original ) (raw )Auditory Environment, Religion, and Politics: Revisiting the Polyphonic Mass in Early Modern Dubrovnik (1400–1600)
Tin Cugelj
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Traces of Polyphonic Music in the Late-medieval Republic of Dubrovnik
Paweł Gancarczyk
in: Glazba, migracije i europska kultura. Svečani zbornik za Vjeru Katalinić / Music, Migration and European Culture. Essays in Honour on Vjera Katalinić, eds. Ivano Cavallini, Jolanta Guzy-Pasiak, Harry White, Zagreb, 2020
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"Un Oratorio in Cappella Reale di parole italiane”: sacred music and rituals at the Brussels court during the War of Spanish Succession (1704-1707)., Religion and Magnificence - music and ceremonies at the European courts in 17th and 18th centuries, Lisbon 18-20 September 2020
Elena Abbado
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S. Luigi dei Francesi in the Seventeenth Century: A Laboratory for Music, Liturgy and Identity
Galliano Ciliberti
Music and the Identity Process. The National Churches of Rome and their Networks in the Early Modern Period, edited by Michela Berti and Emilie Corswaren, with the collaboration of Jorge Morales, Turnhout, Brepols, pp. 160-192, 2019
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Oratorio e magnificenza: il panorama romano tra Sei e Settecento (Keynote Speaker) in Religion and Magnificence - Music and ceremonies at the European courts in 17th and 18thcenturies, International Conference, Queluz National Palace, September 18-20, 2020
Teresa Chirico
2020
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Review of Michael Noone: Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563-1700
Miguel Angel Marin
2001
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Review: Timothy McGee, The Ceremonial Musicians of Late Medieval Florence
Blake Wilson
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Fifteenth- and Sixteenth-century Polyphony in a Gradual from the Badija Franciscan Monastery near Korčula
Paweł Gancarczyk
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Praga festivans. Music played during the Prague festivities of 1527 and 1558*
Jan Baťa
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Musicians in the Mediterranean: Narratives of Movement. Paper title: Instrumental Music and Popular Devotion in the Mid-Adriatic Soundscape of the Renaissance
Francesco Zimei
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Short-lived Opera bella e buona: the 1564 Chancel Screen of the Church of St Roch in Dubrovnik
Danko Zelić
in: M. Jurković and P. Marković (eds.), Scripta in honorem Igor Fisković - Festschrift on the occasion of his 70th birthday, Zagreb - Motovun: University of Zagreb, International Research Center for Late Antiquity and the Middle Ages, Motovun, 2015, pp. 271-281 [in English]
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Il suono dell’eterno. Tracce di repertori musicali perpetui a Venezia. – European Sacred Music, 1550–1800 : New Approaches. University of Fribourg (Switzerland), 9–12 June 2010
Luigi Collarile
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Music for the Rosary devotion: Marian Litanies, Processions and Vernacular Songs in Sixteenth- and Early Seventeenth-Century Barcelona
Andrea Puentes-Blanco
Medieval & Renaissance International Music Conference, Prague (Czech Republic), 4-8 July, 2017
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The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614
Tess Knighton
SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna, 2015
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“Liturgy as Historiography: Historical, Narrative, and Evocative Values of Eleventh-Century Masses,” in Early Music: Context and Ideas II. Proceedings of the International Conference in Musicology (Krakow, Poland: Jagellonian University—Institute of Musicology, 2008), 27-38.
Luisa Nardini
2008
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The Musical and Theatrical Activities of the Jesuits in the Kingdom of Naples: Accounts from the Gazzetta di Napoli (1675-1768)
Ausilia Magaudda
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Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17 th Century (from Scherer and Beyerlinck to Hoffman and Beckovský
Vladimír Maňas
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The Musical and Theatrical Activities of the Jesuits in the Kindom of Naples: Accounts from the Gazzetta di Napoli (1675-1768)
Danilo Costantini
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S. Luigi dei Francesi's Volume of Masses dating from 1557: an Example of French Polyphony
Emilie Corswarem
2019
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The soundscape of the ceremonies held for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614
Ascensión Mazuela-Anguita
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"Musical Practices among Marian Sodalities in the Gallo- and Flandro-Belgic Provinces (16th-18th centuries)", Jesuit and Music, dir. Daniele Filippi, numéro special du Journal of Jesuit Studies, 3/3 (2016), p. 398-414.
Céline Drèze
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Craig Wright, Music and Ceremony at Notre Dame of Paris, 500–1550. Cambridge, Cambridge University Press, 1989, xviii + 400 pp
Andrew Wathey
Early Music History, 1991
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On the influence of the Catholic musical culture of Lviv and Vilnius on partes polyphony at the end of the 16th and during the 17th centuries
Іван Кузьмінський (Ivan Kuzminskyi)
Ars et praxis, 2016
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Craig Wright, Music and Ceremony at Notre Dame of Paris, 500–1550. Cambridge Studies in Music. Cambridge, Cambridge University Press, 1989. xvii + 400 pp ISBN 0 521 244927
Rebecca A BALTZER
Journal of the Royal Musical Association, 1991
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‘Et comenchèrent les sacqueboutes du roy’. The Liturgical Use of Instrumental Ensembles Around 1500
Markus Grassl
Henricus Isaac (c.1450/5–1517). Composition – Reception – Interpretation, 2019
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"Music, Patronage and Reform in Sixteenth-Century Italy: New Light on Cardinal Carlo Borromeo," Early Music (Oxford University Press).
Valerio Morucci
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“Liturgy as Historiography: Historical, Narrative, and Evocative Values of Eleventh-Century Masses,” in Early Music: Context and Ideas II: Proceedings of he International Conference in Musicology (Krakow, Poland: Jagellonian University—Institute of Musicology, 2008), 27-38.
Luisa Nardini
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Review: Christopher Reynolds, Papal Patronage and the Music of St. Peter's, 1380-1513
Blake Wilson
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Andrew H. Weaver, ed., A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
Michael Noone
Journal of Jesuit Studies, 2022
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Medieval Polyphony in the Cathedral of Sigüenza: a New Identification of a Musical Example quoted in the Anonymous Treatise of St Emmeram (1279)
David Catalunya
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Song, Bells, Ritual: The Topography of St.Petersburg's Ecclesiastical Musical Culture. Russian Studies in History. Winter 2006/2007. Vol.45
Irina Chudinova
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L’editoria musicale veneziana intorno al 1611: questioni e prospettive. – Central-Eastern Europe versus the Italian musica moderna : in the occasion of the 400th anniversary of the publication of Offertoria and Communiones by Mikołaj Zieleński (Venice, 1611). University of Warsaw, 12–15 October 2011
Luigi Collarile
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Music In The Convent Life Of The St Adalbert'S Abbey In Staniątki
Marcin Konik
2017
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Program Notes: Pater, Peccavi: Saints and Sinners in Sixteenth-Century Polyphony of the Low Countries
Eric Rice
2017
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Printed books of polyphony at Barcelona, Biblioteca Universitaria: new unknown editions by Giovanni Pierluigi da Palestrina and Gioseppe Caimo, at Medieval and Renaissance Music Conference 2016 (University of Sheffield, 5-8 July 2016)
Andrea Puentes-Blanco
Medieval and Renaissance Music Conference 2016 (University of Sheffield, 5-8 July 2016)
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