Curating experience: Composition as cultural technology – a conversation (original) (raw)

2020

Grandchildren of Experimental Music – performing the compositional act by creating intriguing situations in which musical sound may occur (COMMENTARY)

Andy Ingamells

2017

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A Changing Practice: Confronting Philosophy Through Composition and Performance

Tom Armstrong

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de Freitas, N. (2011, September). Breathing space for Experience. The International Journal of the Arts in Society, Vol. 6, Issue 2, p 305-321.

Nancy de Freitas

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Baglietto, Francesca (2016) Curating Across Interfaces: an Account of a (Hybrid) Expanding Exhibition. PhD Thesis, Chelsea College of Arts, University of the Arts London.

Francesca Baglietto

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Compositionism and digital music composition education

Jonas Asplund

Journal for Research in Arts and Sports Education

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Composing for the Interactive Medium

P. Boulanger

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Pause/Play: Curating as Living/Aesthetic Analysis

Brooke Hofsess, Jaye Johnson Thiel

Reconceptualizing Educational Research Methodology, 2017

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Capture, manipulate, project, preserve: A compositional journey

Pete Stollery

2013

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Listen while you work: negotiating power and meaning in post-concrete music.

Dr Matthew Herbert

2019

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Jean-Paul Martinon, ed. - The Curatorial: A Philosophy of Curating

Sofia Romualdo

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Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music

Oogoo Maia

Organised Sound, 2022

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Voodoo tradition' : composer as curator

James Cave

2018

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Creative Media: performance, invention, critique

Sarah Kember

2009

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Curating Sound Art. Listening to the White Cube

Karine Bouchard

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Composing Performances

Daniel Barolsky

Quodlibet. Revista de Especialización Musical

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CURATING in Context : political and performative curatorial imaginaries

Biljana Tanurovska-Kjulavkovski

CURATING in Context : political and performative curatorial imaginaries, 2022

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Sound and Narrative: Acousmatic composition as artistic research

James Andean

2014

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Displaying the beauty: The beachcomber-bowerbird approach to composition

Lisa Whistlecroft

Journal of Music, Technology and Education, 2013

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Embodied Composition: The Creation of Enriched Interactional Experiences Through Music Composition

Aaron Geringer

2017

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Feeling Alive. The Performative Potential of Curating.

Florian Malzacher

Empty Stages, Crowded Flats. Performativity as Curatorial Strategy. Eds. Florian Malzacher & Joanna Warsza. Berlin: Alexander Verlag, 2017

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“Challenging the listener: the music programmer as curator”, Performance Studies Network International Conference, Cambridge, 17-20 July 2014

Miguel Angel Marin

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“What Happens When…?”: A Meditation on Experimentation and Communication in Practices of Artistic Research

Natalia Esling

Canadian Theatre Review, 2017

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Disseration: "A holistic view of the creative potential of performance practice in contemporary music"

Barbara Lüneburg

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COMPOSING EMBODIED PRESENCE IN A CHAMBER MUSIC CONTEXT SOLOMIYA MOROZ

Solomiya Moroz

Commentary, 2020

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Situated Sound and Compositional Circumstance in My Recent Musical Practices

jorge boehringer

2019

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Under Construction: Working at the Intersections of Composition Theory, Research, and Practice

Chris Anson

College Composition and Communication, 1999

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Composer and Performer: An Experimental Turn and its Consequences

Tom Armstrong, Simon Desbruslais

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Zack Moir, haftor Medboe

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EXCESS. FORUM FOR PHILOSOPHY AND ART (4.-7.8.2016) 48th International Summer Course for New Music Darmstadt curated by Fahim Amir, Jörn Peter Hiekel, Dieter Mersch, Michael Rebhahn

Fahim Amir, chaya czernowin, Christian Grüny

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Fleischmann, Monika; Strauss, Wolfgang: Staging of the Thinking Space. From Immersion to Performative Presence

Monika Fleischmann

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Reflections on Composition and Consciousness

Michael Askill

2000

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L'acteur et l'intermédialité: Les nouveaux enjeux pour l'interprète et la scène à l'ère technologique. By Pluta. Lausanne: L'Age d'Homme, 2011. Pp. 395 + 58 illus. €35 Pb

Christophe Collard

Theatre Research International, 2013

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Ultra-sensing: moving beyond 'work' and 'venue' in intermedia art

Kerry Francksen, Simon Atkinson

EMS14 Proceedings, 2014

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Curating experience: Composition as cultural technology – a conversation (original) (raw)

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