dbo:abstract |
Meine Seel erhebt den Herren, literalment la meva ànima glorifica el Senyor, BWV 10 és una cantata religiosa de Johann Sebastian Bach, estrenada a Leipzig el 2 de juliol de 1724, per a la festa de la Visitació. (ca) Η καντάτα Meine Seel erhebt den Herren (Μεγαλύνει η Ψυχή μου τον Κύριον), με αριθμό BWV 10, είναι το δέκατο σε αρίθμηση έργο του Γιόχαν Σεμπάστιαν Μπαχ, σύμφωνα με τον συγκεκριμένο κατάλογο τον οποίο εισήγαγε ο Γερμανός μουσικολόγος Βόλφγκανγκ Σμίντερ (Wolfgang Schmieder, 1901 – 1990) και χρησιμοποιείται ευρύτατα σήμερα. Το έργο ανήκει στις εκκλησιαστικές καντάτες του μεγάλου κάντορα και, συγκεκριμένα, στις καντάτες του δεύτερου κύκλου καντατών του. Παρουσιάστηκε στις 2 Ιουλίου 1724 στη Λειψία, για τον εορτασμό της Επίσκεψης της Μαρίας στην Ελισάβετ (για να τής ανακοινώσει το μήνυμα του Ευαγγελισμού) (Festo visitationis Mariae). (el) Meine Seel erhebt den Herren (BWV 10) ist eine Kirchen-Kantate von Johann Sebastian Bach. Er komponierte sie 1724 in Leipzig für das Fest Mariä Heimsuchung, das am 2. Juli begangen wird. Es ist die fünfte seines zweiten Jahreszyklus von Kantaten, in dem er Choralkantaten schrieb, doch beruht sie nicht auf einem Choral, sondern auf dem Gregorianischen Gesang Magnificat. (de) Meine Seel erhebt den Herren, BWV 10 (Mi alma glorifica al Señor) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para la festividad de la Visitación y estrenada el 2 de julio de 1724. Está basada en el Magnificat alemán de Martín Lutero. (es) In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord". Also known as Bach's German Magnificat, the work follows his chorale cantata format. Bach composed Meine Seel erhebt den Herren for the Feast of the Visitation (2 July), which commemorates Mary's visit to Elizabeth as narrated in the Gospel of Luke, 1st chapter, verses 39 to 56. In that narrative the words of the Magnificat, Luke 1:46–55, are spoken by Mary. Traditionally, Luther's translation of the biblical text is sung to a German variant of the tonus peregrinus or ninth psalm tone, concluding with a doxology, translated from the Gloria Patri, on the same tune. Bach based his BWV 10 cantata on Luther's German Magnificat and its traditional setting, working text and melody into the composition as he had done with Lutheran hymns in other chorale cantatas. By early July 1724 Bach was more than a month into his second year as Thomaskantor in Leipzig. BWV 10 is the fifth of 40 chorale cantatas he started that year. The outer movements of the cantata are set for mixed choir and an orchestra consisting of trumpet, two oboes, strings and continuo. Luther's translation of Luke 1:46–48 is the text of the first movement. The canticle's doxology is the text of the last movement. The five middle movements are a succession of arias and recitatives, with, between the fourth and sixth movement, a duet for alto and tenor. Soprano and bass each have one aria, and the two recitatives are sung by the tenor. The text of the arias and recitatives is paraphrased and expanded from Luke 1:49–53 and 55. The text of the duet is Luther's translation of Luke 1:54. The melody associated with Luther's German Magnificat appears in movements 1, 5 and 7. The music of two of the cantata's movements was published in the 18th century: an organ transcription of the duet was published around 1748 as one of the Schübler Chorales, and the closing chorale was included in C. P. E. Bach's 1780s collection of his father's four-part chorales. The entire cantata was published in the first volume of the 19th-century first complete edition of Bach's works. In 20th- and 21st-century concert and recording practice the cantata is often combined with other German-language cantatas, but also several times with settings of the Latin Magnificat, by Bach and other composers. (en) Meine Seel erhebt den Herren (Mon âme glorifie le Seigneur) (BWV 10) est une cantate de Johann Sebastian Bach composée à Leipzig en 1724. (fr) Meine Seel' erhebt den Herren (in tedesco, "La mia anima magnifica il Signore") BWV 10 è una cantata di Johann Sebastian Bach. (it) Meine Seel erhebt den herren (BWV 10) is een koraalcantate van Johann Sebastian Bach. De tekst is gebaseerd op een lied van Maarten Luther. Bach componeerde het in 1724 in Leipzig voor het feest van Maria Visitatie, dat op 2 juli wordt gevierd. Het is de vijfde cantate in zijn tweede jaarcyclus van cantates waarin hij koorcantates schreef; het is niet gebaseerd op een koraal maar op het gregoriaanse Magnificat. (nl) |
