Final Program of the 24 th Symposium of the ICTM Study Group on Musical Instruments 29 March-1 April 2023 in Colombo at UVPA, Music Faculty (original) (raw)
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Abstracts of the 23rd Symposium of the ICTM Study Group on Musical Instruments
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Abstracts of the 23rd Symposium, hosted by the Music Faculty of UVPA, Colombo, Sri Lanka Abstracts follow the session order. The session number indicates the day (1=24 March, 2=25 March, 3= 26 March 2021) and the daytime (A=first morning session, B=second morning session, C=first afternoon session, D=second afternoon session). All times are local times of Colombo, Sri Lanka. Please, adjust time to your time zone.
STUDIA INSTRUMENTORUM MUSICAE POPULARIS (NEW SERIES), 2023
This collection of contributions is a choice of papers given at the 24th symposium of the ICTM Study Group on Musical Instruments held from 29th of March to the 1st of April, 2023, at the Faculty of Music, University of the Visual and Performing Arts, Colombo, Sri Lanka. One may find contributions of Rastko Jakovljevic, Ahmad Faudzi Musib, Choduraa Tumat and Bernard Kleikamp, Hoh Chung Shih, Huang Wan, Gisa Jähnichen, Liu Xiangkun, Sulwyn Lok and Andrew Filmer, Chinthaka P. Meddegoda, Nishadi Prageetha Meddegoda, Christopher A. Miller, Renzi, Nicola, Timkehet Teffera, Xue Tong, Adilia Yip, and Zhong Wei Cheng. All had to say something very important either about sound manipulation or about musical instruments of humans as part of nature. Or did anyone know before that Jimi Hendrix manipulated his sound effects or how waza trumpets of the Berta are quickly tuned and which instruments accompany a joik in reality? These, and many other questions can be answered through reading the articles compiled in this volume. They celebrate diversity in their own way.
Chinthaka P Meddegoda, Gisa Jähnichen, Rūta Žarskienė, Gaila Kirdiene, Otgonbayar Chuluunbaatar, Jasmina Talam, Mojca Kovačič, Fatima Hadžić, Xiangkun Liu, Mahmut Cemal Sari, Lejla Dzambazov, Wan Huang, Danka Lajic Mihajlovic, Özlem DOĞUŞ VARLI
SIMP, 2023
The accelerated development of technology and climatic changes, which is progressively interwoven with each other, will unavoidably lead to changes in the production and use of musical instruments. It is time to investigate into these upcoming changes and their impact on many features of social life, with the views on past issues included. In this regard, the aim of this paper is to give a first overview on how practices with musical instruments can be continued on different levels of production and use through a historically informed kind of musician and instrument producer. Insofar, this overview can be seen as a beginning of diverting from a physical fixing in ethnic belongings and financial approaches widely requested among musicologists of the 21st century. 'The global perspective cannot be the end of musical instruments' is one of the theses being discussed with the help of most recent literature on the topic. It is dedicated to the second main topic of the symposium.
AMIS Newsletter_The Musical Instrument Collection of CENIDIM-INBAL
The Musical Instrument Collection of CENIDIM-INBAL, 2019
The paper means to describe in general terms the origins and characteristics of the musical instrument collection from the National Center of Research, Documentation and Information (CENIDIM), located in Mexico City. Each piece was collected or donated by researchers involved with the institution in several moments of its existence. The collection's items are meaningful in terms of their history, technology and significance in the history of music in Mexico.
A Contemporary Approach to Music Instrumentation
Art and Research – Contemporary Challenges
In Romanian higher music education, the disciplines of Music Instrumentation and Orchestration are based on an extremely small number of treatises in the Romanian language. They cover the description and analysis of the musical instruments used in the symphony orchestra, but references to modern musical instruments are brief or even lacking, either because of the age of these treatises or because jazz / pop / rock genres were not studied in formal music education before 1994. Moreover, in the musicological approaches references was made rather to the modern instruments used experimentally in classical music. This study primarily analyzes the modern musical instruments widely used in the jazz / pop / rock genres, highlighting their new ways of producing sound. The association with the mechanical means of the traditional instruments leads to a new approach to the classification of musical instruments, based on new criteria, including that of existing treaties, but becoming much broader.