original ) (raw )Analysis of the Level of Immersion of 360º Video Features Produced by Spanish Media
Mª José Benítez de Gracia
Communication & Society, 2019
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The Language of Immersive Cinema
Daniel Neafus
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Analogue and Digital Immersive Experiences: What should digital creators learn from live theatre makers
Bakk Agnes
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Spectator Perspectives in Virtual Reality Cinematography. The Witness, the Hero and the Impersonator
Dana Florentina Manolache
Ekphrasis. Images, Cinema, Theory, Media, 2018
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Immersion and the Spectator
Margaret Werry
Theatre Journal, 2014
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Immersive Storytelling in 360-Degree Videos: An Analysis of Interplay Between Narrative and Technical Immersion
nina edenhofer
Journal of virtual worlds research, 2018
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Repossessing Spectatorship in Immersive Theatre and Virtual Reality
Mackenzie Bounds
2020
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WHY SHOULD CHOOSE THE VR TO BROADEN THE RELATIONSHIP BETWEEN SPECTATOR AND THEATRICAL SETTING ? 4 . 1 . What do we call a presence ?
Simon Richir
2018
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Critical Encounters with Immersive Storytelling
Alke Groppel-Wegener
Critical Encounters with Immersive Storytelling, 2019
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From cinema to virtual reality - A post-phenomenological approach to the experience of immersive documentaries
Sarah Tavares
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Immersion: 360 Degrees of Separation in the New Virtual Reality
Jacob Bohrod
2021
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Language of Immersive Cinema
Daniel Neafus
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Making Sense in Ludic Worlds. The Idealization of Immersive Postures in Movies and Video Games
Carl Therrien
digra.org
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Perception and Poetics of VR Documentaries
Michael J Grabowski
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Medium of the Future, Medium of the Now: a Roundtable Discussion on Narration and Immersion in Advanced Cinema Technology and VR
Wolfgang Brückle
Forschung an den Übergängen / Research at the Transitions (Nummer 8), 2018
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Sending Shivers Down the Spine. VR Productions as Seamed Media
Acta Universitatis Sapientiae, Film and Media Studies Journal
Acta Universitatis Sapientiae, Film and Media Studies, 2019
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How to reconcile that flinch: Towards a critical analysis of documentary situations in 360° and VR environments
Franziska Weidle
Participations, 2018
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The Body as Virtual Frame: Performativity of the Image in Immersive Environments 2019
Anna Caterina Dalmasso
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Watching, Attending, Sense-making: Spectatorship in Immersive Theatres
Josephine Machon
Journal of Contemporary Drama in English, 2016
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Narrativa transmedia y las experiencias inmersivas de la industria cultural de los videojuegos
Maribel Escalas Ruiz
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Spatial Encounters: Spectatorship in Immersive Performances
Mélanie Binette
2014
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The Encounter with the Real: What Can Complicite’s Theatre Performance The Encounter Teach Us about the Future of VR Narratives?
Fahrudin Nuno Salihbegovic
Body Space and Technology, 2020
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Viewer’s immersion in 360o video features. Comparative analysis of “In the skin of a refugee” and “Fukushima, polluted lives”
Mª José Benítez de Gracia
Doxa Comunicación, 2018
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Immersion and Expanded Spectatorships: Notes on a Reinvented Field
Victor Flores
Aniki: Revista Portuguesa da Imagem em Movimento
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VR and the Dramatic Theatre: are they fellow creatures
Magnus Moar
International Journal of Performance Arts and Digital Media, 2018
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A Desire for Immersion: The Panorama to the Oculus Rift
James Martin Charlton
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The rise of virtual reality in filmmaking and evolution of storytelling in modern cinema
Maryam Farahzadi
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The immersive spectator: A Phenomenological Hybrid
Maria Walsh
Angelaki, 2004
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Staging Spectators in Immersive Performances: Commit Yourself!
Theresa Schütz , doris kolesch
Staging Spectators in Immersive Performances: Commit Yourself! , 2019
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Filmic immersion : an analysis of technique and perspective in contemporary cinema
Shaun Rawding
2014
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How can new immersive technologies be used as a narrative tool in Performing Arts to enhance storytelling?
Enrique Munoz
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Cinematic virtual reality: Towards the spatialized screenplay
Alex Munt
Journal of Screenwriting
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Intermediality as an Aesthetic of Immersive Theatre
Ryan Thomas Green
2017
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Absorbed in experience: new perspectives on immersive media Introduction
Martine Beugnet
Screen
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MASTERS THESIS: Situating the Immersive Experience: Exploring Intermedial Situations in Art/Cinema Installations
Melanie Wilmink
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