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dbp:alt |
The scene of Mary visiting Elizabeth in an early 16th-century painting (en) |
dbp:basedOn |
" (en) " by Martin Luther (en) |
dbp:book |
Isaiah (en) Luke (en) |
dbp:bwv |
10 (xsd:integer) |
dbp:caption |
J. or H. Strüb, Thyssen-Bornemisza Museum (en) The Heimsuchung, topic of the cantata, 1505 (en) |
dbp:chapter |
1 (xsd:integer) 11 (xsd:integer) |
dbp:choir |
dbr:Monteverdi_Choir dbr:Münchener_Bach-Chor dbr:Thomanerchor dbr:Gächinger_Kantorei dbr:Choir_of_King's_College,_Cambridge dbr:Regensburger_Domspatzen dbr:Heinrich-Schütz-Chor_Heilbronn dbr:Holland_Boys_Choir dbr:Anton-Webern-Chor Wiener Akademiechor (en) |
dbp:composer |
dbr:Johann_Sebastian_Bach |
dbp:conductor |
(en) |
dbp:date |
June 2017 (en) |
dbp:description |
Performed by The Tudor Consort (en) Sung by Max Meili; conducted by Curt Sachs; L'anthologie sonore No. 23 (en) |
dbp:filename |
The Tudor Consort - J S Bach - Magnificat BWV 243 - Gloria Patri.ogg (en) L anthologie sonore-23a-as54-m6-82079.ogg (en) L anthologie sonore-23b-as55-m6-82080.ogg (en) |
dbp:header |
Meine Seele rühmt und preist, BWV 189 (en) Doxology of Bach's Latin Magnificat (en) |
dbp:id |
Suzuki (en) Gardiner (en) Richter (en) Werner (en) Koopman (en) Büchner (en) Leonhardt (en) Kuijken (en) Leusink (en) Rilling (en) Rotzsch (en) m2 (en) m3 (en) m4 (en) m5 (en) m6 (en) m7 (en) Gielen (en) Koopman2 (en) Münchinger (en) |
dbp:imageUpright |
1.300000 (xsd:double) |
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2 (xsd:integer) (en) Trumpet (en) continuo (en) viola (en) |
dbp:instruments |
2 (xsd:integer) Tromba & both oboes unis., bc. (en) Tromba. 2 oboes, strings, bc (en) bc. (en) strings, bc (en) |
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dbr:B-flat_major dbr:D_minor dbr:F_major (en) G minor (en) |
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dbp:movements |
7 (xsd:integer) |
dbp:number |
[[#4 (en) [[#2 (en) [[#3 (en) [[#5 (en) [[#6 (en) [[#7 (en) |
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dbr:Visitation_(Christianity) |
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dbp:orchestraType |
Period (en) |
dbp:range |
–5 (en) –48 (en) –56 (en) |
dbp:reason |
See "In-line attribution" topic at FAC discussion (en) |
dbp:soloists |
dbr:Christoph_Prégardien (en) James Gilchrist (en) Peter Harvey (en) Daniel Taylor (en) Matthew White (en) Aldo Baldin (en) Annette Markert (en) Arleen Augér (en) Bas Ramselaar (en) Bogna Bartosz (en) Christoph Prégardien (en) Doris Soffel (en) Edith Mathis (en) Helen Watts (en) Klaus Mertens (en) Knut Schoch (en) Kurt Equiluz (en) Lisa Larsson (en) Makoto Sakurada (en) Marcus Ullmann (en) Max van Egmond (en) Paul Esswood (en) Peter Kooy (en) Peter Schreier (en) Petra Noskaiová (en) Ruth Holton (en) Stephen Varcoe (en) Sytse Buwalda (en) Wolfgang Schöne (en) Yukari Nonoshita (en) Anna Reynolds (en) Georg Jelden (en) Barry McDaniel (en) Jan van der Crabben (en) Jörg Dürmüller (en) Cornelia Kallisch (en) Elly Ameling (en) Sibylla Rubens (en) Deborah York (en) Kurt Moll (en) Drew Minter (en) Markus Brutscher (en) Susanne Rydén (en) Siri Thornhill (en) Emmy Lisken (en) Maria Friesenhausen (en) Werner Krenn (en) Christiane Oelze (en) Hermann Christian Polster (en) Margit Neubauer (en) Mitsuko Shirai (en) Anton Scharingere (en) Marius Rintzler (en) |
dbp:source |
Bible (en) |
dbp:text |
The voices often sing in parallel thirds and sixths, as they do also in the corresponding movement from Bach's Latin Magnificat, the duet Et misericordia , in both cases expressing mildness and compassion. (en) It is a da capo aria, expressing praise for God's works in the first section, while the more reticent middle section covers thankfulness for his help in times of distress. (en) Starting with the added words " (en) The thought that God "also uses force with His arm" is expressed with emphasis, and the final "will be scattered like straw by His hand" is an extended coloratura. (en) " , the lively chords of the added strings emphasize the importance of the promise kept. (en) |
dbp:textSource |
, Luther (en) , anon. (en) translation of Gloria Patri (en) |
dbp:time |
6 (xsd:integer) |
