Octatonic scale (original) (raw)
Una escala octatónica en música es una escala o modo musical constituido por una sucesión de ocho sonidos, alturas o notas diferentes dentro de una octava.
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| dbo:abstract | Una escala octatònica és una escala musical de vuit notes. Malgrat que hi ha diferents possibilitats de combinar 8 sons diferents per a fer una escala, la forma més famosa és una escala en la qual les notes ascendeixen alternant intervals de to i de semitò. En la teoria clàssica, aquesta escala s'anomena simplement escala octàtonica, mentre que en la teoria de jazz rep el nom d'escala disminuïda, ja que es pot concebre com una combinació de dos acords entrellaçats de sèptima disminuïda, de la mateixa manera que l' es pot concebre com una combinació de dos . El terme octatònic va ser introduït per el 1963 com a octatonic pitch collection. A causa de la simetria interna d'aquesta escala (composta de 4 grups iguals de 2 notes cada un), hi ha només tres escales octatòniques diferents (no produïdes a partir de la transposició), i una escala octatònica donada té només dos modes (un començant el seu ascens amb un to entre les dues primeres notes, mentre que l'altre comença amb un semitò). Per això Olivier Messiaen considerava l'escala octatònica com un dels modes de transposició limitada. (ca) Die verminderte Skala oder verminderte Tonleiter ist in der Musik die verbreitetste oktatonische Tonleiter. Sie besteht aus acht Tönen, der Abstand zwischen zwei Tönen ist dabei immer abwechselnd ein Ganzton und ein Halbton. Verminderte Skalen werden häufig im Jazz eingesetzt. Sie besitzen einen Tritonusgehalt von 4 und eine Quintenbreite von 11. Wegen des gleichmäßig wechselnden Abstands der einzelnen Skalentöne wird dieser Skalentyp auch alternierende Achtstufigkeit genannt. Sie besitzt zwei Erscheinungsformen: eine, die mit einem Ganztonschritt beginnt (die Ganzton-Halbton-Leiter), und eine, die mit einem Halbtonschritt beginnt (die Halbton-Ganzton-Leiter). Die Bezeichnung vermindert kommt von der Tatsache, dass der Tonvorrat der alternierenden Achtstufigkeit aus zwei verminderten Septakkorden besteht, die um eine Sekunde gegeneinander versetzt sind: bei der Halbton-Ganzton-Leiter um eine kleine, bei der Ganzton-Halbton-Leiter um eine große Sekunde. Aus den Tönen der verminderten Skala besteht auch der Alpha-Akkord. (de) Una escala octatónica en música es una escala o modo musical constituido por una sucesión de ocho sonidos, alturas o notas diferentes dentro de una octava. (es) An octatonic scale is any eight-note musical scale. However, the term most often refers to the symmetric scale composed of alternating whole and half steps, as shown at right. In classical theory (in contrast to jazz theory), this symmetrical scale is commonly called the octatonic scale (or the octatonic collection), although there are a total of 42 enharmonically non-equivalent, transpositionally non-equivalent eight-note sets. The earliest systematic treatment of the octatonic scale was in Edmond de Polignac's unpublished treatise "Étude sur les successions alternantes de tons et demi-tons (Et sur la gamme dite majeure-mineure)" (Study of the Succession of Alternating Whole Tones and Semitones (and of the so-called Major-Minor Scale)) from c. 1879,[[[Wikipedia:Citing_sources|page needed]]]_1-0" class="reference"> which preceded Vito Frazzi's Scale alternate per pianoforte of 1930 by a full half-century.[[[Wikipedia:Citing_sources |
