original ) (raw )The Involuntary Self-Portrait : Automimesis and Self-Referentiality in the Art Literature of the Italian Renaissance
Moritz Lampe
arthistoricum.net, Heidelberg, 2022
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The Self-Aware Image in Early Modern Rome
Victoria Ward
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Painting and Pictorial Conception: Preconditions for the Development of Renaissance Perspective
Lasse Hodne
1999
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Defining Artistic Identity in the Florentine Renaissance: Vasari, Embedded Self-Portraits, and the Patron's Role
Azar Rejaie
2006
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Body, Mind, and Soul: On the So-Called Platonic Youth at the Bargello, Florence. In: Aporia as Subject in Early Modern Art, ed. by Alexander Nagel and Lorenzo Pericolo, Routledge: London, 2010
Dr. Jeanette Kohl
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Self-Portraiture in Contemporary Italian Art: Giulio Paolini and Carlo Maria Mariani
Bente Kiilerich
Studi in onore di A.C. Quintavalle, A. Calzona e.a. ed, 2007, 605-612.
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Self in translation. From Piero della Francesca to Brett Whiteley
Margherita Zanoletti
In: Bellina, Elena; Eufusia, Lindsay; Ugolini, Paola (eds.) About Face. Depicting the self in the written and visual arts. Newcasle Upon Tyne: Cambridge Scholars. ISBN 978-1-4438-1374-7., 2009
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The Psychology of Perspective and Renaissance Art
Tukasa Izaki
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Marble and Gold: Self-representation in the Autobiographies of Michelangelo and Cellini
Peter Lieberman
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THE SELF AS A BECOMING WORK OF ART IN EARLY ROMANTIC THOUGHT
Gerard Kuperus
Idealistic Studies, 2017
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Part 1. The Question of Portraiture in the Renaissance Part 2. Self-Portrait as an Expression of Modernity
Deborah Mazza
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On painted portraiture in Seventeenth-Century Rome
Patrizia Cavazzini
Roemisches Jahrbuch der Bibliotheca Hertziana, 2015
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Perception as a function of desire in the Renaissance
John Hendrix
2008
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Images-within-Images in Italian Painting (1250-1350): Reality and Reflexivity - Intro
Peter Bokody
Images-within-Images in Italian Painting (1250-1350): Reality and Reflexivity. Burlington: Ashgate, 2015
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Representations of the self from the Renaissance to Romanticism
Jayne Elizabeth Lewis
Choice Reviews Online, 2000
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Renaissance painting and anthropomorphism
Arnaud Delorme
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The Renaissance, individualism and the portrait
U.Peter Burke
History of European Ideas, 1995
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Reframing severed representations: from biography towards a psychoanalytical reading of Caravaggio’s self-portraiture
Alyson McGowan
2020
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The Pitfalls of Obviousness. The Self-framing Picture and the 'Teleology' of Painting in a Late Self-portrait by Rembrandt
András Rényi
Acta Historiae Artium Academiae Scientiarum Hungaricae, 2017
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THE METAMORPHOSIS OF SELF(IE)-PORTRAIT: BETWEEN THE SUBLIME AND THE BANAL
Vasco Nuno Medeiros
ARTis ON, 2020
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Introduction: The Mirror of Narcissus
Genevieve Warwick
The Mirror of Art: Painting and Reflection in Early Modern Visual Culture, 2024
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"'Know Thyself': Daniele da Volterra’s Contested Subject."
Morten Steen Hansen
Art History, 2012
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Looking in the Mirror of Renaissance Art
Genevieve Warwick
Art History, 2016
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Handbook of Autobiography / Autofiction: Chapter 1.9. "(Autobiographical) History of Art"
Gerd Blum
Martina Wagner-Egelhaaf (Ed.), Handbook of Autobiography/Autofiction, 3 Bde., Berlin und Boston: De Gruyter 2019, Bd. 1: Theory and Concepts, p. 82–94 , 2019
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Complicity and Self-Awareness: The Frescoes of Giusto de' Menabuoi at the Santo
Robert Brennan
Renaissance Metapainting, eds. Péter Bokody and Alexander Nagel, 2020
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Renaissance Neo-Platonic Artist as an Ideal Type: Benvenuto Cellini and His Vita
Yuri Rudnev
2018
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The Visual Culture of the Selfie from the Perspective of "Culture of Narcissism": The Issues of the Selfie as the Self-Portrait within Art History
Konrad Chmielecki
Perspektywy Kultury, 3(46), 2024
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“Hic Est Homo Platonis” - Two Embodiments of Platonic Concepts of Man in Renaissance Art
Dr. Jeanette Kohl
Iconology, Neoplatonism, and the Arts in the Renaissance. Ed. by Berthold Hub and Serious Kodera, Routledge 2021 , 2021
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Self, Self-Fashioning and Individuality in Late Antiquity
Edward Watts
2020
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" Perspective in Italian Renaissance Painting "
Dr. Saida Aoulad Mouh Seddik
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REVIEW: Francis Ames-Lewis, The Intellectual Life of the Early Renaissance Artist. New Haven and London: Yale University Press, 2000; Robert Williams, Art, Theory, and Culture in Sixteenth-Century Italy: From Techne to Metatechne. Cambridge and New York: Cambridge University Press, 1997, in The Art Bulletin LXXXIII (2001), 150-153.
Stephen J. Campbell
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Leaning towards Us: Women Artists Painting Themselves (Anguissola, Gentileschi, Labille-Guiard, Cassatt, and Beaux)
Ileana Marin
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D’Angelo, T. (2012) ‘Mirroring eyes: Narcissus and the others in Pompeian wall paintings,’ in I. Colpo and F. Ghedini (eds), Il gran poema delle passioni e delle meraviglie. Ovidio e il repertorio letterario e figurativo fra antico e riscoperta dell'antico, Padua, 223-234.
Tiziana D'Angelo
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Michelangelo Merisi da Caravaggio and Valentin de Boulogne: Repetition, Competition, and Invention in Seventeenth-Century Rome
Anthony M . Huffman
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Leonardo da Vinci on the Painter's Task: Memory/Imagination/Figuration
Mary Pardo
Leonardo da Vinci and the ethics of style edited by Claire Farago
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