Twelve-bar blues (original) (raw)
Le Blues à 12 mesures (anglais 12-bar blues) est la grille d'accords la plus emblématique du blues, devenu par sa popularité une base essentielle de la musique populaire anglo-saxonne. On le joue dans toutes les tonalités, à tout tempo, en tout mode (majeur/mineur), à toute pulsation.
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| dbo:abstract | Le Blues à 12 mesures (anglais 12-bar blues) est la grille d'accords la plus emblématique du blues, devenu par sa popularité une base essentielle de la musique populaire anglo-saxonne. On le joue dans toutes les tonalités, à tout tempo, en tout mode (majeur/mineur), à toute pulsation. (fr) Un twelve bar blues es una progresión de acordes, típica del blues y estilos posteriores. Además de la armonía, el blues utiliza un esquema de 12 compases de 4/4 y ritmo shuffle. Un ejemplo básico es el siguiente: I IV I I IV IV I I V IV I I Son posibles algunas variaciones. Como por ejemplo el uso de acordes con séptima antes de un cambio: I IV I7 IV IV7 I I7 IV IV7 I I7 V IV I II7 Cuando el último compás es de dominante se llama turnaround y puede contener frases que le dan color. (es) The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire". (en) ブルース形式とはブルースで用いられる楽式である。コードの変化（進行）と密接な関わりがあり、ブルース進行、ブルース・コードと称されることも多い。12バー・ブルースという呼び方もある。 (ja) 12바 블루스(Twelve-bar blues)(또는 블루스 형식)는 대중음악에서 가장 두드러진 화음 발전 중 하나이다. 블루스 진행은 가사, 구, 화음 구조, 그리고 지속 시간에 있어서 독특한 형태를 가지고 있다. 기본 형식에서는 키의 I, IV 및 V 화음을 주로 기반으로 한다. 블루스와 리듬의 변화에 대한 숙달은 "재즈 레퍼토리를 구축하는 데 중요한 요소"이다. (ko) Il blues in 12 misure è la tipica struttura metrica della musica blues, articolata appunto su 12 misure invece che sulle otto tipiche della musica classica ma anche della moderna musica rock e pop. Armonicamente presenta una tipica progressione tonica-sottodominante-dominante, distribuite sulle dodici misure in modo da rispecchiare la struttura del canto: domanda nelle prime 4 misure, risposta nelle successive 4 e conclusione nelle ultime. Lo schema dei gradi degli accordi è il seguente: Ad esempio nel caso di un blues in Fa si ha: Esiste anche una forma blues in modo minore che è abbastanza diffusa soprattutto nel jazz caratterizzata dall'uso di accordi minori. (it) Bluesschema's zijn opgebouwd uit perioden van een vast aantal maten met meestal drie basis-akkoorden. Aan de hand van het schema kunnen op de akkoorden improvisaties uitgevoerd worden. (nl) En bluestolva är en ackord-/tonföljd som följer ett schema i just tolv takter. På varje rad går det 16 fjärdedelsnoter (fyra takter gånger fyra slag). Subdominanten är ackordet på fjärde tonen i tonartens skala ( IV i stegbeteckning, efter romerska beteckningen för fyra)och dominanten ackordet på femte tonen i skalan (V i stegbeteckning, efter romerska beteckningen för fem). (Dominanten är den översta tonen i tonikans ackord.) En alternativ beskrivning för den som föredrar stegbeteckning: Exempel: Är C tonika blir följaktligen subdominanten F och dominanten G: vanligen färgas ackorden, och oftast då med septiman. För exemplet ovan skulle den faktiska sekvensen kunna vara till exempel:C,C,C,C7,F7,F7,C,C,G7,F7,C,C (sv) Blues de doze compassos é uma das mais proeminentes progressões harmônicas na música popular. A progressão de blues tem uma forma distintiva em letra, frase, estrutura de acorde e . Na sua forma básica, é predominantemente alicerçada nos acordes I-IV-V. (pt) Блюзовий період, або блюзовий 12-такт (англ. Twelve bar blues) — період, який отримав надзвичайне розповсюдження у популярній музиці і став однією з визначальних стильових рис блюзу. Ця структура визначається характерною гармонічною побудовою, а також і структурною структурою вірша. (uk) Блюзовый квадрат — принятое в России разговорное обозначение формы двенадцатитактового блюза (англ. 12-bar blues, нем. Zwölferblues). Для блюзового квадрата характерен следующий гармонический план: * первые 4 такта на тонике, как вариант — т.2 на субдоминанте (англ. quick change) * тт. 5-6 на субдоминанте, * тт. 7-8 на тонике, * т. 9 на доминанте, * т. 10 на субдоминанте либо на доминанте, * тт. 11-12 — варьируемая каденция, заканчивающаяся доминантой (для перехода к следующему квадрату, так называемый англ. turnaround) или тоникой (для окончания). Схематически: | | T | T (S) | T | T | S | S | T | T | D | S (D) | T | T (D) |
