French Lithography at Kingston. French Lithography: the Restoration Salons 1817—1824. An exhibition held at the Agnes Etherington Art Centre, Queen's University, Kingston, Ontario, 15 October—30 November 1976 (original ) (raw )Distinguished images. Prints in the visual economy of Nineteenth-century France, New Haven/London 2013. By Stephen Bann
Hans Jakob Meier
Art in Print, 2014
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H-France review: Stephen Bann, Distinguished Images: Prints in the Visual Economy in Nineteenth-Century France.
Katie Hornstein
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Positioning the Original Print: Politics of Printmaking, 1870-1900
Laura Prins
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Clarence Gagnon's European Etchings, 1905-1909
Carolyn Machardy
RACAR : Revue d'art canadienne, 1984
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Copper Impressions: Printmakers and Publishing in the 18th Century, Christ Church Upper Library, 16 April-29 May 2015
Cristina Neagu
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Stones from Bavaria: Iranian Lithography in its Global Contexts
Nile Green
Iranian Studies, 2010
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Engraving and Etching 1400-2000: A History of the Development of Manual Intaglio Printmaking Processes. By AD STIJNMAN
Roger Gaskell
The Library, 2013
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Southcoast New England Printmaking, 1939 to 2003:: An Exhibition at the College of Visual and Performing Arts Gallery, March 17 to April 12, 2003
Maura A . Coughlin
2003
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Neo lithographers-The First Print makers
Interal Res journa Managt Sci Tech
isara solutions, 2019
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"Print Culture in 19th-Century Belgium," in: Les XX and the Belgian avant-garde: prints, drawings, and books, ca. 1890
Stephen H Goddard
1992
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The production of archivally stable fine art prints: The role of the master printer in the digital age.
Paul Laidler
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Bilderflut um 1800. Zur Kulturgeschichte des Holzstichs, der Lithografie und der Fotografie im 19. Jahrhundert / The flood of pictures since 1800. On the cultural history of wood engraving, lithography and photography in the 19th century
Friedrich Tietjen
superILLU. Zu einer Theorie der Illustration // Towards a Theory of Illustration, 2022
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Gillotage. Exploring a mid-nineteenth century relief printing technique
Graciela Machado
IMPACT Printmaking Journal
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Graphic design before graphic designers: the printer as designer and craftsman, 1700–1914. Chapter 5
David Jury
2013
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Extended Printmaking: (Im)Pure Print practices | Gravura prolongada: Práticas impuras
Marta Bełkot
Pós-Limiar, 2019
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Printmaking in an Age of lost Innocence
Friedhard Kiekeben
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Placing Prints: New Developments in the Study of Early Modern Print, 1400-1800, The Courtauld Institute of Art, 12-13 February 2016
Bryony Bartlett-Rawlings , Naomi Lebens
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The discreet rise of a crucial profession for photography in print: French photo-engravers (1860’s-1890’s)
Laureline Meizel
Symposium "Photography in Print", De Montfort University, Photographic History Research Centre, 2015
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Marks of Art and Craftmanship: Placing Prints, New Developments in the Study of Prints 1400-1800, Courtauld Institute 15-02-2016
Oliver Kik
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Printmaking – new and old technologies – a conversation
Paul Coldwell
PORTO ARTE: Revista de Artes Visuais, 2013
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Reproducing Nature: WHF Talbot's and Alois Auer's printing processes (1852)
Francesca Strobino
Conference: Don't Press Print 2: De/Reconstructing photomechanical reproduction, 9 and 10 September 2021, 2021
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Engraving and Etching 1400-2000: A History of the Development of Manual Intaglio Printmaking Processes
Ad Stijnman
2012
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Colin CLAIR, A History of European Printing, New York, Academic Press, 1976, ISBN: 0121748502
Max Enea
1976
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The Eighteenth-Century Print: Tracing the Contours of a Field
Douglas Fordham
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Review of Early Colour Printing: German Renaissance Woodcuts at the British Museum, by Elizabeth Savage
Rachel Carlisle
Comitatus: A Journal of Medieval and Renaissance Studies, 2022
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Polish prints between Paris, London and New York (19 and 20 centuries). Lecture: University of Central Oklahoma, April 2016
Waldemar Deluga
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CFP "Beyond Reproductive Printmaking - Prints and the Canon of European Painting" / "Diesseits und jenseits von Reproduktion - Druckgrafik und der Kanon der Europäischen Malerei", Dresden 18./19. September 2017
Susanne Magister , Sabine Peinelt-Schmidt
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The use of 19th - century Cartography Printing Processes in Contemporary Printmaking
Graciela Machado
IMPACT Printmaking Journal
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Patrelli, Mueller and the Officio Topografico: the beginnings of lithography in Naples
Vladimiro Valerio
Journal of the Printing Historical Society, NUMBER 27 1998 EDITED BY M1CHAEL TWYMAN, 1998
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Historical perspectives in the conservation of works of art on paper
Margaret Holben Ellis
Journal of the Institute of Conservation, 2017
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Italian Printmaking, Fifteenth and Sixteenth Centuries: an annotated bibliography, by Caroline Karpinski. Boston: G. K. Hall, 1987. 305p., illus. (Reference Publications in Art History). ISBN 0-8161-8556-5. $45.00
Caroline Karpinski
Art Libraries Journal, 1988
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Wood Engravings, the "Marvellous Spread of Illustrated Publications," and the History of Art
Amy Von Lintel
Modernism/modernity, 2012
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Print, making and the work of art alone
Paul Coldwell
2016
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The Emergence of reprographic Art ?
philippe boissonnet
Cahier des arts visuels du Québec No 14, Montréal, Canada, 1982
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Paper Museums. The Reproductive Print in Europe, 1500-1800
Peter Prange
Journal of the History of Collections, 2007
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