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إيجور سترافينسكي (بالروسية: Игорь Фёдорович Стравинский)‏ (17 يونيو 1882 - 6 أبريل 1971)، مؤلف موسيقى روسي. يعد من أكثر المؤلفين الموسيقيين تأثيرا في القرن العشرين.

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dbo:abstract Ígor Stravinski (rus: Игорь Фёдорович Стравинский) (Lomonóssov, 17 de juny de 1882 - Nova York, 6 d'abril de 1971), nom complet amb patronímic Ígor Fiódorovitx Stravinski,fou un compositor rus, posteriorment nacionalitzat francès (1934) i estatunidenc (1945). Va compondre una gran quantitat d'obres clàssiques abordant diversos estils com el Primitivisme, el Neoclassicisme i el Serialisme, però és conegut mundialment sobretot per tres obres del seu anomenat període rus: L'ocell de foc (1910), Petruixka (1911) i La consagració de la primavera (1913). Per a molts, aquests ballets clàssics, atrevits i innovadors, pràcticament van reinventar el gènere. Stravinski també va escriure per a diversos tipus de conjunts en un ampli espectre de formes clàssiques, des d'òpera i simfonia a petites peces per a piano i obres per a grups de jazz. Stravinski també va aconseguir fama com a pianista i director d'orquestra, sovint de les seues pròpies composicions. Va ser també escriptor; amb l'ajuda d' va compilar un treball teòric titulat Poètica musical, on va deixar la famosa frase: "La música és incapaç d'expressar res per si mateixa". Robert Craft va tenir diverses entrevistes amb el compositor, les quals van ser publicades com Conversations with Stravinsky (Converses amb Stravinski). Va visitar Catalunya en sis ocasions, i a la primera, al 1924, després de celebrar tres concerts amb l'Orquestra Pau Casals al Gran Teatre del Liceu, va manifestar: "Barcelona serà per a mi inoblidable. El que més m’ha agradat ha estat la catedral i les sardanes". Essencialment un rus cosmopolita, Stravinski va ser un dels compositors i artistes més influents de la música del segle XX, tant en Occident com en la seua terra natal. Va ser considerat per la revista Time una de les personalitats més influents del segle xx. (ca) إيجور سترافينسكي (بالروسية: Игорь Фёдорович Стравинский)‏ (17 يونيو 1882 - 6 أبريل 1971)، مؤلف موسيقى روسي. يعد من أكثر المؤلفين الموسيقيين تأثيرا في القرن العشرين. (ar) Igor Fjodorovič Stravinskij (také Stravinský, rusky Игорь Фёдорович Стравинский, 17. června 1882 [5. června podle juliánského kalendáře] Oranienbaum, Rusko – 6. dubna 1971 New York, USA) byl ruský hudební skladatel 20. století. Nejdůležitějšími z jeho tvorby jsou balety (Svěcení jara, Petruška, ). Jeho dílo patří k základním vývojovým proudům hudby 20. století. (cs) Ο Ίγκορ Φιόντοροβιτς Στραβίνσκι (ρωσ. Игорь Фёдорович Стравинский, ΔΦΑ: [ˈiɡərʲ ˈfʲɵdərəvʲɪt͡ɕ strɐˈvʲinskʲɪj], Λομονόσοφ Ρωσίας, 17 Ιουνίου 1882 – Νέα Υόρκη, 6 Απριλίου 1971), καθιερωμένος στα ελληνικά ως Ιγκόρ Στραβίνσκι, ήταν σημαντικός μουσικός συνθέτης του 20ού αιώνα. Το πολύπλευρο έργο του και οι παραδοξότητες ορισμένων εκφραστικών επιλογών του, προκάλεσαν έντονες αντιπαραθέσεις στον κόσμο της λόγιας σύγχρονης μουσικής. (el) Igor STRAVINSKI (ruse Игорь Стравинский; elrusigo Stravinskij aŭ И́горь Фёдорович Страви́нский, tr. Igorʹ Fëdorovič Stravinskij, sed foje literumita ankaŭ kiel Strawinski, Strawinsky, aŭ Stravinskii) estis rusia komponisto, pianisto kaj dirigento, kiu iĝis franca civitano kaj poste usona civitano. Li estis amplekse konsiderata unu el la plej gravaj kaj influaj komponistoj de la 20a jarcento. La komponkariero de Stravinski estis elstara pro lia stila diverseco. Li dekomence akiris internacian famon danke al tri baletoj menditaj de la impresario Sergej Djagilev kaj la unuafoje premieritaj en Parizo fare de Djagilev Rusaj Baletoj: nome La Fajra Birdo (1910), Petruŝka (1911) kaj La konsekro de la printempo (1913). La lasta de tiuj transformis la vojon per kiu postaj komponistoj pensis pri ritma strukturo kaj estis ege responsa por la pliiĝanta reputacio de Stravinski kiel muzika revoluciulo kiu rompis la limojn de la muzika desegno. Lia "Rusia fazo" estis sekvata en la 1920-aj jaroj de periodo en kiu li turniĝis al novklasikisma muziko. La verkoj de tiu periodo tendencis fari uzon de tradiciaj muzikaj formoj (concerto grosso, fugo kaj simfonio). Ili ofte pagis ŝuldon al la muziko de pli fruaj mastroj, kiaj J.S. Bach kaj Ĉajkovskij. En la 1950-aj jaroj, Stravinski adoptis seriaj proceduroj. Liaj komponaĵoj de tiu periodo kunhavis trajtojn kun ekzemploj de lia komenca produktado: ritma energio, konstruado de etendaj melodiaj ideoj el kelkaj du- aŭ tri-notaj ĉeloj kaj klareco de muzika formo, kaj de instrumentaro. (eo) Igor Strawinsky (auch Igor Stravinsky; * 5. Junijul. / 17. Juni 1882greg. in Oranienbaum, Russland; † 6. April 1971 in New York City) war