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| dbo:wikiPageExternalLink | http://docslide.us/documents/herbie-hancock-freedom-jazz-dance-transcription.html http://audio.theguardian.tv/sys-audio/Arts/Culture/2006/11/16/05_11bfmajop22.mp3 https://books.google.com/books%3Fid=oA43AQAAIAAJ&q=%22beta+chord%22&dq=%22beta+chord%22&hl=en&sa=X&ved=0ahUKEwi0kKvw_NHSAhWLqlQKHdVsDO8Q6AEIJTAC https://books.google.com/books%3Fid=rGo9AQAAIAAJ&q=%22beta+chord%22&dq=%22beta+chord%22&hl=en&sa=X&ved=0ahUKEwi0kKvw_NHSAhWLqlQKHdVsDO8Q6AEILzAE https://open.spotify.com/track/57ywe4WFOXccLyR9QaA53c https://www.youtube.com/watch%3Fv=spXwXLqFLvs&t=25s |
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| dbp:caption | Two diminished seventh chords in the octatonic scale may be rearranged as the alpha chord (en) The three octatonic scales (en) The Petrushka chord in the piano during the second tableau of Stravinsky's ballet Petrushka (en) A beta chord on C, with two reduced versions (en) The two octatonic scales on C (en) The cor anglais melody from "Nuages," the first movement of Debussy's Nocturnes, bars 5–8. Link to passage (en) |
| dbp:content | 345600.0 (dbd:second) { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \key c \major 1 } } { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \key c \major \once \override NoteHead.color = #red des8 \once \override NoteHead.color = #blue es \once \override NoteHead.color = #red e! \once \override NoteHead.color = #blue fis \once \override NoteHead.color = #red g \once \override NoteHead.color = #blue a \once \override NoteHead.color = #red bes \once \override NoteHead.color = #blue c } } (en) \new PianoStaff << \new Staff = "up" \relative c'' { \time 3/4 s2. } \new Staff = "down" \relative c' { \time 3/4 \voiceOne \repeat tremolo 12 { { \change Staff = "up" \voiceTwo 32 } { \change Staff = "down" \voiceOne 32 } } } >> (en) { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \key c \major 1 } } (en) { \set Staff.midiInstrument = #"english horn" \relative c' { \set Score.currentBarNumber = #5 \key d\major \time 4/4 \tempo Modéré \override DynamicLineSpanner.staff-padding = #2 r4 r8 \tuplet 3/2 { cis!16\p\< d e } f2~ f4\> e2 d4\! cis4 b b2~ b1 } } (en) |
| dbp:date | April 2019 (en) August 2021 (en) May 2020 (en) December 2014 (en) |
| dbp:location | Tashkent (en) |
| dbp:reason | How is it mistuned? (en) Mangled grammar, incomprehensible. (en) No mention of scales of any sort on this website. (en) Translator of this English version is needed . (en) How does the array correspond to what part of the sequence? (en) |
| dbp:reference | Walsh, Stephen . The Music of Stravinsky. London: Routledge. (en) Antokoletz, Elliott . The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Berkeley and Los Angeles: University of California Press. Cited in Wilson directly above. . (en) Hill, Peter . The Messiaen Companion. London: Faber and Faber. (en) Cross, Jonathan . Igor Stravinsky. London: Reaction Books. (en) Schuijer, Michiel . Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. . (en) Sanguinetti, Giorgio . "Il primo studio teorico sulle scale octatoniche: Le 'scale alternate' di Vito Frazzi." Studi Musicali 22, no. 2: (en) Anon. . [Untitled article]. Soundings, 6–9, p. 12. University College. (en) Slayton, Michael K. . Women of Influence in Contemporary Music: Nine American Composers. . (en) DeVoto, Mark "Boris's Bells, by Way of Schubert and Others". Current Musicology, no. 83 : . (en) Levine, Mark . The Jazz Theory Book. Sher Music. . (en) Pastorius, Jaco . "Opus Pocus". Spotify.com . (en) Pogue, David . Classical Music for Dummies. . (en) Taruskin, Richard . "Chernomor to Kashchei: Harmonic Sorcery; or, Stravinsky's 'Angle' ". Journal of the American Musicological Society 38, no. 1 : 72–142. (en) Wilson, Paul . The Music of Béla Bartók. . (en) Chan, Hing-yan . New Music in China and the C.C. Liu Collection at the University of Hong Kong. . (en) Campbell, Gary . Triad Pairs for Jazz: Practice and Application for the Jazz Improvisor. . (en) Walsh, Stephen . Debussy, a Painter in Sound. London: Faber and Faber. (en) Schiff, András . "Untitled lecture". The Guardian TV . (en) Taruskin, Richard . "Chez Pétrouchka- Harmony and Tonality "chez" Stravinsky". 