in Songs from Southern Italy
Marcello Messina
Anais do XXVIII Simpósio Nacional de História, 2015
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On opera and working-class culture, Review of Emilio Jona, et al, Le ciminiere non fanno più fumo: canti e memorie degli operai torinesi
Gavin Williams
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"Preface." [In] Made in Italy: Studies in Popular Music, edited by Franco Fabbri and Goffredo Plastino, xiii-xv. New York and London: Routledge, 2013.
Goffredo Plastino , Franco Fabbri
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To Please the Public: Composers and Audiences in Nineteenth-Century Italy
Carlotta Sorba
Journal of Interdisciplinary History, 2006
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La Polifonica Ambrosiana (1947-1980). Musica antica nell’Italia del secondo dopoguerra, edited by Livio Aragona and Claudio Toscani (Lucca: Libreria Musicale Italiana, 2017). Rivista Italiana di Musicologia 54 (2019), 226-231.
Siel Agugliaro
Rivista Italiana di Musicologia, 2019
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Recensione di Steven Huebner a Musicare la Storia. Il giovane Verdi e il grand opéra
Gloria Staffieri
Verdiperspektiven , 2018
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Achilles’ Mirror: Renaissance Italy behind Classical Topics on the Operatic Stage
Raffaele Mellace
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Jacopo Tomatis: Storia culturale della canzone italiana. Milan: Il Saggiatore, 2019. ISBN 978-8842825463. 816 pages
Alessandro Carrera
ATeM Archiv für Textmusikforschung
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Commentary: Was Verdi a “Revolutionary”?
Stefano Castelvecchi
Journal of Interdisciplinary History, 2006
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Verdi and politics in 19th century Italy. Reception of Verdi and the legend of ́Va pensiero ́ in the time of ´Risorgimento´
Jelena Cupic
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"Il giardino di Armida": la Gerusalemme liberata in music, from Giaches de Wert to Domenico Mazzocchi
Kathryn Bosi Monteath
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Review of Vivienne Suvini-Hand. Sweet Thunder: Music and Libretti in 1960s Italy. Italian Perspectives 16. London: Legenda, 2006.
Emiliano Ricciardi
Cambridge Opera Journal 20, no. 3 (November, 2008): 299-302, 2008
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The Making of Italy: The Risorgimento in Global Context (Seminar Syllabus, Columbia University, Fall 2017)
Konstantina Zanou (Κωνσταντίνα Ζάνου)
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Orgoglio nazionale e modernità nei trattati d'orchestrazione italiani del primo Novecento: gli autori
Marica Bottaro
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The business of opera in early modern Bologna: Financial and social affairs in Pirro Capacelli Albergati’s notebook for "Gli amici" (1699)
Huub van der Linden
MEFRIM (Les Mélanges de l'École française de Rome - Italie et Méditerranée modernes et contemporaines), 2018
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Gianluca Bocchino and Cecilia Nicolò, eds., Jommelliana: Un operista sulla scena capitolina... Lucca: Libreria Musicale Italiana, 2017
Bruno Forment
Eighteenth-Century Music, vol. 16, no. 1, 58-60, 2019
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Avanti a lui tremava tutta Roma: opera, melodrama and the Resistance
Catherine O'Rawe
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Orgoglio nazionale e modernità nei trattati d’orchestrazione italiani del primo Novecento
Marica Bottaro
Music, Individuals and Contexts. Dialectical Interaction, edited by Nadia Amendola, Alessandro Cosentino, Giacomo Sciommeri, Università degli Studi di Roma “Tor Vergata”, 27-28 aprile 2017, Roma, UniversItalia, 2019, pp. 309-318. , 2019
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Echoes of Opera in Modern Italian Poetry: Eros, Tragedy, and National Identity
Mattia Acetoso
2020
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Harriet Boyd-Bennett, Opera in Postwar Venice: Cultural Politics and the Avant-Garde
nick till
Transposition, 2019
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Parlor Games: Italian Music and Italian Politics in the Parisian Salon
Mary Ann Smart
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Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. By Martha Feldman
Bruno Forment
Notes, vol. 66, no. 1, 69-72, 2009
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Ghosting Agrippina: Genealogies of Performance in Italian Baroque Opera
Carlo Lanfossi
The Journal of Musicology, 2019
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National theater and the age of revolution in Italy
Carlotta Sorba
Journal of Modern Italian Studies, 2012
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The Italian “National Opera” Imagined from a Southern Slavic Viewpoint: Franjo Ks. Kuhač and Josip Mandić
Lenka Křupková
2019
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Italian Romanticism and Italian Opera: An Essay in Their Affinities
Gary Tomlinson
19th-century Music, 1986
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