ein russischer Komponist und Dirigent mit französischer und amerikanischer Staatsbürgerschaft. Er war einer der bedeutendsten Vertreter der Neuen Musik. Sein vollständiger Name lautet in moderner Transkription Igor Fjodorowitsch Strawinski (russisch Игорь Фёдорович Стравинский, Patronym vor der Rechtschreibreform Ѳедоровичъ, wiss. Transliteration Igor' Fëdorovič Stravinskij). Im Englischen wird der Nachname Stravinsky geschrieben, im Französischen existieren mehrere Schreibweisen nebeneinander – Stravinsky, Strawinsky und Stravinski. (de) Ígor Fiódorovich Stravinski (en ruso: Игорь Фёдорович Стравинский; Oranienbaum, 17 de junio de 1882-Nueva York, 6 de abril de 1971) fue un compositor y director de orquesta ruso y uno de los músicos más importantes y trascendentales del siglo XX. Su larga vida le permitió conocer gran variedad de corrientes musicales. Resultan justificadas sus protestas contra quienes lo tildaban de músico del porvenir: «Es algo absurdo. No vivo en el pasado ni en el futuro. Estoy en el presente». En su presente compuso una gran cantidad de obras clásicas abordando varios estilos como el primitivismo, el neoclasicismo y el serialismo, pero es conocido mundialmente sobre todo por tres obras de uno de sus períodos iniciales —el llamado «período ruso»—: El pájaro de fuego (L'Oiseau de feu, 1910), Petrushka (1911) y La consagración de la primavera (Le sacre du printemps, 1913). Para muchos, estos ballets clásicos, atrevidos e innovadores, prácticamente reinventaron el género. Stravinski también escribió para diversos tipos de conjuntos en un amplio espectro de formas clásicas, desde óperas y sinfonías a pequeñas piezas para piano y obras para grupos de jazz. Stravinski también alcanzó fama como pianista y director, frecuentemente de sus propias composiciones. Fue también escritor; con la ayuda de Alexis Roland-Manuel, Stravinski compiló un trabajo teórico titulado Poetics of Music (Poética musical), en el cual dijo una famosa frase: «La música es incapaz de expresar nada por sí misma».​ Robert Craft tuvo varias entrevistas con el compositor, las cuales fueron publicadas como Conversations with Stravinsky.​ Esencialmente un ruso cosmopolita, Stravinski fue uno de los compositores y artistas más influyentes de la música del siglo XX, tanto en Occidente como en su tierra natal. Fue considerado por la revista Time como una de las personalidades más influyentes del siglo XX. (es) Igor Fiodorovitx Stravinski —errusieraz: Игорь Фёдорович Стравинский— (San Petersburgo, Errusiar Inperioa, 1882ko ekainaren 17a – New York, Ameriketako Estatu Batuak, 1971ko apirilaren 6a) musikagilea, piano-jotzailea eta orkestra zuzendaria izan zen. Errusiaz gain, Suitza, Frantzia eta Ameriketako Estatu Batuak izan zituen bizileku. Herritartasunez errusiar jaioa, frantses eta estatubatuar herritartasunak hartu zituen gerora. (eu) Igor Fyodorovich Stravinsky ComSE (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as Renard, L'Histoire du soldat, and Les noces, was followed in the 1920s by a period in which he turned to neoclassicism. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, and symphony) and drew from earlier styles, especially those of the 18th century. In the 1950s, Stravinsky adopted serial procedures. His compositions of this period shared traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form and instrumentation. (en) Igor Fiodorovitch Stravinsky (en russe : Игорь Фёдорович Стравинский), né le 17 juin 1882 à Oranienbaum en Russie et mort le 6 avril 1971 à New York aux États-Unis, est un compositeur, chef d'orchestre et pianiste russe (naturalisé français en 1934, puis américain en 1945) de musique moderne, considéré comme l'un des compositeurs les plus influents du XXe siècle. L'œuvre de Stravinsky s'étend sur près de soixante-dix années. Elle se caractérise par sa grande diversité de styles. Le compositeur accède à la célébrité par la création de trois ballets dont il compose la musique pour les Ballets russes de Diaghilev : L'Oiseau de feu (1910), Petrouchka (1911) et son œuvre maîtresse Le Sacre du printemps (1913) qui ont eu une influence considérable sur la façon d'aborder le rythme en musique classique. Dans les années 1920, sa production musicale prend un virage néoclassique et renoue avec des formes traditionnelles (concerto grosso, fugue et symphonie). Dans les années 1950, enfin, Igor Stravinsky explore les possibilités de la musique sérielle. (fr) Ba chumadóir Rúiseach é Igor Fyodorovich Stravinsky (Rúisis: Игорь Фёдорович Стравинский) (17 Meitheamh 1882 – 6 Aibreán 1971).Ba é ballet cáiliúil Le Sacre de Printemps, nó Deasghnáth an Earraigh, le hIgor Stravinsky, a chuir tús leis an gceol clasaiceach nua-aimseartha. Cuireadh é i láthair