Molière: Les Fâcheux (review) (original) (raw)
Les mots et les choses du théâtre: France, Italie, Espagne, XVIe-XVIIe siècles
Marc Vuillermoz
2018
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Theatre and State in France, 1760-1905 by Hemmings, F. W. J
Felicia H Londré
Comparative Drama, 1996
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6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France
Logan Connors
Dramatic Experience, 2017
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Jacques Milet's Destruction De Troie La Grant: Reassessing French Theatre In the Late Medieval Period
Lofton L Durham
2009
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Medieval Roles for Modern Times: Theater and the Battle for the French Republic, by Helen Solterer – in The Medieval Review [online], 11.10.22
Carol Symes
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The Theatres of Moliere (review)
Mechele Leon
Theatre Journal, 2004
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Women's Deliberation: The Heroine in Early Modern French Women's Theater (1650–1750) by Theresa Varney Kennedy
Sharon Diane Nell
Bulletin of The Comediantes, 2019
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Teaching Early Modern Gender and Identity in the Modern World: The Example of Seventeenth-Century French Theatre
Tabitha Spagnolo
Conferencia Internacional sobre Lenguas Extranjeras, Comunicación y Cultura, 2012
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Fulgens and Lucrece and Early Modern Drama
Greg Walker
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Between Jest and Earnest : Ironical Defenses of Theatre in Seventeenth-Century England and France
Clotilde Thouret
Restoration and Eighteenth-Century Theatre Research, 29/1, January 2015, “Writing against the stage”, ed. Logan C. Connors, 2015
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Rehearsing Reconciliations: Mnouchkine's Molière at the Théâtre du Soleil
Susan Melrose
Performance Research: On Tourism, 1997
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The Poet and the Prince: Revising Molière and Tartuffe in the French Revolution
Mechele Leon
FRENCH HISTORICAL STUDIES. Summer, 2005
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“Laboring for the King: Molière’s The Impromptu of Versailles.”
Stefano Boselli
Association for Theatre in Higher Education Conference, Theatre and Criticism Focus Group Roundtable, Chicago, August 13, 2016.
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The true “punching bag” behind Molière’s The Middle-Class Nobleman
Demetrios Lekkas
Epistēmēs Metron Logos
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The Fair Cloak of Vengeance: Antoine de Montfleury's La Femme juge et partie (1669)
Tabitha Spagnolo
South Carolina Modern Languages Review, 2014
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Katherine Ibbett, The Style of the State in French Theater, 1630–1660: Neoclassicism and GovernmentThe Style of the State in French Theater, 1630–1660: Neoclassicism and Government. Katherine Ibbett. Farnham and Burlington, VT: Ashgate, 2009. Pp. vii+176
Ellen McClure
Modern Philology, 2013
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Le personnage dramatique dans l’approche poétique et pratique du texte dramatique au XVIIe siècle en France, „SRP”, XXXVI 2009
Michał Bajer
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Ellen R. Welch, A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France. Philadelphia: University of Pennsylvania Press, 2017. vi + 312 pp. Notes, bibliography, illustrations, and index. $75.00 U.S. (hb). ISBN 978-0-8122-4900-2. Review Essay by Scott M. Sanders
Scott M. Sanders
H-France Forum, 2017
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‘Putting People in their Place in French Hagiographic Mystery Plays’: The Craft(s) of Medieval Theatre: Spaces and People
Vicki Hamblin
European Medieval Drama
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About French Vernacular Traditions: Medieval Roots of Modern Theatre Practices
Darwin Smith
Journal of Early Modern Studies, 2019
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The Silence of Subjects - Tragedy and the Refusal to Speak in Tristan’s La Mort de Sénèque
Helene Bilis
2014
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État Présent: Thomas Corneille (1625-1709): Beyond the Triumvirate
Julia Prest
French Studies a Quarterly Review, 2009
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The Evolution of Dramatic Procedure in Cornelian Tragedy With Emphasis Onthe Period From 1643 to 1674
Larry DeRouen
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Molière and Shakespeare: Theater as a Political Art
Ricardo Mena
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Perilous Performances: Gender and Regency in Early Modern France (review)
barbara gaehtgens
Renaissance Quarterly, 2008
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European Theatre and the French Revolution
Wendy C . Nielsen
2012
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Moliere, the French Revolution, and the Theatrical Afterlife
Mechele Leon
University of Iowa Press, 2009
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Molière’s Tartuffe: A Foucauldian Reading
zahra Ismaelei
2018
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The Stage Art of Brotherhood: Sentimental Dramaturgy and Mid-Century Franc-Maçonnerie - Philological Quarterly 93:1 (2014)
Pannill Camp
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Ideological Diversions: Two Sentimental One-Act Comédies at the Salle Favart, Ca. 1790-99
Danielle L Herrington
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29.1 An Elusive Controversy: the Beginnings of Polemics Against the Stage in France R
François Lecercle
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La Tragédie et ses marges: penser le théâtre sérieux en Europe (XVIe—XVIIe siècles) by Florence d'Artois and Anne Teulade
Esther Van Dyke
Bulletin of the Comediantes, 2018
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Directing Molière: Presenting the French Master to American Audiences
Collin Vorbeck
2016
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Gender and power: representations of Dido in French tragedy, 1558-1673 (vol. 1)
Laetitia Vedrenne
2009
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Theatricality of the Chivalric World in Thomas Malory's Le Morte D'arthurr
Joanna Bukowska
International journal of Arabic-English studies, 2002
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