The Double Life of Saint Sebastian in Renaissance Art (original) (raw)
The Body and Its Signifiers: Bodily Depictions in Niccolò de’ Conti and Odorico da Pordenone
Antonella Dalla Torre
2019
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Le Bone Florence of Rome: The Profaned Body in Use and in Language
Petya Ivanova
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Triumph of the Body: Michelangelo and Sixteenth-Century Italian Draughtsmanship
Zoltán Kárpáti
2019
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Images of the Human Body in the Italian Renaissance: Innovative Features of a Reborn Form
Ianthi Assimakopoulou
Heads and Tails – Tales and Bodies Engraving the Human Figure from Antiquity to the Early Modern Period, 2016
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Roni Weinstein, “The Rise of the Body in Early Modern Jewish Society: The Italian Case Study,” in Maria Diemling and Giuseppe Veltri, eds., The Jewish Body: Corporeality, Society, and Identity in the Renaissance and Early Modern Period (Leiden: Brill, 2008), 15-55
Roni Weinstein
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The Body Re-Imagined: The Bizzarie di Varie Figure and Performative Cycles of Prints in Seventeenth-Century Florence
Laura Scalabrella Spada
Object, 2017
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Saint Sebastian: the martyr from Milan in post-Byzantine wall-paintings of the sixteenth and seventeenth centuries and the influences from Western painting
Xanthi Proestaki
Byzantine and Modern Greek Studies, 2010
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On Bodies and Images in the Middle Ages
Alicia Miguélez
DigitAR - Revista Digital de Arqueologia, Arquitectura e Artes, 2015
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Anatomy and Blood Sacrifices in the Renaissance Period. The Frontispiece of De Humani Corporis Fabrica by Andreas Vesalius and the Sacrificial Scene
Luigi Lazzerini
Blood-lyquid-symbol, ed. by Catrien G. Santing and Jetze J. Touber, Leuven-Paris-Walpole Ma, Peeters, pp. 83-102, 2012
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Considerations on the Human Body in European Art from Ancient Times to Present Day
Liviu Nedelcu
Anastasis. Research in Medieval Culture and Art, 2019
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The Image of the Human Body in Sixteenth-century Imprese
Armando Maggi
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The The Word Made Flesh: Spiritual Subjects and Carnal Depictions in Renaissance Art
Bette Talvacchia
The Sensuous in the Counter-Reformation Church, 2013
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Re-visioning St. Sebastian: Nicoletto da Modena’s Reworked Engravings of St. Sebastian
Bryony Bartlett-Rawlings
Venezia Arti, 2019
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Painting the Sculptural Body in Lucca and Florence: Intermediality in Croci Dipinte
Karl Whittington
Gesta, 2022
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Damiano Acciarino, ed. Paradigms of Renaissance Grotesques. Toronto: Centre for Reformation and Renaissance Studies, 2019. 597 pp. + 153 illus. $49.95. Review by Susan Maxwell, The University of Wisconsin Oshkosh.
Damiano Acciarino
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The Body in Parts: Fantasies of Corporeality in Early Modern Europe, Ed. with David Hillman
Carla Mazzio
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The Face is a Mirror of the Soul: Frontispieces and sanctity in baroque Naples
Helen Hills
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The Body between Life and Death: Berengario da Carpi and the Anatomical Image of the Sixteenth Century
Paolo Savoia, Ariella Minden
Rethinking Medical Humanities, 2023
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Art of the Misbegotten: Physicality and the Divine in Renaissance Images
Marilyn Aronberg Lavin
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Raphael’s Saint Sebastian (c.1502-3)
Simon Abrahams
EPPH | Every Painter Paints Himself, 2013
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Cavallo, Sandra: Artisans of the Body in Early Modern Italy. Identities, Families and Masculinities. Manchester, Manchester University Press, 2007. XII, 281 p. Ill. (Gender in the History). £ 60.–. ISBN 978-0-7190-7662-6
Philip Rieder
Gesnerus, 2010
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In the Footsteps of Michelangelo, in Z. Kárpáti, ed., "Triumph of the Body: Michelangelo and Sixteenth-century Italian Draughtsmanship", exh. cat., Budapest, Museum of Fine Arts, 2019.
Marco Simone Bolzoni
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Prayer and Presence in a Small Italian Devotional Panel of Saint Sebastian (ca. 1500)
Patricia Simons
Source: Notes in the History of Art, 2019
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Erotic Christ: The Gendered Body of Christ in Late Renaissance Art
Pieter Tolsma
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Rotten Corpses, A Disembowelled Woman, A Flayed Man. Images of the Body from the End of the 17th to the Beginning of the 19th Century. Florentine Wax Models in the First-hand Accounts of Visitors
Francesco Paolo de Ceglia
Perspectives on Science, 2006
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"The Word Made Flesh: the Rappresentazioni of Mysteries and Miracles in Fifteenth-century Florence," in Christianity and the Renaissance: Image and Religious imagination in the Quattrocento, ed. Timothy Verdon and John Henderson (Syracuse, Syracuse University Press, 1990), pp. 361-375
Nerida Newbigin
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Religion and the Body as a Site in Renaissance
Rashmita Sunkara
International Journal Of Humanities, Art and Social Studies (IJHAS) , 2020
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Faith, Gender and the Senses in Italian Renaissance and Baroque Art: Interpreting theNoli me tangereand Doubting Thomas. Erin E. Benay and Lisa M. Rafanelli. Visual Culture in Early Modernity. Farnham: Ashgate, 2015. xvii + 282 pp. $119.95
Lisa Rafanelli
Renaissance Quarterly, 2016
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The Transference of Apollonian Iconography to Images of Saint Sebastian in Italian Renaissance Art
Hannah Marks
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The Grotesques in the Italian Art of the Late 15th — Early 16th Centuries: Historiography and History
Marina Lopukhova
2021
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Review of Patricia Lee Rubin, Seen from Behind: Perspectives on the Male Body and Renaissance Art
Sarah Betzer
Burlington Magazine, 2019
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Uncanny Innards: review of Jonathan Sawday, The Body Emblazoned: dissection and the human body in Renaissance culture
John Sutton
Metascience 5 (2), 1996, 179-182 (issue also labelled Metascience, new series, 9)
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The Body as Axis of History: Raphael and Michelangelo at Santa Maria della Pace in Rome
Robert Brennan
Oxford Art Journal, 2022
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The rotten, the disembowelled woman, the skinned man. Body images from Eighteenth century Florentine wax modelling
Francesco Paolo de Ceglia
Journal of Science Communication, 2005
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Anatomizing the Renaissance
Anita Guerrini
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