den chéad uair ar 29 Bealtaine 1913. Nuair a cuireadh an ballet ar siúl i bPáras na Fraince sa bhliain 1913, níor thaitin sé leis an lucht féachana ar chor ar bith agus bhí círéib san amharclann. Bhí olc ar go leor daoine mar go raibh an sár-rinceoir ballet, . Bliain roimhe sin, ag rince sa seó agus ghlac siad scannal nuair a léiríodh an ballet, L’apres-midi d’un Faune, ina ndearna seisean rince macnasach. Tharla an chíréib mar bhí cuid den lucht féachana i bhfabhar an bhallet agus an chuid eile go mór ina choinne. (ga) Igor Fyodorovich Stravinsky (Rusia: Игорь Фёдорович Стравинский) (17 Juni 1882-6 April 1971) merupakan seorang komponis, dirigen dan pianis berkebangsaan Rusia. Dia merupakan komponis yang menjadi terkenal di majalah TIME. Dia merupakan komponis yang punya hobi mengubah-ubah ketukan manakala mengeksploitasi elemen ritme. (in) Igor' Fëdorovič Stravinskij, anglicizzato e francesizzato in Igor Stravinsky (in russo: Игорь Фёдорович Стравинский?; Lomonosov, 17 giugno 1882 – New York, 6 aprile 1971), è stato un compositore e direttore d'orchestra russo naturalizzato francese nel 1934, poi divenuto statunitense nel 1945. La maggior parte dei suoi lavori rientra nell'ambito del neoclassicismo prima e della serialità poi, ma la sua popolarità presso il grande pubblico si deve ai tre balletti composti durante il suo primo periodo e creati in collaborazione con i Balletti russi: L'uccello di fuoco (1910), Petruška (1911) e La sagra della primavera (1913), opere che reinventarono il genere musicale del balletto. Stravinskij scrisse per ogni tipo di organico, spesso riutilizzando forme classiche. La sua opera omnia include composizioni d'ogni genere, dalle sinfonie alle miniature strumentali. Ottenne anche grande fama come pianista e direttore d'orchestra, dirigendo spesso le prime delle sue composizioni. Scrisse un'autobiografia, Chroniques de ma vie, e un saggio teorico che racchiude una serie di lezioni tenute presso l'Università di Harvard nell'anno accademico 1939-1940 intitolato Poetica della musica. Tipico russo cosmopolita, Stravinskij fu uno dei più apprezzati compositori del XX secolo, sia nel mondo occidentale che nel suo paese d'origine. Stravinskij, Rimskij-Korsakov, sua figlia Nadezhda e il fidanzato, Ekaterina Nossenko Stravinskij (it) イーゴリ・フョードロヴィチ・ストラヴィンスキー（ロシア語: И́горь Фёдорович Страви́нский、1882年6月17日 - 1971年4月6日）は、ロシアの作曲家。 同じくロシアの芸術プロデューサーであるディアギレフから委嘱を受け作曲した初期の3作品（『火の鳥』、『ペトルーシュカ』、『春の祭典』）で知られるほか、指揮者、ピアニストとしても活動した。20世紀を代表する作曲家の1人として知られ、20世紀の芸術に広く影響を及ぼした音楽家の1人である。 (ja) 이고르 표도로비치 스트라빈스키(러시아어: Игорь Фёдорович Стравинский, 1882년 6월 17일 ~ 1971년 4월 6일)는 러시아의 작곡가이다. 러시아 페테르부르크에서 태어난 스트라빈스키는 페테르부르크 대학교에서 법률을 배우다가, 1903년 독일에서 니콜라이 림스키코르사코프를 만난 후 음악에 뜻을 두고, 그에게서 작곡 개인지도를 받았다. 1908년 관현악곡 《불꽃》으로 러시아 발레단의 디아길레프에게 인정을 받고, 그의 의뢰로 발레곡 《불새》(1910), 《페트루시카》(1911)를 작곡하여 성공을 거둠으로써 작곡가로서의 지위를 확립하였다. 1913년 발표한 《봄의 제전》으로 파리악단에서 찬반 양론의 소동이 일어났으며, 이 곡으로 당시 전위파 기수의 한 사람으로 주목받게 되었고, 그의 대표작이 되었다. 러시아 혁명으로 조국을 떠난 그는 제1차 세계 대전 후 신고전주의 작품으로 전환하였는데, 이 시기의 작품으로 《풀치넬라》(1920)가 있다. 그리고 고전 시대와 바로크 시대 음악의 정신을 부흥시키려고 한 음악풍조는 제1·2차 세계대전 사이에서 유럽 음악의 주류를 이루었는데 그는 이 시기의 풍조에 선도적 역할을 하였다. 1934년 프랑스에 귀화했다가 제2차 세계 대전이 발발하자 1945년 미국으로 망명, 귀화하여, 한때의 침체기를 거쳐 《3악장의 교향곡》(1945)과 《미사》(1948) 등으로 재기, 다시 제2의 전기(轉機)를 맞이하였다. 그리고 말년에는 종교음악에 관심을 두어 《설교, 설화 및 기도》(1961), 칸타타 《아브라함과 이삭》(1963), 합창곡 《케네디의 추억을 위하여》(1965) 등의 작품을 남겼다. (ko) Igor Fjodorovitsj Stravinsky (Russisch: И́горь Фёдорович Страви́нский) (Oranienbaum, 17 juni 1882 – New York, 6 april 1971) was een van de belangrijkste componisten van de 20e eeuw. Naast componist was Stravinsky ook dirigent, vaak van zijn eigen werken. De van geboorte Russische componist verwierf in 1934 de Franse nationaliteit en werd, nadat hij zich eind jaren dertig van de 20e eeuw in de Verenigde Staten had gevestigd, in 1945 tot Amerikaan genaturaliseerd. (nl) Igor Fiodorowicz Strawinski (ros. Игорь Фёдорович Стравинский; ur. 5 czerwca?/ 17 czerwca 1882 w Oranienbaumie, zm. 6 kwietnia 1971 w Nowym Jorku) – rosyjski kompozytor, pianista i dyrygent. Jeden z najwybitniejszych kompozytorów i symfoników XX wieku. (pl) Igor Fjodorovitj Stravinskij (ryska: Игорь Фёдорович Стравинский), född 17 juni 1882 i Oranienbaum (nuvarande Lomonosov) nära Sankt Petersburg i Ryssland, död 6 april 1971 i New York i USA, var en rysk tonsättare, pianist och dirigent. Han levde en stor del av sitt yrkesverksamma liv i Frankrike och USA och är av många ansedd som 1900-talets mest betydelsefulla och inflytelserika tonsättare. Kompositören Philip Glass menar att det inte finns någon av Stravinskijs samtida tonsättarkolleger som inte påverkats, och ibland förändrats, av hans musik. Hans berömmelse baseras inte bara på hans kompositioner utan också på hans gärning som pianist och dirigent. Han var