Parlor Games: Italian Music and Italian Politics in the Parisian Salon (original) (raw)

Transitional forms, conservative tendencies, Florentine pride and classical echoes in the Italian poetry set to music in the first half of the 15th century, «Studi Musicali», Nuova Serie, VII/2, 2016, pp. 287-369

D'AGOSTINO GIANLUCA

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"Il giardino di Armida": la Gerusalemme liberata in music, from Giaches de Wert to Domenico Mazzocchi

Kathryn Bosi Monteath

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Music and Imagery in Italy from Dictatorship to Economic Miracle. The Iconographic Collection by Mario Bellucci La Salandra [Booklet]

Francesco Dragoni

The Making of the Humanities IX conference “Unfolding Disciplines in the History of the Humanities” (20-22 September). Pompeu Fabra University (UPF) – Universitat Oberta de Catalunya (UOC), Barcellona, 2021

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La Polifonica Ambrosiana (1947-1980). Musica antica nell’Italia del secondo dopoguerra, edited by Livio Aragona and Claudio Toscani (Lucca: Libreria Musicale Italiana, 2017). Rivista Italiana di Musicologia 54 (2019), 226-231.

Siel Agugliaro

Rivista Italiana di Musicologia, 2019

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Public behavior, music and the construction of feminine identity in the Italian Renaissance

Stefano Lorenzetti

Recercare, XXIII (2011)

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Luigi Dallapiccola and Musical Modernism in Fascist Italy. By Ben Earle

Ian Pace

Music and Letters, 2017

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Il Colore della Nazione, edited by Gaia Giuliani, Journal of Modern Italian Studies, 22:1, 113-115

Alessio Ponzio (He, Him, His)

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"Italian Fascism and Culture: Some Notes on Investigation", in: Historia Actual Online 9, 2006, p. 141-151

Jan Nelis

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Recensione a Gian Paolo Giudicetti, Mandricardo e la melanconia. Discorsi diretti e sproloqui nell’Orlando Furioso. Bruxelles: Peter Lang, 2010, «Annali di Italianistica», 30, 2012, pp. 478-480

Stefano Nicosia

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Illustrazione e giornalismo come critica d’arte. Scipione e Mafai, «L’Italia Letteraria» e il racconto dell’arte europea nell’Italia fascista degli anni Trenta. Canadian Association for Italian Studies 2019 International Conference Program Orvieto (TR) Italy, June 13-16

Michela Morelli

2019

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"Preface." [In] Made in Italy: Studies in Popular Music, edited by Franco Fabbri and Goffredo Plastino, xiii-xv. New York and London: Routledge, 2013.

Goffredo Plastino, Franco Fabbri

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Avant-garde Florence: from modernism to fascism

Roger Griffin Emeritus Professor in Modern History

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To Please the Public: Composers and Audiences in Nineteenth-Century Italy

Carlotta Sorba

Journal of Interdisciplinary History, 2006

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"Tutti li sudetti paramenti hanno l'arma de Sua Signoria Illustrissima et Reverendissima...": Donazioni pubbliche e private del vescovo di Veglia, Giovanni della Torre

Katra Meke, Danijel Ciković, Iva Jazbec Tomaić

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Iconic Wave and “Archival Impulse” in 20th Century Italy. Taxonomies of the Collective Imagination in Mario Bellucci’s Iconographic Musical Collection (1920-1966) [Booklet]

Francesco Dragoni

International Conference “Bringing down the Archive Fever: opening and collaborating on photography archives and collections” (20-22 October). Institute of Art History, Zagreb, 2021

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Five Easy Pieces: Forty Years of Music and Politics in Italy, from B(ella ciao) to B(erlusconi)

Franco Fabbri

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“Non più Cenerentole!” The Società delle Artiste at the 1906 Mostra Nazionale di Belle Arti in Milan

Chiara Iorino

2019

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Music and Colonialism in Fascist Italy (1922-1943). Guest Speaker at New York University Italian Department, Seminar on Italian Colonialism by Prof. Ruth Ben-Ghiat, November 1 2011

Isabella Abbonizio

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Orgoglio nazionale e modernità nei trattati d'orchestrazione italiani del primo Novecento: gli autori