original ) (raw )Medieval and Renaissance Music Conference 2015. Paper: New Considerations on the Musical Iconography in the Painted Ceiling of the Sala Magna of the Palazzo Chiaromonte at Palermo (XIV c.). Brussels, 6-9 July, 2015
Angela Bellia
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Music in the Art of Renaissance Italy 1420-1540
Laura Stefanescu , Tim Shephard , Serenella Sessini , Sanna Raninen
Music in the Art of Renaissance Italy 1420-1540 (London: Harvey Miller), 2020
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The sight of sound : resonances between music and painting in seventeenth-century Italy
Charlotte Poulton
2009
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Music and Visual Culture in Renaissance Italy
Tim Shephard
Chriscinda Henry and Tim Shephard ed., Music and Visual Culture in Renaissance Italy (New York: Routledge, 2023), 2023
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Review of Music in the Art of Renaissance Italy, 1420-1540 by Tim Shephard, Sanna Raninen, Serenella Sessini, and Laura Ştefănescu
Barbara Swanson
Renaissance and Reformation 45, no. 1, 2022
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Music in Venetian Art: seduction and spirituality," British Academy Review, 20, Summer 2012
Patricia Fortini Brown
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"Women, Oral Traditions of Music, and Morality: The Iconography of the Sixteenth-Century Spanish Dance", at Medieval and Renaissance Music Conference, Maynooth University, Ireland, 5-8 July 2018
Ascensión Mazuela-Anguita
2018
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“Seduction and Spirituality: the Ambiguous Roles of Music in Venetian Art,”
Patricia Fortini Brown
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‘Architecture and Music in Fifteenth-Century Italy’
Deborah Howard
The Cambridge History of Fifteenth-Century Music, 2015
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When Musicology Goes Cultural: On 'A Cultural History of Western Music in the Renaissance'
Nicolò Ferrari
Muzyka, 2024
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In search of the Muses’ inspiration - Researches on the Muses in 16th century Italian musical iconography
Carin Zwilling
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“A Musical Lesson for a King from the Roman de Fauvel,” Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism, ed. Benjamin Brand and David J. Rothenberg (Cambridge: Cambridge University Press, 2016), 242-62.
Anne W Robertson
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EXALTATA SUPER CHOROS ANGELORUM: MUSICAL ELEMENTS IN THE ICONOGRAPHY OF THE CORONATION OF THE VIRGIN IN THE ITALIAN TRECENTO PAINTING
José María SALVADOR-GONZALEZ
Music in Art. International Journal for Music Iconography, 2014
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Crossovers in Paduan narratives: Music and visual art between antiquity and the Renaissance
Zdravko Blazekovic
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Anthropomorphism, Musical Instruments, and Depicted Female Musicians in Sixteenth-Century Italy
Laura S . Ventura Nieto
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Il suono dell’eterno. Tracce di repertori musicali perpetui a Venezia. – European Sacred Music, 1550–1800 : New Approaches. University of Fribourg (Switzerland), 9–12 June 2010
Luigi Collarile
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Review: Gary Tomlinson, Music in Renaissance Magic: Toward a Historiography of Others
Blake Wilson
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Music dreaming: Iconographic sources from spanish painters. Recreation of identities and Grand Tours. Twelfth Conference of the ICTM Study Group for the Iconography of the Performing Arts. Neoclassical Reverberation of Discovering Antiquity. 2014
María Jesús Fernández Sinde
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John A Rice
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Musical Classicisms in Italy before the Madrigal
Tim Shephard
Music and Letters, 2020
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Performative and Multimedia Aspects of Late-Renaissance
Johann Hasler
2011
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"What a Perfect Sight of Sin": Early Sixteenth-Century Depictions of Women Playing Keyboards
Laura S . Ventura Nieto
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Conference "Collecting Music in Europe in the Second Half of the Seventeenth Century," Faculté des Lettres, Université de Fribourg, SNSF project "L’opera italiana oltre le Alpi: la collezione di partiture e libretti di Leopoldo I a Vienna (1640-1705) (2021-2023, n. 100016_197560)
Norbert Dubowy , CONTI Valeria , Nicola Usula , Andrea Garavaglia , Angela Fiore
Collecting Music in Europe in the Second Half of the Seventeenth Century, 2023
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Music and Visual Culture in Renaissance Italy - Conference Programme
Tim Shephard , Laura Stefanescu , Serenella Sessini
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Women and Music at the Religious Institutions of Palermo (17th/18th Centuries): A Preliminary Overview
Ilaria Grippaudo
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Musicus mortalis. Musical Iconography and the Baroque Conceit
Małgorzata Biłozór-Salwa
Polish Studies on Baroque Music
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Reflections on Music Performance and Dancing in a Roman Mosaic Found on the Aventine
MARIA LUZ NEIRA JIMENEZ
Journal of Mosaic Research 14, 2021
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Music Publishing in Italy, c.1580–c.1625: Some Preliminary Observations
Tim Carter
Royal Musical Association Research Chronicle, 1986
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The Museum of Renaissance Music: A History in 100 Exhibits
Tim Shephard , Vincenzo Borghetti
The Museum of Renaissance Music: A History in 100 Exhibits, ed. Vincenzo Borghetti and Tim Shephard (Turnhout: Brepols, 2023), 2023
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Two Unknown Cases of Printed Incidental Music in the Sixteenth- and Seventeenth-Century Italian Theatre
IVANO CAVALLINI
De musica disserenda, 2015
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“Portraits of Lutenists.” Proceedings of the 9th conference of the Research Center for Music Iconography, Music Iconography as a Source for Music History (New York , 5–8 November 2003), Music in Art – International Journal for Music Iconography XXIX/1-2 (2004): 64-76.
Mariagrazia Carlone
2004
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Col tempo: Musical Time, Aging, and Sexuality in Sixteenth-Century Venetian Paintings.
Jane D Hatter
Early Music
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The visual arts as a source for the historian of music
Emanuel Winternitz
Report of the Eight Congress, New York 1961, ed. by Jan Larue, 1961
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Garcia-Ventura - Tavolieri - Verderame, The Study of Musical Performance in Antiquity, 2018
Lorenzo Verderame
Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018
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"The Urtext’s Death in Early Modern Spain (and Johannes Wreede’s Pange lingua)" International Conference Making Musical Works in Early Modern Europe, 1500-1800. Royal Holloway University of London. Institute of Musical Research. University of Valladolid. London: 27 June 2019.
David Lee , Dr Manuel Gómez del Sol
2019
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