ofta solist eller dirigent vid uruppförandena av sina egna verk. Stravinskijs tonsättargärning var påfallande mångsidig. Hans internationella ryktbarhet inleddes med de tre baletterna som beställdes av impressarion Sergej Djagilev och uppfördes av Djagilevs Ballets Russes i Paris: Eldfågeln 1910, Petrusjka 1911/1947 och Våroffer 1913. Våroffer, som vid uruppförandet ansågs provocerande modern, förändrade efterföljande tonsättares syn på rytmisk struktur och var det verk som kom att ge Stravinskij anseende som en musikalisk revolutionär som flyttade fram gränsen för komposition. Stravinskijs första ryska fas övergick i neoklassicism på 1920-talet. I verken från den perioden använder han sig av klassiska former (concerto grosso, fuga, symfoni) som ofta döljer drag av intensiv känslosamhet under en yta av enkelhet eller anspråkslöshet och refererar ofta till äldre mästare som Bach och Tjajkovskij. Under 1950-talet tog han till sig den seriella musiken och använde den nya tekniken under sina sista tjugo år. Under den här perioden bär Stravinskijs musik drag från hans tidiga produktion; rytmisk energi, byggandet av utvecklade melodiska idéer från små två- eller tretonsfigurer, klarhet i strukturen, instrumentationen och i tilltalet. Under sin karriär gav han ut flera böcker, nästan alltid i samarbete med någon annan person, men ibland också utan att denna person nämndes. I sin självbiografi från 1936 skriver Stravinskij sin berömda sentens ”musiken är, i sig själv, oförmögen att uttrycka någonting alls”. Tillsammans med Alexis Roland-Manuel och Pjotr Suvtjinskij publicerade han de ”Charles Eliot Norton-föreläsningar” som han gav vid Harvard University läsåret 1939–40, först på franska och sedan i en samling med titeln Poétique musicale I ”Samtal med Stravinskij” finns samtal med Robert Craft publicerade. De planerade ytterligare fem volymer under det följande decenniet. (sv) И́горь Фёдорович Страви́нский (5 [17] июня 1882, Ораниенбаум, Санкт-Петербургская губерния — 6 апреля 1971, Нью-Йорк) — русский композитор. Гражданин Франции (1934) и США (1945). Один из крупнейших представителей мировой музыкальной культуры XX века. Музыку Стравинского отличает стилистическое многообразие: в первом периоде творчества (наиболее репертуарные его сочинения) она несёт яркий отпечаток русской культурной традиции. Стилистика позднейших сочинений выдаёт, среди прочего, влияние неоклассицизма и додекафонии Новой венской школы. (ru) Ígor Fiódorovitch Stravinsky (em russo: И́горь Фёдорович Страви́нский; Oranienbaum, 17 de junho de 1882 – Nova Iorque, 6 de abril de 1971) foi um compositor, pianista e maestro russo, considerado por muitos um dos compositores mais importantes e influentes do século XX. Foi o arquétipo do russo cosmopolita. Além do reconhecimento que obteve pelas suas composições, ficou ainda famoso como pianista e maestro, estando nessa condição muitas vezes nas estreias das suas obras. A carreira de compositor de Stravinski foi notável pela sua diversidade estilística. Inicialmente adquiriu fama internacional com três ballets encomendados pelo empresário Sergei Diaguilev e executados pelos Ballets Russes de Diaghilev: L'Oiseau de feu ("O Pássaro de Fogo") (1910), Petrushka (1911/1947), e Le Sacre du printemps ("A Sagração da Primavera") (1913). A Sagração, cuja estreia provocou um motim, transformou o modo de pensamento dos compositores posteriores acerca da estrutura rítmica, e foi largamente responsável pela reputação duradoura de Stravinski enquanto revolucionário musical, forçando as fronteiras do design musical. Após esta fase inicial russa, Stravinski virou-se para o neoclassicismo na década de 1920. As obras deste período tendem a utilizar as formas musicais tradicionais (concerto grosso, fuga, sinfonia), frequentemente disfarçadas com um veio de emoção intensa sob uma aparência superficial de distanciamento ou austeridade, muitas vezes prestando tributo à música de mestres anteriores, como J. S. Bach e Tchaikovsky. Nos anos 1950 adoptou os procedimentos do serialismo, utilizando as novas técnicas ao longo dos seus últimos vinte anos. As composições de Stravinski deste período têm pontos em comum com toda a sua produção anterior: energia rítmica, a construção de ideias melódicas desenvolvidas a partir de algumas células de duas ou três notas, e clareza de forma, instrumentação e expressão vocal. Também publicou vários livros ao longo de sua carreira, quase sempre com a ajuda de um colaborador, por vezes não nomeado. Na sua autobiografia de 1936, Chronicles of My Life, escrita com a ajuda de , Stravinski incluiu a sua famosa declaração de que a "música é, pela sua própria natureza, essencialmente impotente para expressar seja o que for." Com e escreveu as suas (Harvard University,1939–40 ), que foram feitas em francês e mais tarde coligidas sob o título Poétique musicale em 1942 (traduzidas para o inglês em 1947 como Poetics of Music). Muitas entrevistas nas quais o compositor conversou com foram publicadas como Conversations with Igor Stravinsky. Colaboraram ainda em mais cinco volumes adicionais durante a década seguinte. (pt) 伊戈尔·费奥多罗维奇·斯特拉文斯基（俄语：Игорь Фёдорович Стравинский，羅馬化：Igor Fyodorovich Stravinsky，IPA：[ˈiɡərʲ ˈfʲɵdərəvʲɪtɕ strɐˈvʲinskʲɪj] （），1882年6月17日－1971年4月6日），又譯斯特拉温斯基，俄裔美籍作曲家、鋼琴家及指揮，20世纪现代音乐的传奇人物，革新过三个不同的音乐流派：原始主义、新古典主义以及序列主义。