Repossessing Spectatorship in Immersive Theatre and Virtual Reality (original) (raw)

Staging Spectators in Immersive Performances: Commit Yourself!

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Staging Spectators in Immersive Performances: Commit Yourself! , 2019

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WHY SHOULD CHOOSE THE VR TO BROADEN THE RELATIONSHIP BETWEEN SPECTATOR AND THEATRICAL SETTING ? 4 . 1 . What do we call a presence ?

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LURI-RODRÍGUEZ, J. (2023). The Spectator’s Seat. Movement and Body in Immersive Cinema. L'Atalante. Revista de estudios cinematográficos, 35, 95-108.

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Immersion and Expanded Spectatorships: Notes on a Reinvented Field

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Mixing realities: reflections on presence and embodiment in intermedial performance design ofBlue Hour VR

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The immersive spectator: A Phenomenological Hybrid

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Intermediality as an Aesthetic of Immersive Theatre

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Virtual Body or the Spectator's Crisis?

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Embodying Spectatorship: From Phenomenology to Sensation

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In-Betweenness and Interactional Presence in Adrian Sitaru’s VR Play, Illegitimate

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Immersion: 360 Degrees of Separation in the New Virtual Reality

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Production into Presence (from POIESIS, eds. Nathan Brown & Petar Milat, Multimedia Institute Zagreb: March 2017)

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