original ) (raw )Repossessing Spectatorship in Immersive Theatre and Virtual Reality
Mackenzie Bounds
2020
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WHY SHOULD CHOOSE THE VR TO BROADEN THE RELATIONSHIP BETWEEN SPECTATOR AND THEATRICAL SETTING ? 4 . 1 . What do we call a presence ?
Simon Richir
2018
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Immersion and the Spectator
Margaret Werry
Theatre Journal, 2014
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Staging Spectators in Immersive Performances: Commit Yourself!
Theresa Schütz , doris kolesch
Staging Spectators in Immersive Performances: Commit Yourself! , 2019
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Spatial Encounters: Spectatorship in Immersive Performances
Mélanie Binette
2014
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LURI-RODRÍGUEZ, J. (2023). The Spectator’s Seat. Movement and Body in Immersive Cinema. L'Atalante. Revista de estudios cinematográficos, 35, 95-108.
Luri Rodríguez , Javier
The Spectator’s Seat. Movement and Body in Immersive Cinema., 2023
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Immersion and Expanded Spectatorships: Notes on a Reinvented Field
Victor Flores
Aniki: Revista Portuguesa da Imagem em Movimento
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Towards Embodied Spectatorship
Ramunė Balevičiūtė
2015
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Decoding the Political Implications of Immersive Theatre
Jenny Roche
Performance Research, 2017
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Observe or Participate: The Effect of Point-Of-View on Presence and Enjoyment in 360 Degree Movies for Head Mounted Displays
Anneliene Van Den Boom
2015
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Close Encounters in Enclosed Spaces: Theatre from a Spectator's Perspective
Mayura Baweja
2012
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Analogue and Digital Immersive Experiences: What should digital creators learn from live theatre makers
Bakk Agnes
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The immersive spectator: A Phenomenological Hybrid
Maria Walsh
Angelaki, 2004
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Josephine Machon. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Basingstoke: Palgrave, 2013, xix + 324 pp., € 22,30
Josephine Machon
Journal of Contemporary Drama in English, 2014
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Embodying Spectatorship: From Phenomenology to Sensation
Jenny Chamarette
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The pleasure of being (there?): an explorative study into the effects of presence and identification on the enjoyment of an interactive theatrical performance using omnidirectional video
Philippe Bekaert
AI & SOCIETY, 2013
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The pleasure of being (there?): an explorative study into the effects of presence and identification on the enjoyment of an interactive theatrical performance using omni …
Jan Decock
International society for …, 2011
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Spectator and Immersive Device. Sensoriality Tested by Digital Tools
Izabella Pluta
HAL - Journées de l'informatique théâtrale, 2023
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Critical Care: Audience in Interactive and Immersive Performance: How do we take care of our audiences in interactive, immersive and one-on-one performance?
Jennifer Essex
2018
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Virtual Teleportation of a Theatre Audience Onto the Stage: VR as an Assistive Technology
Gareth Schott
2020
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Spectators in practice - using the audience as an analytical tool
Silvia Cotelea-Cazacu
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Intermediality as an Aesthetic of Immersive Theatre
Ryan Thomas Green
2017
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VR and the Dramatic Theatre: are they fellow creatures
Magnus Moar
International Journal of Performance Arts and Digital Media, 2018
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Examining the Spectator Experience
Cavan Fyans
Proc. NIME, 2010
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‘What Country, Friends, Is This?’ Using Immersive Theatre Practice to Inform the Design of Audience Experience in Estate 360°
Scott D Palmer
Lecture Notes in Computer Science, 2018
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The post-immersive manifesto
Bart Simon
International Journal of Performance Arts and Digital Media, 2020
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Virtual Reality and the Theatre: Immersion in Virtual Worlds
Mark Reaney
Digital Creativity, 1999
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Virtual theater: Theory and practice
Marco Catalão
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The expansion of theatrical space and the role of the spectator
Elena Pérez Rodríguez
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"It Appears to Be a Free-for-All": Designing for Audience Agency in an Immersive Theatre Environment
Lisa M . Siciliano
Proceedings of the 16th International Conference of the Learning Sciences - ICLS 2022. Hiroshima, Japan: International Society of the Learning Sciences, 2022
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Perception and Presence: Analyzing Intermediality in Performance
Sigrid Merx
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Four Principles about Site-Specific Theatre: A Conversation on Architecture, Bodies, and Presence
Daniel Bird Tobin , Rachel Bowditch
Theatre Topics, 2018
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Performing phenomenology: Negotiating presence in intermedial theatre
Nele Wynants , Kurt Vanhoutte
Foundations of Science, 2011
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Audience-Oriented Forms of Performance in the 21st Century
Ayrin Ersoz
Academic Journal of Interdisciplinary Studies, 2015
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The Changing Position of the Theatergoer in the Changing Space of Online Performances
Otília Fülöp
Zeszyty Prasoznawcze
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