Positioning the Original Print: Politics of Printmaking, 1870-1900 (original) (raw)

H-France review: Stephen Bann, Distinguished Images: Prints in the Visual Economy in Nineteenth-Century France.

Katie Hornstein

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Distinguished images. Prints in the visual economy of Nineteenth-century France, New Haven/London 2013. By Stephen Bann

Hans Jakob Meier

Art in Print, 2014

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Decorative Painting and Politics in France, 1890-1914

Katherine Brion

2014

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Carl Goldstein, Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print. Cambridge and New York: Cambridge University Press, 2012. Xvi + 221 pp. Tables, figures, notes, bibliography, and index. $79.00 U.S. (hd). ISBN 978-1-107-01214-1

Luc Racaut

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Emergence of Print Culture and its Impact on Art

IARCON Journals

IAR Consortium, 2021

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CFP "Beyond Reproductive Printmaking - Prints and the Canon of European Painting" / "Diesseits und jenseits von Reproduktion - Druckgrafik und der Kanon der Europäischen Malerei", Dresden 18./19. September 2017

Susanne Magister, Sabine Peinelt-Schmidt

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Placing Prints: New Developments in the Study of Early Modern Print, 1400-1800, The Courtauld Institute of Art, 12-13 February 2016

Bryony Bartlett-Rawlings, Naomi Lebens

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"Print Culture in 19th-Century Belgium," in: Les XX and the Belgian avant-garde: prints, drawings, and books, ca. 1890

Stephen H Goddard

1992

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Graphic design before graphic designers: the printer as designer and craftsman, 1700–1914. Chapter 5

David Jury

2013

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The discreet rise of a crucial profession for photography in print: French photo-engravers (1860’s-1890’s)

Laureline Meizel

Symposium "Photography in Print", De Montfort University, Photographic History Research Centre, 2015

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Willa Z. Silverman . The New Bibliopolis: French Book Collectors and the Culture of Print, 1880–1914 . (Studies in Book and Print Culture, number 21.) Buffalo, N.Y. : University of Toronto Press . 2008 . Pp. xvii, 312. $75.00

PETER SCHULMAN

The American Historical Review, 2010

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“The Camaïeu Print in Seventeenth-Century Paris: On the origins of multi-tonal printmaking in France”

Alexander Dencher

Printing in Colour in the Handpress Period: Histories, Techniques, Functions and Receptions 1400-1700, 2015

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Print, making and the work of art alone

Paul Coldwell

2016

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The Economics of Illustration: The Revue illustrée in the 1890s

Evanghelia Stead

Reconsidering ‘Little’ versus ‘Big’ Periodicals, 2016

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"The Female Printmaker and the Culture of the Reproductive Print Workshop" in Paper Museums: The Reproductive Print in Europe, 1500-1800

Lia Markey

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"Print culture and French architecture in the eighteenth and nineteenth centuries: a survey of recent scholarship," Perspective 1 (2015): 113-32

Richard Wittman

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"Le Trésor Artistique de la France": A Representative Example of the ‘Livre-Spécimen’ at the Turn of the 1880s

Laureline Meizel

Etudes photographiques, 2012

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Privileges in printmaking. The Reliability of Prints in the Early Modern Low Countries

Marlise Rijks

Early Modern Low Countries , 2024

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Printing Images in Antwerp. The Introduction of Printmaking in a City. Fifteenth Century to 1585

Jan Van der Stock

Studies in Prints and Printmaking, 1998

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French Lithography at Kingston. French Lithography: the Restoration Salons 1817—1824. An exhibition held at the Agnes Etherington Art Centre, Queen's University, Kingston, Ontario, 15 October—30 November 1976

Michael Twyman

RACAR Revue d art canadienne, 1977

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Contemporary Printmaking Art between Marginalization and Regeneration..

Wael A. Sabour

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“Difference, Repetition, and Utopia: European Print’s New Worlds” in Crossing Cultures: Proceedings of the 31st International Congress of the History of Art, Melbourne, 13-18 January 2008 (Melbourne UP, 2009), pp. 244-250.

Christopher P . Heuer

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Cutting Edges: Professional Hierarchy vs. Creative Identity in Nicolas de Launay's Fine Art Prints

Tamara Abramovitch

Arts, 2021

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Translation of REFLECTIONS on some causes of the present state of Painting in France (1747) Étienne La Font de Saint Yenne

Gregory Bringman

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Marks of Art and Craftmanship: Placing Prints, New Developments in the Study of Prints 1400-1800, Courtauld Institute 15-02-2016

Oliver Kik

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Colin CLAIR, A History of European Printing, New York, Academic Press, 1976, ISBN: 0121748502

Max Enea

1976

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Society and Style: Prints from the Sheldon Museum of Art

Alison Stewart

2014

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Copper Impressions: Printmakers and Publishing in the 18th Century, Christ Church Upper Library, 16 April-29 May 2015

Cristina Neagu

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Remembering modernity: Print Culture Heritage and the Building of the Belgian Nation

Kevin Absillis

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Paper Museums. The Reproductive Print in Europe, 1500-1800

Peter Prange

Journal of the History of Collections, 2007

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Extended Printmaking: (Im)Pure Print practices | Gravura prolongada: Práticas impuras

Marta Bełkot

Pós-Limiar, 2019

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The impact of the impressionist art movement on Printmaking

Musaed Albehairi

مجلة الفنون والعلوم الانسانية

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Etat présent. The livre d'artiste in Twentieth-Century France

Elza Adamowicz

French Studies, 2009

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How does recent scholarship revise our understanding of the relationship between print and the cultural origins of the French Revolution?

Michael Cheong

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Nina Lamal, Jamie Cumby and Helmer Helmers (eds.) Print and Power in Early Modern Europe (1500–1800) (Leiden: Brill, 2021).

Nina Lamal, Helmer Helmers

2021

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