Between Prague and Pirna. A Story from the Beginning of the Thirty Years' War (original) (raw)

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Paweł Gancarczyk

in: The Musical Culture of Silesia before 1742: New Contexts - New Perspectives, eds. Paweł Gancarczyk, Lenka Hlávková-Mráčková and Remigiusz Pośpiech, Frankfurt am Main, 2013

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Іван Кузьмінський (Ivan Kuzminskyi)

Lithuanian Musicology, 2012

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David Holeton

2011

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Behind the stage: some thoughts on the Codex Speciálník and the reception of polyphony in late 15th-century Prague

Lenka Hlávková

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Fifteenth- and Sixteenth-century Polyphony in a Gradual from the Badija Franciscan Monastery near Korčula

Paweł Gancarczyk

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Magdalena Walter-Mazur

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Mirosława Hanusiewicz-Lavallee

2018

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Paweł Gancarczyk

2016

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Nazar Fedorak

Perspektywy Kultury

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Rimantas Sliužinskas

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Alexander Grishchenko

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Jelena Mrgić

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Rosanna Sornicola

Annali del Dipartimento di Studi Letterari, Linguistici e Comparati, Sezione linguistica, AION, 2018

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“The Past in the Present: Some liturgico-musical relationships between Toledo, Rome and Andalucia”, in The Past in the Present, edited by Laszlo Dobszay, Budapest: Liszt Ferenc Academy of Music, 2003. Volume 2, 207-222.

Jane M Hardie

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Parczewski the Bard, Polish-Anglosaxon Studies Vol. 10/11 .-(2003) p. 29-36

Katarzyna Gmerek

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Dmitrij Timofejev

Amsterdam University Press eBooks, 2022

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Nika Oksana Ніка Оксана

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Robert Mathiesen

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Andrzej Dąbrówka

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Jan Baťa

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Modus legendi: Illuminated Utraquist Choir Books of the Bohemian Renaissance, in: Michal Šroněk – Milena Bartlová (edd.), Public Communication in European Reformation. Artistic and other Media in Central Europe 1380–1620, Prague 2007, pp. 133–142

Martina Šárovcová

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The place of Jan Dismas Zelenka within Prague’s sacred music scene as viewed through the inventory of the Knights of the Cross with the Red Star

Václav Kapsa

Clavibus unitis 8, No. 1, pp. 91–100, 2019

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Marta Vaculinova

Musicalia 1-2, 2022

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Herman Seldeslachts

Zeitschrift für Slawistik, 2022

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“Lamentations in Spanish Sources before 1568”, Revista de Musicología 16 (1993), 912-942 (date of publication July 1995).

Jane M Hardie

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Serafino Razzi’s Storia di Raugia, or, How Renaissance Dubrovnik (Might Not Have?) Heard Polyphony in February 1588: Towards a Liturgical Reconstruction of the Feast of Saint Blaise

Tin Cugelj

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Language and Literary Studies of Warsaw vol. 4

Krzysztof Fordonski

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Antonio Chemotti, The Hymnbook of Valentin Triller (Wroclaw 1555). Musical Past and Regionalism in Early Modern Silesia, Warsaw 2020

Erika Honisch

Muzyka, 2021

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SCRIPTA JUDAICA CRACOVIENSIA * Vol. 8

Dagmara Budzioch

2016

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Tradition and Translation: Maciej Stryjkowski's Polish Chronicle in Seventeenth-Century Russian Manuscripts

Christine Watson

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Agnieszka Budzinska-Bennett

Early Music, 2023

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A newly discovered polyphonic fragment: Description of the finding and analysis of the textual contents

Antonio Calvia, Federico Saviotti

MEDREN 2021 - 49th Medieval and Renaissance International Music Conference, 2021

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Academic Journal of Modern Philology vol. 3 (2014)

Jacek Mianowski

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Нові документи з історії театрального та музичного мистецтва Волині (кінець XVI – початок XVII століть) - New documents on the history of theatrical and musical arts of Volhynia (end of the 16th – the beginning of the 17th centuries)

Іван Кузьмінський (Ivan Kuzminskyi)

Мистецтвознавчі записки - Notes on art criticism, 2018

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Surviving Sources of Eighteenth-century Singspiels from Prague’s German Theaters

David J Buch

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