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This assumes knowledge of how to properly use much of the audio equipment discussed in this chapter. This is not the only way this can be done, it is just a suggested setup method.
- Retrieve speakers, amplifiers, cables, mixing boards, and other equipment from storage, as per the audio design.
- Set up the mixing board and other equipment in a temporary location. Wire everything as per audio design.
- Run snakes and other cabling as necessary.
- Connect audio amplifiers to source (mixing board and EQs, typically).
- Arrange speakers as per the audio design.
- Connect speaker cabling to speakers and amplifiers. Test every element of the speaker/amplifier system to be sure it is working properly.
- Connect any microphones that are to be used for the performance. If wireless mics are being used, have assistants wear them and walk around the acting space with them.
- Begin equalization processs. Reposition speakers if necessary. Repeat until feedback problems are eliminated, and sound is satisfactory.
- Move mixing board and other equipment to permanent location.
- Re-connect equipment, test.
- As the house fills up, slight changes in equalization will be necessary or desired. It helps to have a qualified assistant sit in the house to make judgements, especially if the equalizers and mixing board are located in a remote location, such as in the balcony of the hall.
Next: Power Up: Audio Previous: The Output Section Contents Index
Steve Richardson 2000-07-06
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Table of Contents
[ [Whole book in PDF 5.3MB]](technical%5Ftheatre%5Fhandbook.pdf)
- Contents
- Introduction
- Costumes
- The Set
- Rigging
- Lighting
- Introduction
- Lighting Instruments
* Scoops
* Cyclorama Lights
* Parabolic Reflector Cans
* Fresnel Spotlights
* Ellipsoidal Reflector Spotlights
* Automated Instruments - Color
* Color Theory
* Primary, Secondary and Complementary Colors of Light
* Light Mixing
* Practical Use of Color
* Glass, Gelatine and Plastics
* Dichroic Color Filters - Patterns
- Dimmers
* Dimmer History - Cables and Connectors
- Lighting Boards
- Control
- Design
* Washes
* Specials
* Cyclorama Lighting
* Color
* Lighting Angle
* Simulating Exteriors
* Lighting Design Paperwork
* Shop Order
* Instrument Plots
* Focus Sheets
* Computer-Aided Lighting Design - A Typical Lighting Hang at WPI
- Audio
- Introduction
- Input
* Microphones
* Converting Sound to Electricity
* Directionality
* Analog Tape
* Digital Audio Tape (DAT)
* Compact Disc (CD)
* Mini-Disc (MD)
* Digital Samplers
* Computer Sound Cards - Mixing Boards
- Signal Processing Equipment
* Equalizers
* Compressors and Limiters
* Noise Gates
* Effects Processors - Output
* Power Amplifiers
* Speakers
* Crossovers - Cabling and Connectors
* Line-Level
* Speaker-Level - Automation
- Design
* Creating and Obtaining Effects
* Editing and Processing Effects
* Designing the Sound System
* The Input Section
* Signal Processing
* The Output Section - A Typical Audio Setup at WPI
- Power
- Special Effects
- Acknowledgements
- References
- List of Figures
- Index
- About this document ...