19th-Century Music 10, no. 3 : 265–286. (en) Alegant, Brian . The Twelve-Tone Music of Luigi Dallapiccola. . (en) Yavorsky, Boleslav Leopoldovich . "Neskol'ko myslei v sviazi s iubileem Frantsa Lista". Muzyka no. 45 : 961. (en) Langlé, Honoré François Marie . Traité d'harmonie et de modulation. Paris: Boyer. (en) Frazzi, Vito . Scale alternate per pianoforte con diteggiature di Ernesto Consolo. Florence: A. Forlivesi. (en) Van den Toorn, Pieter . The Music of Igor Stravinsky. New Haven and London: Yale University Press. ISBN. (en) Hatfield, Ken . Mel Bay Jazz and the Classical Guitar Theory and Applications. . (en) Agmon, Eytan . "Equal Divisions of the Octave in a Scarlatti Sonata." In Theory Only 11, no. 5:1–8. (en) Honti, Rita . Principles of pitch organization in Bartók's Duke Bluebeard's Castle. University of Helsinki. . (en) Taruskin, Richard Stravinsky and the Russian Traditions. Oxford and New York: Oxford University Press. (en) Van der Merwe, Peter . Roots of the Classical. Oxford and New York: Oxford University Press. . (en) Schillinger, Joseph . The Schillinger System of Musical Composition, Vol. 1: Books I–VII, edited by Lyle Dowling and Arnold Shaw. New York: Carl Fischer. (en) Kholopov, Yuri . "Modal harmony. Modality as a type of harmonic structure". ''Art of Music. General Questions of Music Theory and Aesthetics: 16–31; Orig. title: Модальная гармония: Модальность как тип гармонической структуры // Музыкальное искусство. Общие вопросы теории и эстетики музыки. Ташкент: Издательство литературы и искусства им. Г. Гуляма (en) Rimsky-Korsakov, Nicholas . My Musical Life, translated by Judah A. Joffee. New York: Tudor. (en) Cohn, Richard . "Bartók's Octatonic Strategies: A Motivic Approach." Journal of the American Musicological Society 44, no. 2 : 262–300. (en) DeVoto, Mark . "The Debussy Sound: Colouyr, Texture, Gesture". In The Cambridge Companion to Debussy, edited by Simon Tresize, 179–196. Cambridge Companions to Music. Cambridge and New York: Cambridge University Press. ; . (en) Pople, Anthony . Berg: Violin Concerto. Cambridge and New York: Cambridge University Press. . (en) Forte, Allen . "Debussy and the Octatonic". Music Analysis 10, nos. 1–2 : 125–169. (en) |
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| rdfs:comment | Una escala octatónica en música es una escala o modo musical constituido por una sucesión de ocho sonidos, alturas o notas diferentes dentro de una octava. (es) 팔음음계(八音音階, 영어: Octatonic scale)는 과 반음을 번갈아가면서 옥타브를 나눈 음계로, 모두 여덟 음으로 이루어져 있다. 조옮김이 제한되는 선법 중 하나로, 다음 세 가지 조옮김이 가능하다. 브라우저에서 소리 재생을 지원하지 않습니다. 할 수 있습니다. 이고리 스트라빈스키, 벨러 버르토크 등의 작곡가가 즐겨 썼다. (ko) 八音音階（はちおんおんかい、英語: octatonic scale）とは、半音と全音を交替に並べることによって作られた音階である。オリヴィエ・メシアンの『わが音楽語法』（1944年）にいう「移調の限られた旋法」第2番にあたる。 全半音階（ぜんはんおんかい、tone-semitone scale）とも呼ばれる。 (ja) Skala oktatoniczna – rodzaj ośmiodźwiękowej, muzycznej , gdzie kolejne dźwięki następują w odległości półton – cały ton. W historii muzyki europejskiej skala była używana już w XIX wieku, m.in. przez Franza Liszta. W XX wieku stają się jednym z najważniejszych narzędzi kształtowania harmoniki (szczególnie może u Oliviera Messiaena). Ważna również w jazzie, gdzie nazywana jest czasem skalą zmniejszoną. Skala daje duże możliwość budowania akordów (zarówno tercjowych, kwartowych, trytonowych itd.). (pl) Em música, uma escala octatônica é uma escala ou modo musical constituído por uma sucessão de oito sons, alturas ou notas diferentes dentro de uma oitava. (pt) Una escala octatònica és una escala musical de vuit notes. Malgrat que hi ha diferents possibilitats de combinar 8 sons diferents per a fer una escala, la forma més famosa és una escala en la qual les notes ascendeixen alternant intervals de to i de semitò. En la teoria clàssica, aquesta escala s'anomena simplement escala octàtonica, mentre que en la teoria de jazz rep el nom d'escala disminuïda, ja que es pot concebre com una combinació de dos acords entrellaçats de sèptima disminuïda, de la mateixa manera que l' es pot concebre com una combinació de dos . El terme octatònic va ser introduït per el 1963 com a octatonic pitch collection. (ca) Die verminderte Skala oder verminderte Tonleiter ist in der Musik die verbreitetste oktatonische Tonleiter. Sie besteht aus acht Tönen, der Abstand zwischen zwei Tönen ist dabei immer abwechselnd ein Ganzton und ein Halbton. Verminderte Skalen werden häufig im Jazz eingesetzt. Sie besitzen einen Tritonusgehalt von 4 und eine Quintenbreite von 11. (de) An octatonic scale is any eight-note musical scale. However, the term most often refers to the symmetric scale composed of alternating whole and half steps, as shown at right. In classical theory (in contrast to jazz theory), this symmetrical scale is commonly called the octatonic scale (or the octatonic collection), although there are a total of 42 enharmonically non-equivalent, transpositionally non-equivalent eight-note sets. (en) Il sistema ottotonico, usato dall'inizio del Novecento da molti compositori di musica classica, in particolare da Igor' Fëdorovič Stravinskij e soprattutto da Sergej Prokofiev (viene usato nell'opera L'angelo di fuoco), è basato su un accordo generatore da cui si ricava la scala ottotonica che, come suggerisce il nome, è composta da 8 suoni o toni diversi pur rimanendo nell'ambito dell'ottava. Nella scala si possono trovare a note alternate quattro accordi di settima diminuita (Do-Mib-Fa#-La , Mib-Solb-La-Do, Solb-La-Do-Mib e La-Do-Mib-Solb). Esempio di scala alternata di Do: (it) De octotonische ladder is een toonreeks bestaand uit acht (octo = acht) tonen. De bekendste en meest gebruikte octotonische ladder bestaat uit een opeenvolging van afwisselend kleine en grote secundes (intervallen). Deze wordt veel in de jazz gebruikt om te improviseren, meestal over verminderde akkoorden (bijvoorbeeld C°) en over septiemakkoorden met een ♭9 en een 13 (en ook een ♯11). Ook in de klassieke muziek komt gebruik van de octotonische ladder voor, bijvoorbeeld in de muziek van Igor Stravinsky en Claude Debussy. Van de componisten uit de 20e eeuw maakte onder anderen Olivier Messiaen gebruik van octotonische toonladders. (nl) Уменьшённый лад — лад модального типа, один из наиболее распространённых симметричных ладов. Центральный элемент системы — уменьшённый септаккорд (отсюда термин). Звукоряд уменьшённого лада образуется делением равномерно темперированной октавы на четыре равных малотерцовых сегмента тон-полутон (сокращённо 2|1) или полутон-тон (1 |
| rdfs:label | Escala octatònica (ca) Verminderte Skala (de) Escala octatónica (es) Scala ottotonica (it) 팔음음계 (ko) 八音音階 (ja) Octatonic scale (en) Skala oktatoniczna (pl) Octotonisch (nl) Escala octatônica (pt) Уменьшённый лад (ru) |
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