THE MUSICAL IMAGE OF THE SEA IN THE EUROPEAN COURT FESTIVALS DURING THE SIXTEENTH AND SEVENTEENTH CENTURIES (original) (raw)

2022 - The Enchanted Image. The Icons of Rome and their Musical Staging, ca. 900 - 1200

Manfred Luchterhandt

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D. Castaldo. E. Rocconi, Music on Stage in Red-Figure Vase-Painting of Magna Graecia (400–320 BC). The Role of Music in the So-Called ‘Phlyax Vases’, in Sound from the Past: the Interpretation of Musical Artifacts in Archaeological Context, Rahden 2012, pp. 243-260

Daniela Castaldo

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Medieval and Renaissance Music Conference 2015. Paper: New Considerations on the Musical Iconography in the Painted Ceiling of the Sala Magna of the Palazzo Chiaromonte at Palermo (XIV c.). Brussels, 6-9 July, 2015

Angela Bellia

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2014. Angela Bellia, Article: Images of Music in Magna Graecia: the Case of the “Tomb of the Diver” at Poseidonia (V century BCE), «Music in Art», XXXIX/1–2, 2014, pp. 33-41.

Angela Bellia

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The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast (with Giuseppe Capriotti)

Valentina Živković, Giuseppe Capriotti

IKON. Journal of Iconographic Studies, vol. 7, Rijeka, 2014, pp. 167-180.

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Music and Visual Culture in Renaissance Italy

Tim Shephard

Chriscinda Henry and Tim Shephard ed., Music and Visual Culture in Renaissance Italy (New York: Routledge, 2023), 2023

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M A Katritzky, A study in the commedia dell'arte 1560-1620 with special reference to the visual records (2 vols, unpublished doctoral thesis, University of Oxford, 1995). [Revised for publication as: The art of commedia, 2006].

M. A. Katritzky

1995

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Performative and Multimedia Aspects of Late-Renaissance

Johann Hasler

2011

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EXALTATA SUPER CHOROS ANGELORUM: MUSICAL ELEMENTS IN THE ICONOGRAPHY OF THE CORONATION OF THE VIRGIN IN THE ITALIAN TRECENTO PAINTING

José María SALVADOR-GONZALEZ

Music in Art. International Journal for Music Iconography, 2014

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Music in the Art of Renaissance Italy 1420-1540

Laura Stefanescu, Tim Shephard, Serenella Sessini, Sanna Raninen

Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020

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The “Multimedia” Festivals in Renaissance Italy: Venezia in Festa. Paper presented at The Renaissance Society of America Annual Meeting

Francesca Bortoletti

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Scenography at the Barberini court in Rome, 1628-1656

Leila Zammar

2017

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ARTE CRISTIANA FASCÍCULO 766 GENNAIO-FEBBRAIO 1995 VOLUME LXXXIII RIVISTA INTERNAZIONALE DI STORIA DELL'ARTE E DI ARTI LITURGICHE A CURA DELLA SCUOLA BEATO ANGÉLICO E DELL' ISTITUTO DI STORIA DELL'ARTE DELL'UNIVERSITÁ CATTOLICA NUOVA SERIE

Ruffo Mosil

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Reviews of four exhibitions in Florence, Turin, and Rome, 1951-1954

Emanuel Winternitz

1954

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Garcia-Ventura - Tavolieri - Verderame, The Study of Musical Performance in Antiquity, 2018

Lorenzo Verderame

Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018

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From survey to pictorial drawing, the fantastical antiquities of Giuliano da Sangallo, in Beguiling Structures, Architecture in European painting 1300-1550, 19th september 2014, The national Gallery

Demonet Chloé

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Music, Spectacle and Cultural Brokerage in Early Modern Italy, 2 vols.