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(en) '' (en) First movement (en) Bach Cantatas Vol. 2: Paris/Zürich / For the 2nd Sunday after Trinity / For the 3rd Sunday after Trinity (en) Bach - Kuhnau: Magnificat (en) Bach Cantatas Vol. 3: Ascension Day – Whitsun – Trinity (en) Johann Sebastian Bach: Magnificat D-dur – Meine Seel erhebt den Herren (en) '', Vol. 17 (en) '', Vol. 3 (en) ''Joh:Sebas:Bach: (en) ''Johann Sebastian Bach: Cantatas (en) BWV 20 - 2 - 10 (en) Bach Edition Vol. 20: Cantatas Vol. XI (en) Bach: Complete Cantatas, Vol. 11 (en) Bach: Magnificat in D major – Cantata No. 10 (en) Fourth movement and fifth movement (en) Gloria Patri part of BWV 243 (en) J-S Bach: Les grandes cantates. Vol. 1 (en) J. S. Bach: Cantatas Vol. 23 (en) J.S. Bach – Fritz Werner: Cantatas. Vol. 2 (en) Gielen-Edition: Johann Sebastian Bach Magnificat D-dur BWV 243 Kantate BWV 10 "Meine Seel' Erhebt den Herren" (en) The Decca Sound, CD 36 (en) Kantaten: Meine Seel' erhebt den Herren, BWV 10 – Ach Herr, mich armen Sünder, BWV 135 – Ein ungefärbt Gemüte, BWV 24 (en) Bach Kantaten: Magnificat D-dur – Meine Seel erhebt den Herren (en) J. S. Bach: Magnificat in E flat major BWV 243a – Cantata BWV 10 (en) |
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dbr:Aria dbr:Chorale_cantata_(Bach) dbr:Recitative Aria (en) Chorale (en) duet, chorale (en) |
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B (en) S (en) T (en) SATB (en) choir and soloists (en) A T (en) |
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Meine Seel erhebt den Herren, literalment la meva ànima glorifica el Senyor, BWV 10 és una cantata religiosa de Johann Sebastian Bach, estrenada a Leipzig el 2 de juliol de 1724, per a la festa de la Visitació. (ca) Η καντάτα Meine Seel erhebt den Herren (Μεγαλύνει η Ψυχή μου τον Κύριον), με αριθμό BWV 10, είναι το δέκατο σε αρίθμηση έργο του Γιόχαν Σεμπάστιαν Μπαχ, σύμφωνα με τον συγκεκριμένο κατάλογο τον οποίο εισήγαγε ο Γερμανός μουσικολόγος Βόλφγκανγκ Σμίντερ (Wolfgang Schmieder, 1901 – 1990) και χρησιμοποιείται ευρύτατα σήμερα. Το έργο ανήκει στις εκκλησιαστικές καντάτες του μεγάλου κάντορα και, συγκεκριμένα, στις καντάτες του δεύτερου κύκλου καντατών του. Παρουσιάστηκε στις 2 Ιουλίου 1724 στη Λειψία, για τον εορτασμό της Επίσκεψης της Μαρίας στην Ελισάβετ (για να τής ανακοινώσει το μήνυμα του Ευαγγελισμού) (Festo visitationis Mariae). (el) Meine Seel erhebt den Herren (BWV 10) ist eine Kirchen-Kantate von Johann Sebastian Bach. Er komponierte sie 1724 in Leipzig für das Fest Mariä Heimsuchung, das am 2. Juli begangen wird. Es ist die fünfte seines zweiten Jahreszyklus von Kantaten, in dem er Choralkantaten schrieb, doch beruht sie nicht auf einem Choral, sondern auf dem Gregorianischen Gesang Magnificat. (de) Meine Seel erhebt den Herren, BWV 10 (Mi alma glorifica al Señor) es una cantata de iglesia escrita por Johann Sebastian Bach en Leipzig para la festividad de la Visitación y estrenada el 2 de julio de 1724. Está basada en el Magnificat alemán de Martín Lutero. (es) Meine Seel erhebt den Herren (Mon âme glorifie le Seigneur) (BWV 10) est une cantate de Johann Sebastian Bach composée à Leipzig en 1724. (fr) Meine Seel' erhebt den Herren (in tedesco, "La mia anima magnifica il Signore") BWV 10 è una cantata di Johann Sebastian Bach. (it) Meine Seel erhebt den herren (BWV 10) is een koraalcantate van Johann Sebastian Bach. De tekst is gebaseerd op een lied van Maarten Luther. Bach componeerde het in 1724 in Leipzig voor het feest van Maria Visitatie, dat op 2 juli wordt gevierd. Het is de vijfde cantate in zijn tweede jaarcyclus van cantates waarin hij koorcantates schreef; het is niet gebaseerd op een koraal maar op het gregoriaanse Magnificat. (nl) In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, as part of his second cantata cycle. Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord". Also known as Bach's German Magnificat, the work follows his chorale cantata format. (en) |
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Meine Seel erhebt den Herren, BWV 10 (ca) Meine Seel erhebt den Herren (de) Meine Seel erhebt den Herren, BWV 10 (el) Meine Seel erhebt den Herren, BWV 10 (es) Meine Seel erhebt den Herren (fr) Meine Seel' erhebt den Herren (it) Meine Seel erhebt den Herren, BWV 10 (en) Meine Seel erhebt den Herren (nl) |
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