original ) (raw )Texts and Illustrations in Venice, Biblioteca Nazionale Marciana, ms. Lat. VIII 22 (2760)
Fabio Guidetti
Certissima signa: A Venice Conference on Greek and Latin Astronomical Texts, ed. by Filippomaria Pontani, 2017
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Review of exhibition: Bagliori dorati: Il Gotico Internazionale a Firenze, 1375-1440, Galleria degli Uffizi, Florence, 2012, Renaissance Studies, 27:5, 2013, pp. 754-764
Scott Nethersole
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Detached manuscript illuminations from the Scuola di San Giovanni Evangelista of Venice and the confraternity’s mariegole in the Archivio di Stato di Venezia
Lyle Humphrey
Il Codice Miniato in Europa: Libri per la chiesa, per la città, per la corte, G. Mariani Canova and A. Perriccioli Saggese eds., Padua, Il Poligrafo, 2014
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E. Mattia, Three Italian Illuminated Cuttings in the Royal Library of Copenhagen: the Master B. F., Attavante and the Master of Montepulciano Gradual.
Eleonora Mattia
Fund og Forskning i Det Kongelige Biblioteks Samlinger, 2017
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“A New View of Naples from the Campus Neapolitanus and its Authorship.” Gateways to Medieval Naples. The Edith O'Donnell Institute of Art History and Franklin University Switzerland Museo e Real Bosco di Capodimonte / La Capraia. June 8, 2022.
Ronald G. Musto
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From survey to pictorial drawing, the fantastical antiquities of Giuliano da Sangallo, in Beguiling Structures, Architecture in European painting 1300-1550, 19th september 2014, The national Gallery
Demonet Chloé
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Book Review: Gustina Scaglia, Francesco di Giorgio: Checklist and History of Manuscripts and Drawings in Autographs and Copies from ca. 1470 to 1687 and Renewed Copies (1764-1839) (Bethlehem, PA and Cranberry, NJ: Lehigh University Press and Associated University Presses, 1992)
Pamela O Long
Technology and Culture, 1993
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Books in art : the meaning and significance of images of books in Italian religious painting 1250–1400
Anthony McGrath
2012
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CHICOTE, M.T., "L'Alcorano di Andrea Arrivabene: An Iconographical Framework", Church History and Religious Culture 96, I-II (2016), pp. 130 –154
Maria Teresa Chicote
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Review (book): N. Aricò, Architettura del tardo Rinascimento in Sicilia. Giovannangelo Montorsoli a Messina (1547-57) Florence: Leo S. Olschki Editore, MMXIII (2013), in "Renaissance Quarterly", Volume 68, n. 2, Summer 2015, pp. 650-652
Orietta Lanzarini
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August 1480: A Painted and Dated Ceiling inside the House of the Agucchi family in Bologna
Elisabetta Cunsolo
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Docere, Delectare, Movere: From the Library of the College of the Society of Jesus in Genoa to the Iconographic Interpretation of the Great Fresco Painted by Giovanni Andrea Carlone in the Salone degli Esercizi Letterari
Giacomo Montanari
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Glory of the Renaissance Italian Manuscripts and Miniatures
Dr. Jörn Günther Rare Books , Mireia Castaño
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Review of D. Esposito, La pittura di Ercolano. Rome 2014. R. Olivito, Il Foro nell’atrio. Immagini di architetture, scene di vita e di mercato nel fregio dai Praedia di Iulia Felix (Pompei II, 4, 3), Bari 2013.
Mantha Zarmakoupi
Journal of Roman Studies , 2016
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ON SOME LATE RENAISSANCE ORNAMENT DRAWINGS AT THE ASHMOLEAN MUSEUM, OXFORD: GIOVANNI BATTISTA LOMBARDELLI, AVANZINO NUCCI, GIOVANNI BATTISTA DELLA ROVERE AND A PROPOSAL FOR FEDERICO BRANDANI
Angelamaria Aceto
Studi di Memofonte, 29, 2022
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Donatella Livia SPARTI, recensione a "Da Universitas ad Academia. I. La corpoazione dei Pittori di Roma nella chiesa di san Luca sull’Esquilino. 1478-1588", di Isabella Salvagni, Campisano, Roma 2012, in «The Burlington Magazine», 158 (march 2016), pp. 202-203
Isabella Salvagni
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L’ARTE BIZANTINA IN ITALIA NEI DOCUMENTI DELL’ARCHIVIO CENTRALE DELLO STATO: UNA MAPPA
Silvia Pedone , Andrea Paribeni
Fotografare Bisanzio. Arte bizantina e dell'oriente mediterraneo negli archivi italiani, a cura di L. Bevilacqua, A. Iacobini, 2022
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Between Renaissance and Neo-Renaissance: Tito Vespasiano Paravicini's Graphic Corpus
Edoardo Rossetti , Rossetti Edoardo
https://journal.eahn.org/article/id/8332/ , 2022
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Marchiaro, Michaelangiola. La biblioteca di Pietro Criniti: Manoscritte e libri a stampa della raccolta libraria di un umanista fiorentino, Porto: Fédération Internationale des Instituts d'Études Médiévales, 2013 (Textes et études du Moyen Âge, 67). Reviewed by Sabina Zonno
Sabina Zonno
Comitatus 45, 2014
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[2020] “A Splendid Shrine for an Ugly Image: The Chapel of Cardinal Salviati at Sant’Andrea e Gregorio al Celio”. In: Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning, ed. by C. Franceschini, P. Tosini, S. F. Ostrow, Milano, Officina Libraria, pp. 112-145.