Janie Cole

Florence: Olschki, 2011

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Images of Music and Musicians as Indicators of Status, Wealth and Political Power on Roman Funerary Monuments

Cristina-Georgeta Alexandrescu

Ricardo Eichmann, Mark Howell and Graeme Lawson (Eds.), Music and Politics in the Ancient World. Exploring Identity, Agency, Stability and Change through the Records of Music Archaeology, Berlin: Edition Topoi, 2019, 2019

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Dancing Statues and the Myth of Venice: Ancient Sculpture on the Opera Stage

Wendy Heller

Art History, 2010

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Visual Representation and Reception of Ancient Roman Music in the Collection of the Palazzo Coronini Cronberg Foundation

Alessia Zangrando

2023

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Oratorio e magnificenza: il panorama romano tra Sei e Settecento (Keynote Speaker) in Religion and Magnificence - Music and ceremonies at the European courts in 17th and 18thcenturies, International Conference, Queluz National Palace, September 18-20, 2020

Teresa Chirico

2020

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Angela Bellia and Clemente Marconi (eds.), Musicians in Ancient Coroplastic Art: Iconography, Ritual Contexts, and Functions, («TELESTES. Studi e Ricerche di Archeologia musicale nel Mediterraneo», II), Pisa-Roma, Istituti Editoriali e Poligrafici Internazionali, 2016.

Angela Bellia, Aura Piccioni, Manolis Mikrakis, Maria Chidiroglou, Agnès Garcia-Ventura, Elçin Doğan Gürbüzer, Regine Pruzsinszky, Mireia López-Bertran

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The Gap between Text, Image and Ritual as Iconological Problem. Two Examples from the Adriatic Coast (with Valentina Živković)

Valentina Živković, Giuseppe Capriotti

in "Ikon", 7, 2014, pp. 167-180., 2014

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Music and Visual Culture in Renaissance Italy - Conference Programme

Tim Shephard, Laura Stefanescu, Serenella Sessini

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The Inscribed Image: Negotiating Sculpture on the Coast of the Adriatic Sea

Ittai Weinryb

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The sight of sound : resonances between music and painting in seventeenth-century Italy

Charlotte Poulton

2009

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>Donatello [...], Sprite with tamburine [...], Berlin, Staatliche Museen [...]<, in «In the light of Apollo: Italian Renaissance and Greece. Athens, National Gallery - Alexandros Soutzos Museum, 22.12.2003-31.3.2004», ed. by Mina Gregori, Silvana Edit., Cinisello Balsamo 2004, I, pp. 195-196 n. II.1

Francesco Caglioti

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The Venetian crystal rock reliquary at the monastery of Vatopedi, Mt. Athos, Hybrid International Conference: At the Turn of an Era: Greek East contexts of Italian Art and Material Culture, 14th-16th Centuries, Venice, 24-26 November 2023.

Dimitris Liakos

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Meaning and Emotion. Visualising Music in Early Modern Festival Books

Tobias C Weissmann

Visualising the Unseen: Music in Visual Culture (20th International Conference of the Association Repertoire International d'iconographic Musicale RIdIM), 2021

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Reflections on Music Performance and Dancing in a Roman Mosaic Found on the Aventine

MARIA LUZ NEIRA JIMENEZ

Journal of Mosaic Research 14, 2021

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"Spectacle in Rome, Italy, and the Provinces" (co-authored with Michael J. Carter), The Oxford Handbook of Roman Epigraphy, eds. C. Bruun & J. Edmondson. New York & Oxford: Oxford University Press, 2015 [2014], ch. 25 (pp. 537-558)

Jonathan Edmondson

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Monteverdi a San Marco. Venezia 1613–1643, eds. Marco di Pasquale, Rodolfo Baroncini, Lucca 2020

Bartłomiej Gembicki

Muzyka, 2021

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"Spectacle in Rome, Italy and the Provinces" (co-authored with Jonathan Edmondson), The Oxford Handbook of Roman Epigraphy, eds. C. Bruun & J. Edmondson. New York & Oxford: Oxford University Press, 2015 [2014] Ch. 25 (pp.537-558).

Michael Carter, Jonathan Edmondson

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A Figurative Roman Period Monument recently recorded into the Collection of the National Union Museum Alba Iulia. Considerations regarding its Significance

radu ota

Ephemeris Napocensis, XXXI, 2021

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M.A. Bilotta, Immagine, devozione e liturgia, nell'ambito delle circolazioni artistiche e culturali nel Midi della Francia tra XIII e XIV s.: il programma iconografico dei mss liturgici, miniati dal Maestro di Augier de Cogeux - Medieval Europe in Motion 5 - Int. Conference (6-9 novembre 2019)

Maria Alessandra Bilotta

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