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This assumes knowledge of how to properly rig the lighting truss and fly system. It also assumes knowledge of how to properly connect the dimmer racks to the power feed in a venue. Other chapters in this book cover these topics in some detail, and should be read before attempting these tasks. As always, when in doubt, ask a knowledgable person.
- Retrieve instruments, dimmers, board from shop, as per shop order.
- Set up dimmer racks, connect power to racks.
- Lay out instruments in front of truss, battens, as per lighting plot.
- Hang instruments as per plot.
- Install Socapex breakouts on the truss or battens.
- Connect Socapex cable to breakouts, run cable to dimmer racks.
- Connect Socapex cable to dimmer racks.
- Hard patch instruments to dimmer channels, as per plot.
- Test instruments. Replace or repair any bad instruments, cable, etc.
- Connect DMX cabling from dimmer racks to lighting board.
- Soft patch lighting board, as per plot.
- Focus instruments, following appropriate safety precautions.
- Program scenes and, if applicable, cue stack, on the lighting board.
- Refocus instruments and reprogram board as dictated by the director of the production.
Next: Audio Up: Lighting Previous: Computer-Aided Lighting Design Contents Index
Steve Richardson 2000-07-06
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Table of Contents
[ [Whole book in PDF 5.3MB]](technical%5Ftheatre%5Fhandbook.pdf)
- Contents
- Introduction
- Costumes
- The Set
- Rigging
- Lighting
- Introduction
- Lighting Instruments
* Scoops
* Cyclorama Lights
* Parabolic Reflector Cans
* Fresnel Spotlights
* Ellipsoidal Reflector Spotlights
* Automated Instruments - Color
* Color Theory
* Primary, Secondary and Complementary Colors of Light
* Light Mixing
* Practical Use of Color
* Glass, Gelatine and Plastics
* Dichroic Color Filters - Patterns
- Dimmers
* Dimmer History - Cables and Connectors
- Lighting Boards
- Control
- Design
* Washes
* Specials
* Cyclorama Lighting
* Color
* Lighting Angle
* Simulating Exteriors
* Lighting Design Paperwork
* Shop Order
* Instrument Plots
* Focus Sheets
* Computer-Aided Lighting Design - A Typical Lighting Hang at WPI
- Audio
- Introduction
- Input
* Microphones
* Converting Sound to Electricity
* Directionality
* Analog Tape
* Digital Audio Tape (DAT)
* Compact Disc (CD)
* Mini-Disc (MD)
* Digital Samplers
* Computer Sound Cards - Mixing Boards
- Signal Processing Equipment
* Equalizers
* Compressors and Limiters
* Noise Gates
* Effects Processors - Output
* Power Amplifiers
* Speakers
* Crossovers - Cabling and Connectors
* Line-Level
* Speaker-Level - Automation
- Design
* Creating and Obtaining Effects
* Editing and Processing Effects
* Designing the Sound System
* The Input Section
* Signal Processing
* The Output Section - A Typical Audio Setup at WPI
- Power
- Special Effects
- Acknowledgements
- References
- List of Figures
- Index
- About this document ...