被人们誉为是音乐界中的毕加索。 斯特拉文斯基作曲風格有許多的變化。他最早因為谢尔盖·达基列夫委託的三部芭蕾舞剧而出名，而首演是由佳吉列夫的俄罗斯芭蕾舞团在巴黎首演：1910年的《火鳥》、1911年的《彼得鲁什卡》及1913年的《春之祭》。其中的《春之祭》讓往後的作曲者思考旋律的結構，也認為是讓斯特拉文斯基有長久聲譽的關鍵，革命性地拓展了音樂設計的邊界。他在「俄國時期」的作品有《》、《士兵的故事》及《》，不過在之後的1920年代他的風格轉變成新古典主义音乐，這個時期的作品傾向使用傳統的古典音樂型式（大协奏曲、赋格及交響曲），使用許多以前（特別是18世紀）的古典音樂風格。斯特拉文斯基在1950年代轉換為序列主义風格，他這個時期的作品和以往的作品有些共有的風格：富有節奏性、用一些二個音符或是三個音符的建構出延伸的音樂概念、及在音樂形式及上的清晰明確。 (zh) І́гор Фе́дорович Страви́нський (5 (17) червня 1882, Оранієнбаум, Петербурзька губернія, Російська імперія — 6 квітня 1971, Нью-Йорк, США) — композитор і диригент українського козацького походження. Син співака Федора Гнатовича Стравинського. (uk)
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dbp:date 2011-09-13 (xsd:date) January 2020 (en) November 2017 (en)
dbp:descriptionUrl https://hdl.loc.gov/loc.music/eadmus.mu018011%7Cinventory_number=%7Cdates=%7Caccess_conditions=
dbp:location Music Division, Library of Congress (en)
dbp:reason what type of offence? (en) Of course it received some sort of reaction, but what sort? (en)
dbp:reference 0001-03-23 (xsd:gMonthDay) 0001-11-19 (xsd:gMonthDay) White, Eric Walter. 1979. Stravinsky: The Composer and His Works, second edition. Berkeley and Los Angeles: University of California Press. . (en) Glass, Philip. 1998. "The Classical Musician Igor Stravinsky" Time . (en) Davis, Mary. 2006. "Chanel, Stravinsky, and Musical Chic". Fashion Theory 10, no. 4 : 431–460. (en) Adorno, Theodor. 1973. Philosophy of Modern Music. Translated by Anne G. Mitchell and Wesley V. Blomster. New York: Continuum. Original German edition, as (en) Nohl, Roger. 1978. "The Musical Textures of Stravinsky's 'Three Movements from Petroushka' for Piano: A Comparative Study of the Transcription with Other Versions of 'Petroushka'". PhD diss. Columbus: Ohio State University. (en) Palmer, Tony. 1982. Stravinsky: Once at a Border.... . [UK]: Isolde Films. Issued on DVD, [N.p.]: Kultur Video, 2008. (en) Volta, Ornella. 1989. Satie Seen through His Letters. London: Boyars. . (en) Anonymous. 2010. "Synopsis" of Mary Ann Braubach . Huxley on Huxley. DVD recording. S.l.: Cinedigm, 2010. (en) Eksteins, Modris. 1989. Rites of Spring: The Great War and the Modern Era. Boston: Houghton Mifflin Company. . Reprinted 1990, New York: Anchor Books ; reprinted 2000, Boston: Mariner Books . (en) Blitzstein, Marc. 1935. "The Phenomenon of Stravinsky". The Musical Quarterly 21, no. 3 : 330–347. Reprinted 1991, The Musical Quarterly 75, no. 4 : 51–69. (en) Lambert, Constant. 1936. Music Ho! A Study of Music in Decline. New York: Charles Scribner's Sons. (en) Dubal, David. 2001. The Essential Canon of Classical Music. New York: North Point Press. (en) McFarland, Mark 1994. "Leitharmony, or Stravinsky's Musical Characterization in the Firebird". International Journal of Musicology 3:203–233. . (en) . Tübingen: J.C.B. Mohr, 1949. (en) Pisalnik. 2012. "Polski pomnik za cerkiewnym murem". Rzeczpospolita . (en) Joseph, Charles M.. 2001. Stravinsky Inside Out. New Haven: Yale University Press. . (en) Craft, Robert. 1992. Stravinsky: Glimpses of a Life. London: Lime Tree; New York: St Martins Press. ; . (en) Copeland, Robert M. 1982. "The Christian Message of Igor Stravinsky". The Musical Quarterly 68, no. 4 : 563–579. (en) Wenborn, Neil. 1985. Stravinsky. London: Omnibus Press. . (en) Copland, Aaron. 1952. Music and Imagination. Cambridge, Massachusetts: Harvard University Press. (en) Walsh, Stephen. 2000. Stravinsky. A Creative Spring: Russia and France 1882–1934. London: Jonathan Cape. (en) Greene, David Mason. 1985. Biographical Encyclopaedia of Composers. New York: Doubleday. (en) Taruskin, Richard. 1996. Stravinsky and the Russian Traditions: A Biography of the Works Through Mavra. Vol. 1 and Vol. 2. Berkeley: University of California Press. . (en) Pasler, Jann, and Jerry Rife. 2001. "Schmitt, Florent". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en) Cooper, John Xiros . 2000. T.S. Elliot's Orchestra: Critical Essays on Poetry and Music. New York: Garland. . (en) Pasler, Jann. 1983. "Stravinsky and His Craft: Trends in Stravinsky Criticism and Research". The Musical Times 124, no. 1688 : 605–609. (en) Strawinsky, Théodore, and Denise Strawinsky. 