Chiara Franceschini , Patrizia Tosini , Steven Ostrow
Chapels in Roman Churches of the Cinquecento and the Seicento. Form, Function, Meaning, ed. by C. Franceschini, P. Tosini, S. F. Ostrow, Milano, Officina Libraria, 2020, 2020
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L'uomo con la borsa al collo: Genealogia e uso di un'immagine medievale. Giuliano Milani. La storia: Temi 59. Rome: Viella, 2017. 298 pp. + 8 b/w pls. + 16 color pls. €30
Elizabeth Coggeshall
Renaissance Quarterly, 2019
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Review of: Erminia Ardissino and Elisabetta Selmi , eds. Visibile teologia: Il libro sacro figurato in Italia tra Cinquecento e Seicento . Temi e Testi 101. Rome: Edizioni di storia e letteratura, 2012. xxvi + 464 pp. €68. ISBN: 978–88–6372–409–7
Evelyn Lincoln
Renaissance Quarterly, 2013
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Tabula picta. Some distinguished Italian panels from the Trecento to the early Cinquecento
Mauro Minardi
Tabula picta. Italian Paintings from the Late Gothic Age to the Renaissance, 2018
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Archeology of the Manuscript Book of the Italian Renaissance
Albert Derolez
2018
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“Icons of Power: Images of Palaces in Late Antique Art,” in La Villa restaurata e i nuovi studi sull’edilizia residenziale tardoantica (Piazza Armerina, 7-10 November 2012), ed. P. Pensabene and C. Sfameni (Bari, 2014), 171-179.
Maria Parani
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La biblioteca di Pietro Crinito: Manoscritti e libri a stampa della raccolta libraria di un umanista fiorentino by Michaelangiola Marchiaro
Sabina Zonno
Comitatus: A Journal of Medieval and Renaissance Studies, 2014
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“Reading the display of sculpture on the façade of San Marco in Venice,” for Il potere dell’arte nel Medioevo. Studi in onore di Mario D’Onofrio, ed. M. Gianandrea, F. Gangemi and C. Costantini, Rome, Campisano Editore, 2014, 597-605
William Tronzo
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Marginal Notes by Daniele Barbaro in the 1511 Edition of Vitruvius from the Pushkin State Museum of Fine Arts Collection: Attribution Process and Dating Method
Ekaterina Igoshina
Daniele Barbaro and the University of Padova, 2023
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Visualizing Lodovico Domenichi’s “Ragionamento nel quale si parla d’imprese d’armi, e d’amore” from 1574
Maren C. Biederbick
International Open Workshop "Socio-Environmental Dynamics over the Last 15,000 Years: The Creation of Landscapes VI". Conference Reader, 2019
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SOME DRAWINGS FROM THE >PAPER MUSEUM< OF CASSIANO DAL POZZO AND THE BERLIN CODEX DESTAILLEUR >D<
Ian Campbell
PEGASUS Berliner Beiträge zum Nachleben der Antike 6 (2004)
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Ronald G. Musto, review a Scrivere la storia, in Renaissance Quaterly, I 2015
Chiara De Caprio
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Le linee della follia. L’iscrizione CIL VI, 21757 in un disegno del Christ Church College attribuito a Bernardino da Parenzo
Donato Fasolini
2017
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The Wall Paintings in the Campanile of the Church of St. Nicola in Lanciano (ca. 1330-1400). Reading an Unknown Legend of the Cross in the Abruzzi, Italy, in "Iconographica”, 2, 1, 2003, p. 108-125
barbara baert
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I disegni di Giulio Romano. Storia, archeologia, destino - Gernsheim Study Days: Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy. 10-12 May 2023
Francesca Mattei
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Glagolitic Liturgical Print Between Rome and Venice in the 18th Century
Janja Dora Ivancic
Dimensioni istituzionali del Commonwealth veneziano (secoli XIV-XVII) a cura di Ermanno Orlando e Gherardo Ortalli, 2024
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