ALTERNATIVE HISTORIES OF PHOTOGRAPHY IN THE OTTOMAN MIDDLE EAST (original) (raw)

From photo libraries to photo archives. On the epistemological potential of art-historical photo collections, in: Photo Archives and the Photographic Memory of Art History, ed. by Costanza Caraffa, Munich-Berlin 2011, pp. 11-44

Costanza Caraffa

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'Pictures of an Exhibition'. Review essay of L’oeuvre d’art et sa reproduction photographique Musée d’Orsay, 27th June – 24th September, 2006. Exhibition curated by Dominique de Font- Réaulx and Joëlle Bolloch, exh. catalogue, Musée d'Orsay/Le Seuil, Paris, 2006.

Dana A MacFarlane

History of Photography, Volume 31, Number 1, Spring 2007, ISSN 0308-7298

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Call for Papers Photographica, N°12 "Bound Histories: Memories, Materialities, and Meanings of Photo Albums"

Photographica Journal, Alice Morin

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NON-COLLECTIONS? OLD COLLECTIONS OF REPRODUCTIONS AND DOCUMENTING PHOTOGRAPHS IN MUSEUMS: SELECTED EXAMPLES

Kamila Kłudkiewicz

Muzealnictwo, 2021

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Photography and Culture All The Names: Collections and Historical Research. The Magalhães Nobre Stereo Collection

Teresa Mendes Flores

Photography and Culture, 2018

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On Photography

John Muriel

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Images for Sale: Cards and Colours at the Photothèque of the Musée de l'Homme

Anaïs Mauuarin

Max Planck Institute - Photo-Objects. On the materiality of Photographs and Photo-Archives in the Humanities and Sciences, 2020

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Review, Images du Grand Siècle, l'estampe française au temps de Louis XIV, Bibliothèque nationale de France (2016)

Jamie Mulherron

The Burlington Magazine, 2016

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Review of Masterworks of Modern Photography 1900-1940: The Thomas Walther Collection exhibition at the Jeu de Paume (September 14, 2021—February 13, 2022)

Jonathan Dentler

Transatlantica: American Studies Journal, 2022

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Photographic archives in Paris and London

Pascale Dollfus

1999

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The Cultural Institutionalization of Photography in France: A Brief History

Kathrin Yacavone

Nottingham French Studies, 2014

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Editorial: Photograhy, Artists and Museums

Elena Stylianou

Photographies, 7(2), 2014

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A Hundred Years of Photography. A Critical Rereading of an Innovative Contribution

Angelo Maggi

Lucia Moholy between Photography and Life, 2012

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Oudadate Pix: An introductory word

Petra Trnkova

Oudadate Pix. Revealing a photographic archive, ed. P. Trnková, 2010

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Photgraphy and High Art: Photography and Museology

Matoula Scaltsa

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Collections which restore usefulness to found photography

Lech Lechowicz

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Editorial: Photography, artists and museums

Theopisti Stylianou-Lambert

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Introduction: Mapping Photography in French and Francophone Cultures

Kathrin Yacavone

Nottingham French Studies, 2014

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École des Hautes Études en Sciences Sociales, Paris, Seminar, 2002: "The Photography of History”

William Tronzo

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Andrea MEYER, Museums in Print: The Interplay of Texts and Images in the Journal Museumskunde

Andrea Meyer

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Foreword — Materialities of the Photobook

José Bértolo

Compendium: Journal of Comparative Studies, 2022

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The Use of Photography as a Mode of Social and Historical Investigation

Joerg Bader

Critique d’art

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Jean Laurent. A photographer and his firm (1816-1886)

HELENA PEREZ GALLARDO

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On Documentary Style: ‘Anti-graphic Photography’ Between the Wars

Wolfgang Brückle

History of Photography 30, 2006

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‘Models of Collecting,’Oxford Art Journal, Vol.19, No.2, 1996, pp.95-7

Ting Chang

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"A Social History of Early Arab Photography or A Prolegomenon to an Archeology of the Lebanese Imago" in IJMES

Stephen Sheehi

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Photographs and Their Many Lives

Olga Shevchenko

Slavic Review, 2017

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“And because the use of the photographic device is impossible without a proper card catalog. . . .”

Ute Dercks

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In the Eye of the Archive: A Triumphant Autopoiesis of Photography

Katharina Sykora

Edition Open Access, 2019

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Photography and Art History: The History of Art Born from Photography

Dilek Karaaziz Şener

Procedia Social and Behavioral Sciences, 2014

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'Originals, reproductions, original reproductions: redefining categories in a documentary collection', in: Safeguarding Image Collections. Issues in the Management of photographic collections, Cambridge 2014 (proceedings symposium Brussels, 2013), p. 46-67

Erik Löffler

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The Alkazi Collection of Photography: Visual Heritage from South Asia

Stéphanie ROY-BHARATH

PhotoResearcher #13, 2010

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Vilém Flusser’s Theories of Photography and Technical Images in a U.S. Art Historical Context1

Martha Schwendener

2015

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Book Review: The Arab Imago: A Social History of Portrait Photography 1860–1910, by Stephen Sheehi, The Art Bulletin, 98:4 (2016): 531-534.

Hala Auji

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ALTERNATIVE HISTORIES OF PHOTOGRAPHY IN THE OTTOMAN MIDDLE EAST (original) (raw)

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