2004. Catherine and Igor Stravinsky: A Family Chronicle 1906–1940. New York: Schirmer Trade Books; London: Schirmer Books. . (en) Sachs, Harvey. 1987. Music in Fascist Italy. New York: W. W. Norton. (en) Satie, Erik. 1923. "Igor Stravinsky: A Tribute to the Great Russian Composer by an Eminent French Confrère". Vanity Fair : 39 & 88. (en) Thom, Paul. 2007. The Musician as Interpreter. Studies of the Greater Philadelphia Philosophy Consortium 4. University Park: Pennsylvania State University Press. . (en) Oliver, Michael. 1995. Igor Stravinsky. London: Phaidon Press. . (en) Griffiths, Paul, Igor Stravinsky, Robert Craft, and Gabriel Josipovici. 1982. Igor Stravinsky: the Rake's Progress. Cambridge Opera Handbooks. Cambridge. London, New York, New Rochelle, Melbourne, and Sydney: Cambridge University Press. . (en) Walsh, Stephen. 2006. Stravinsky: The Second Exile: France and America, 1934–1971. New York: Alfred A. Knopf. ; London: Jonathan Cape. ; Berkeley: University of California Press. . (en) Holland, Bernard. 2001. "Stravinsky, a Rare Bird Amid the Palms: A Composer in California, at Ease if Not at Home", The New York Times . (en) Karlinsky, Simon. 1985. "Searching for Stravinskii's Essence". The Russian Review 44, no. 3 : 281–287. (en) Straus, Joseph N. 2001. Stravinsky's Late Music. Cambridge Studies in Music Theory and Analysis 16. Cambridge, New York, Port Melbourne, Madrid, and Cape Town: Cambridge University Press. . (en) Taruskin, Richard, reply by Robert Craft. 1989. "'Jews and Geniuses': An Exchange". The New York Review of Books 36, no. 10 . (en) Adorno, Theodor W. 2006. Philosophy of New Music, translated, edited, and with an introduction by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press. . (en) Morand, Paul. 1976. L'Allure de Chanel. Paris: Hermann. Nouv. éd. du texte original, Paris: Hermann, 1996. . Reprinted, [Paris]: Gallimard, 2009; English as The Allure of Chanel, translated by Euan Cameron. London: Pushkin Press, 2008. . Special illustrated ed. London: Pushkin, 2009. . (en) Lawson, Rex. 1986. "Stravinsky and the Pianola". In Confronting Stravinsky, edited by Jann Pasler. Los Angeles: University of California Press. . (en) Anonymous. n.d. "Stravinsky: Histoire du Soldat Suite". Naxosdirect.com . (en) Simeone, Lisa, with Robert Craft and Philip Glass. 1999. "Igor Stravinsky" NPR's Performance Today: Milestones of the Millennium . Washington, DC: National Public Radio. Archive at NPR Online. (en)
dbp:title Links to related articles (en) Igor Stravinsky / Robert Craft collection, 1912–1966 (en)
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rdfs:comment إيجور سترافينسكي (بالروسية: Игорь Фёдорович Стравинский)‏ (17 يونيو 1882 - 6 أبريل 1971)، مؤلف موسيقى روسي. يعد من أكثر المؤلفين الموسيقيين تأثيرا في القرن العشرين. (ar) Igor Fjodorovič Stravinskij (také Stravinský, rusky Игорь Фёдорович Стравинский, 17. června 1882 [5. června podle juliánského kalendáře] Oranienbaum, Rusko – 6. dubna 1971 New York, USA) byl ruský hudební skladatel 20. století. Nejdůležitějšími z jeho tvorby jsou balety (Svěcení jara, Petruška, ). Jeho dílo patří k základním vývojovým proudům hudby 20. století. (cs) Ο Ίγκορ Φιόντοροβιτς Στραβίνσκι (ρωσ. Игорь Фёдорович Стравинский, ΔΦΑ: [ˈiɡərʲ ˈfʲɵdərəvʲɪt͡ɕ strɐˈvʲinskʲɪj], Λομονόσοφ Ρωσίας, 17 Ιουνίου 1882 – Νέα Υόρκη, 6 Απριλίου 1971), καθιερωμένος στα ελληνικά ως Ιγκόρ Στραβίνσκι, ήταν σημαντικός μουσικός συνθέτης του 20ού αιώνα. Το πολύπλευρο έργο του και οι παραδοξότητες ορισμένων εκφραστικών επιλογών του, προκάλεσαν έντονες αντιπαραθέσεις στον κόσμο της λόγιας σύγχρονης μουσικής. (el) Igor Fiodorovitx Stravinski —errusieraz: Игорь Фёдорович Стравинский— (San Petersburgo, Errusiar Inperioa, 1882ko ekainaren 17a – New York, Ameriketako Estatu Batuak, 1971ko apirilaren 6a) musikagilea, piano-jotzailea eta orkestra zuzendaria izan zen. Errusiaz gain, Suitza, Frantzia eta Ameriketako Estatu Batuak izan zituen bizileku. Herritartasunez errusiar jaioa, frantses eta estatubatuar herritartasunak hartu zituen gerora. (eu) Igor Fyodorovich Stravinsky (Rusia: Игорь Фёдорович Стравинский) (17 Juni 1882-6 April 1971) merupakan seorang komponis, dirigen dan pianis berkebangsaan Rusia. Dia merupakan komponis yang menjadi terkenal di majalah TIME. Dia merupakan komponis yang punya hobi mengubah-ubah ketukan manakala mengeksploitasi elemen ritme. (in) イーゴリ・フョードロヴィチ・ストラヴィンスキー（ロシア語: И́горь Фёдорович Страви́нский、1882年6月17日 - 1971年4月6日）は、ロシアの作曲家。 同じくロシアの芸術プロデューサーであるディアギレフから委嘱を受け作曲した初期の3作品（『火の鳥』、『ペトルーシュカ』、『春の祭典』）で知られるほか、指揮者、ピアニストとしても活動した。20世紀を代表する作曲家の1人として知られ、20世紀の芸術に広く影響を及ぼした音楽家の1人である。 (ja) Igor Fjodorovitsj Stravinsky (Russisch: И́горь Фёдорович Страви́нский) (Oranienbaum, 17 juni 1882 – New York, 6 april 1971) was een van de belangrijkste componisten van de 20e eeuw. Naast componist was Stravinsky ook dirigent, vaak van zijn eigen werken. De van geboorte Russische componist verwierf in 1934 de Franse nationaliteit en werd, nadat hij zich eind jaren dertig van de 20e eeuw in de Verenigde Staten had gevestigd, in 1945 tot Amerikaan genaturaliseerd. (nl) Igor Fiodorowicz Strawinski (ros. Игорь Фёдорович Стравинский; ur. 5 czerwca?/ 17 czerwca 1882 w Oranienbaumie, zm. 6 kwietnia 1971 w Nowym Jorku) – rosyjski kompozytor, pianista i dyrygent. Jeden z najwybitniejszych kompozytorów i symfoników XX wieku. (pl) И́горь Фёдорович Страви́нский (5 [17] июня 1882, Ораниенбаум, Санкт-Петербургская губерния — 6 апреля 1971, Нью-Йорк) — русский композитор. Гражданин Франции (1934) и США (1945). Один из крупнейших представителей мировой музыкальной культуры XX века. Музыку Стравинского отличает стилистическое многообразие: в первом периоде творчества (наиболее репертуарные его сочинения) она несёт яркий отпечаток русской культурной традиции. Стилистика позднейших сочинений выдаёт, среди прочего, влияние неоклассицизма и додекафонии Новой венской школы. (ru) 伊戈尔·费奥多罗维奇·斯特拉文斯基（俄语：Игорь Фёдорович Стравинский，羅馬化：Igor Fyodorovich Stravinsky，IPA：[ˈiɡərʲ ˈfʲɵdərəvʲɪtɕ strɐˈvʲinskʲɪj] （），1882年6月17日－1971年4月6日），又譯斯特拉温斯基，俄裔美籍作曲家、鋼琴家及指揮，20世纪现代音乐的传奇人物，革新过三个不同的音乐流派：原始主义、新古典主义以及序列主义。被人们誉为是音乐界中的毕加索。 斯特拉文斯基作曲風格有許多的變化。他最早因為谢尔盖·达基列夫委託的三部芭蕾舞剧而出名，而首演是由佳吉列夫的俄罗斯芭蕾舞团在巴黎首演：1910年的《火鳥》、1911年的《彼得鲁什卡》及1913年的《春之祭》。其中的《春之祭》讓往後的作曲者思考旋律的結構，也認為是讓斯特拉文斯基有長久聲譽的關鍵，革命性地拓展了音樂設計的邊界。他在「俄國時期」的作品有《》、《士兵的故事》及《》，不過在之後的1920年代他的風格轉變成新古典主义音乐，這個時期的作品傾向使用傳統的古典音樂型式（大协奏曲、赋格及交響曲），使用許多以前（特別是18世紀）的古典音樂風格。斯特拉文斯基在1950年代轉換為序列主义風格，他這個時期的作品和以往的作品有些共有的風格：富有節奏性、用一些二個音符或是三個音符的建構出延伸的音樂概念、及在音樂形式及上的清晰明確。 (zh) І́гор Фе́дорович Страви́нський (5 (17) червня 1882, Оранієнбаум, Петербурзька губернія, Російська імперія — 6 квітня 1971, Нью-Йорк, США) — композитор і диригент українського козацького походження. Син співака Федора Гнатовича Стравинського. (uk) Ígor Stravinski (rus: Игорь Фёдорович Стравинский) (Lomonóssov, 17 de juny de 1882 - Nova York, 6 d'abril de 1971), nom complet amb patronímic Ígor Fiódorovitx Stravinski,fou un compositor rus, posteriorment nacionalitzat francès (1934) i estatunidenc (1945). Va compondre una gran quantitat d'obres clàssiques abordant diversos estils com el Primitivisme, el Neoclassicisme i el Serialisme, però és conegut mundialment sobretot per tres obres del seu anomenat període rus: L'ocell de foc (1910), Petruixka (1911) i La consagració de la primavera (1913). Per a molts, aquests ballets clàssics, atrevits i innovadors, pràcticament van reinventar el gènere. Stravinski també va escriure per a diversos tipus de conjunts en un ampli espectre de formes clàssiques, des d'òpera i simfonia a petites peces (ca) Igor Strawinsky (auch Igor Stravinsky; * 5. Junijul. / 17. Juni 1882greg. in Oranienbaum, Russland; † 6. April 1971 in New York City) war ein russischer Komponist und Dirigent mit französischer und amerikanischer Staatsbürgerschaft. Er war einer der bedeutendsten Vertreter der Neuen Musik. (de) Igor STRAVINSKI (ruse Игорь Стравинский; elrusigo Stravinskij aŭ И́горь Фёдорович Страви́нский, tr. Igorʹ Fëdorovič Stravinskij, sed foje literumita ankaŭ kiel Strawinski, Strawinsky, aŭ Stravinskii) estis rusia komponisto, pianisto kaj dirigento, kiu iĝis franca civitano kaj poste usona civitano. Li estis amplekse konsiderata unu el la plej gravaj kaj influaj komponistoj de la 20a jarcento. (eo) Igor Fyodorovich Stravinsky ComSE (17 June [O.S. 5 June] 1882 – 6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. (en) Ígor Fiódorovich Stravinski (en ruso: Игорь Фёдорович Стравинский; Oranienbaum, 17 de junio de 1882-Nueva York, 6 de abril de 1971) fue un compositor y director de orquesta ruso y uno de los músicos más importantes y trascendentales del siglo XX. Esencialmente un ruso cosmopolita, Stravinski fue uno de los compositores y artistas más influyentes de la música del siglo XX, tanto en Occidente como en su tierra natal. Fue considerado por la revista Time como una de las personalidades más influyentes del siglo XX. (es) Ba chumadóir Rúiseach é Igor Fyodorovich Stravinsky (Rúisis: Игорь Фёдорович Стравинский) (17 Meitheamh 1882 – 6 Aibreán 1971).Ba é ballet cáiliúil Le Sacre de Printemps, nó Deasghnáth an Earraigh, le hIgor Stravinsky, a chuir tús leis an gceol clasaiceach nua-aimseartha. Cuireadh é i láthair den chéad uair ar 29 Bealtaine 1913. Nuair a cuireadh an ballet ar siúl i bPáras na Fraince sa bhliain 1913, níor thaitin sé leis an lucht féachana ar chor ar bith agus bhí círéib san amharclann. (ga) Igor Fiodorovitch Stravinsky (en russe : Игорь Фёдорович Стравинский), né le 17 juin 1882 à Oranienbaum en Russie et mort le 6 avril 1971 à New York aux États-Unis, est un compositeur, chef d'orchestre et pianiste russe (naturalisé français en 1934, puis américain en 1945) de musique moderne, considéré comme l'un des compositeurs les plus influents du XXe siècle. (fr) 이고르 표도로비치 스트라빈스키(러시아어: Игорь Фёдорович Стравинский, 1882년 6월 17일 ~ 1971년 4월 6일)는 러시아의 작곡가이다. 