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| dbp:title | Twelve bar boogie-woogie blues in C (en) Bebop blues progression (en) Minor blues progression (en) | ||||||||||||
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| rdfs:comment | Le Blues à 12 mesures (anglais 12-bar blues) est la grille d'accords la plus emblématique du blues, devenu par sa popularité une base essentielle de la musique populaire anglo-saxonne. On le joue dans toutes les tonalités, à tout tempo, en tout mode (majeur/mineur), à toute pulsation. (fr) Un twelve bar blues es una progresión de acordes, típica del blues y estilos posteriores. Además de la armonía, el blues utiliza un esquema de 12 compases de 4/4 y ritmo shuffle. Un ejemplo básico es el siguiente: I IV I I IV IV I I V IV I I Son posibles algunas variaciones. Como por ejemplo el uso de acordes con séptima antes de un cambio: I IV I7 IV IV7 I I7 IV IV7 I I7 V IV I II7 Cuando el último compás es de dominante se llama turnaround y puede contener frases que le dan color. (es) The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements for building a jazz repertoire". (en) ブルース形式とはブルースで用いられる楽式である。コードの変化（進行）と密接な関わりがあり、ブルース進行、ブルース・コードと称されることも多い。12バー・ブルースという呼び方もある。 (ja) 12바 블루스(Twelve-bar blues)(또는 블루스 형식)는 대중음악에서 가장 두드러진 화음 발전 중 하나이다. 블루스 진행은 가사, 구, 화음 구조, 그리고 지속 시간에 있어서 독특한 형태를 가지고 있다. 기본 형식에서는 키의 I, IV 및 V 화음을 주로 기반으로 한다. 블루스와 리듬의 변화에 대한 숙달은 "재즈 레퍼토리를 구축하는 데 중요한 요소"이다. (ko) Bluesschema's zijn opgebouwd uit perioden van een vast aantal maten met meestal drie basis-akkoorden. Aan de hand van het schema kunnen op de akkoorden improvisaties uitgevoerd worden. (nl) Blues de doze compassos é uma das mais proeminentes progressões harmônicas na música popular. A progressão de blues tem uma forma distintiva em letra, frase, estrutura de acorde e . Na sua forma básica, é predominantemente alicerçada nos acordes I-IV-V. (pt) Блюзовий період, або блюзовий 12-такт (англ. Twelve bar blues) — період, який отримав надзвичайне розповсюдження у популярній музиці і став однією з визначальних стильових рис блюзу. Ця структура визначається характерною гармонічною побудовою, а також і структурною структурою вірша. (uk) Il blues in 12 misure è la tipica struttura metrica della musica blues, articolata appunto su 12 misure invece che sulle otto tipiche della musica classica ma anche della moderna musica rock e pop. Armonicamente presenta una tipica progressione tonica-sottodominante-dominante, distribuite sulle dodici misure in modo da rispecchiare la struttura del canto: domanda nelle prime 4 misure, risposta nelle successive 4 e conclusione nelle ultime. Lo schema dei gradi degli accordi è il seguente: Ad esempio nel caso di un blues in Fa si ha: (it) Блюзовый квадрат — принятое в России разговорное обозначение формы двенадцатитактового блюза (англ. 12-bar blues, нем. Zwölferblues). Для блюзового квадрата характерен следующий гармонический план: * первые 4 такта на тонике, как вариант — т.2 на субдоминанте (англ. quick change) * тт. 5-6 на субдоминанте, * тт. 7-8 на тонике, * т. 9 на доминанте, * т. 10 на субдоминанте либо на доминанте, * тт. 11-12 — варьируемая каденция, заканчивающаяся доминантой (для перехода к следующему квадрату, так называемый англ. turnaround) или тоникой (для окончания). Схематически: (ru) En bluestolva är en ackord-/tonföljd som följer ett schema i just tolv takter. På varje rad går det 16 fjärdedelsnoter (fyra takter gånger fyra slag). Subdominanten är ackordet på fjärde tonen i tonartens skala ( IV i stegbeteckning, efter romerska beteckningen för fyra)och dominanten ackordet på femte tonen i skalan (V i stegbeteckning, efter romerska beteckningen för fem). (Dominanten är den översta tonen i tonikans ackord.) En alternativ beskrivning för den som föredrar stegbeteckning: Exempel: Är C tonika blir följaktligen subdominanten F och dominanten G: (sv) | ||||||||||||
| rdfs:label | Blues de doce compases (es) Blues à 12 mesures (fr) Blues in 12 misure (it) 12바 블루스 (ko) ブルース形式 (ja) Bluesschema (nl) Blues de doze compassos (pt) Блюзовый квадрат (ru) Twelve-bar blues (en) Bluestolva (sv) Блюзовий період (uk) | ||||||||||||
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