러시아 페테르부르크에서 태어난 스트라빈스키는 페테르부르크 대학교에서 법률을 배우다가, 1903년 독일에서 니콜라이 림스키코르사코프를 만난 후 음악에 뜻을 두고, 그에게서 작곡 개인지도를 받았다. 1908년 관현악곡 《불꽃》으로 러시아 발레단의 디아길레프에게 인정을 받고, 그의 의뢰로 발레곡 《불새》(1910), 《페트루시카》(1911)를 작곡하여 성공을 거둠으로써 작곡가로서의 지위를 확립하였다. 1913년 발표한 《봄의 제전》으로 파리악단에서 찬반 양론의 소동이 일어났으며, 이 곡으로 당시 전위파 기수의 한 사람으로 주목받게 되었고, 그의 대표작이 되었다. 러시아 혁명으로 조국을 떠난 그는 제1차 세계 대전 후 신고전주의 작품으로 전환하였는데, 이 시기의 작품으로 《풀치넬라》(1920)가 있다. 그리고 고전 시대와 바로크 시대 음악의 정신을 부흥시키려고 한 음악풍조는 제1·2차 세계대전 사이에서 유럽 음악의 주류를 이루었는데 그는 이 시기의 풍조에 선도적 역할을 하였다. (ko) Igor' Fëdorovič Stravinskij, anglicizzato e francesizzato in Igor Stravinsky (in russo: Игорь Фёдорович Стравинский?; Lomonosov, 17 giugno 1882 – New York, 6 aprile 1971), è stato un compositore e direttore d'orchestra russo naturalizzato francese nel 1934, poi divenuto statunitense nel 1945. Tipico russo cosmopolita, Stravinskij fu uno dei più apprezzati compositori del XX secolo, sia nel mondo occidentale che nel suo paese d'origine. Stravinskij, Rimskij-Korsakov, sua figlia Nadezhda e il fidanzato, Ekaterina Nossenko Stravinskij (it) Ígor Fiódorovitch Stravinsky (em russo: И́горь Фёдорович Страви́нский; Oranienbaum, 17 de junho de 1882 – Nova Iorque, 6 de abril de 1971) foi um compositor, pianista e maestro russo, considerado por muitos um dos compositores mais importantes e influentes do século XX. Foi o arquétipo do russo cosmopolita. Além do reconhecimento que obteve pelas suas composições, ficou ainda famoso como pianista e maestro, estando nessa condição muitas vezes nas estreias das suas obras. (pt) Igor Fjodorovitj Stravinskij (ryska: Игорь Фёдорович Стравинский), född 17 juni 1882 i Oranienbaum (nuvarande Lomonosov) nära Sankt Petersburg i Ryssland, död 6 april 1971 i New York i USA, var en rysk tonsättare, pianist och dirigent. Han levde en stor del av sitt yrkesverksamma liv i Frankrike och USA och är av många ansedd som 1900-talets mest betydelsefulla och inflytelserika tonsättare. Kompositören Philip Glass menar att det inte finns någon av Stravinskijs samtida tonsättarkolleger som inte påverkats, och ibland förändrats, av hans musik. Hans berömmelse baseras inte bara på hans kompositioner utan också på hans gärning som pianist och dirigent. Han var ofta solist eller dirigent vid uruppförandena av sina egna verk. (sv)
rdfs:label Igor Stravinsky (en) إيغور سترافينسكي (ar) Ígor Stravinski (ca) Igor Stravinskij (cs) Igor Strawinsky (de) Ίγκορ Στραβίνσκι (el) Igor Stravinski (eo) Ígor Stravinski (es) Igor Stravinski (eu) Igor Stravinsky (ga) Igor Stravinsky (in) Igor Stravinsky (fr) Igor' Fëdorovič Stravinskij (it) イーゴリ・ストラヴィンスキー (ja) 이고르 스트라빈스키 (ko) Igor Stravinsky (nl) Igor Strawinski (pl) Стравинский, Игорь Фёдорович (ru) Ígor Stravinski (pt) 伊戈尔·斯特拉文斯基 (zh) Igor Stravinskij (sv) Стравинський Ігор Федорович (uk)
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is dbp:allMusic of dbr:Igor_Stravinsky's_The_Soldier's_Tale
is dbp:allWriting of dbr:The_Rite_of_Spring_(The_Bad_Plus_album)
is dbp:composer of dbr:Scherzo_(Stravinsky) dbr:Scherzo_à_la_Russe_(ballet) dbr:Bluebird_Pas_de_Deux_(Stravinsky) dbr:Apollo_(ballet) dbr:Perséphone_(Stravinsky) dbr:Petrushka_(ballet) dbr:Concerto_in_E-flat_"Dumbarton_Oaks" dbr:Mavra dbr:Pulcinella_(ballet) dbr:Movements_for_Piano_and_Orchestra_(ballet) dbr:The_Nightingale_(opera) dbr:The_Rake's_Progress dbr:The_Rite_of_Spring dbr:Lied_ohne_Name dbr:Stravinsky_Violin_Concerto_(ballet) dbr:Les_noces dbr:Ave_Maria_(Stravinsky) dbr:Babel_(Stravinsky) dbr:Agon_(ballet) dbr:Threni_(Stravinsky) dbr:Duo_Concertant_(ballet) dbr:Renard_(Stravinsky) dbr:The_Cage_(ballet) dbr:The_Firebird dbr:The_Flood_(Stravinsky) dbr:Le_baiser_de_la_fée dbr:Symphony_in_Three_Movements_(ballet) dbr:Symphony_of_Psalms dbr:Oedipus_rex_(opera) dbr:Orpheus_(ballet) dbr:Scènes_de_ballet_(Ashton) dbr:Élégie_(ballet) dbr:Valse_des_fleurs_(Stravinsky)
is dbp:eponym of dbr:Stravinsky_(crater)
is dbp:extra of dbr:Road_Tapes,_Venue_3
is dbp:music of dbr:Melinda_and_Melinda dbr:The_Legend_of_the_Holy_Drinker_(film) dbr:Histoire(s)_du_cinéma dbr:La_Belle_Noiseuse dbr:Poems_of_Asolo
is dbp:note of dbr:Make_a_Jazz_Noise_Here
is dbp:writer of dbr:Progeny:_Seven_Shows_from_Seventy-Two dbr:Dawn_of_the_Cycads dbr:Magnetic_Flip dbr:Walt_Disney_Records:_The_Legacy_Collection dbr:Jonathan_Russell_(composer) dbr:No_Boundaries_(The_5_Browns_album) dbr:Sonic_Geology
is foaf:primaryTopic of wikipedia-en:Igor_Stravinsky