Post-Cinema as Pre-Cinema and Media Archaeology in Jean-Luc Godard’s Histoire(s) du cinéma (original) (raw)

Godard's History(ies) of Cinema

Noni Geiger

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Video, the Cinematic, and the Post-Cinematic: On Jean-Luc Godard's Histoire(s) du Cinéma

Jihoon Kim

Journal of Film and Video, 2018

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Fragmentations of Histoire(s) du Cinéma. From Cinema to Post-cinema

Kamil Lipiński

Okno na przeszłość. Szkice z historii wizualnej, t. 4, 2022

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Late style and contrapuntal histories: The violence of representation in Jean-Luc Godard's Le Livre d'image

Alex Fletcher

Radical Philosophy 2.04, 2019

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Genealogy of the Image in Histoire(s) du Cinema: Godard, Warburg and the Iconology of the Interstice

Dimitrios Latsis

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Godard Counts: Histoire(s) du cinéma and Historical Evidence

Richard Neer

Critical Inquiry, 2007

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Just an image: Godard, cinema, and philosophy

Marcia Landy

Critical Quarterly, 2001

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Daniel Morgan, 'Late Godard and the Possibilities of Cinema'

James Harvey

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Jean-Luc Godard's Diptychs. Rethinking Cinema through the Essay Film (ACCEPTED MANUSCRIPT) Quarterly Review of Film and Video 40(1), 2023, pp. 16-55

Lourdes Monterrubio Ibáñez

Quarterly Review of Film and Video, 2021

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Godard's 3D Essay Film: Thinking in and with Adieu au langage (Goodbye to Language)

Rick Warner

The Global Auteur: The Politics of Authorship in 21st Century Cinema, ed. Seung-hoon Jeong and Jeremi Szaniawski, 61-78. New York: Bloomsbury, 2016.

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Review of Daniel Morgan, Late Godard and the Possibilities of Cinema

Andrew Ryder

Journal of French and Francophone Philosophy, 2013

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Trailer for Godard's HISTOIRE(S) DU CINEMA

Jonathan Rosenbaum

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Jean-Luc Godard: Making Cinema on the Page

Dork Zabunyan

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“Introduction : French films d'histoire: Contesting France's National Memory”, Relief 6/1 (2012), pp. 3-6.

Margriet Hoogvliet

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From militant cinema to essay film. Letter to Jane by Jean-Luc Godard and Jean-Pierre Gorin / Del cinéma militant al ciné-essai. Letter to Jane de Jean-Luc Godard y Jean-Pierre Gorin. L'Atalante. Revista de estudios cinematográficos nº 22, pp.55-66 (2016)

Lourdes Monterrubio Ibáñez

2016

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Curating the Godardian institution: agency and critique in film and contemporary art

Jenny Chamarette

Screen, 2022

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Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking (monograph)

Hunter Vaughan

Columbia University Press, 2013

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Film, ‘twixt text and museum

Patrick de Haas

Critique d’art, 2006

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Essaying the Forms of Popular Cinema: Godard, Farocki, and the Principle of Shot/Countershot

Rick Warner

The Essay Film: Dialogue, Politics, Utopia, ed. Caroline Eades and Elizabeth Papazian, 28-67. London: Wallflower, 2016.

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Jean-Luc Godard's Passages from the Photographic to the Post-Cinematic.Images in between Intermediality and Convergence

Ágnes Pethő

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The history of cinema, as experience

Christa Blümlinger

Radical Philosophy, 2015

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Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a ‘fabric of quotations’

Laura Mulvey

Critical Quarterly, 2011

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France on film: reflections on popular French cinema

Lucy Mazdon

Wallflower Press eBooks, 2001

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Reinventing the everyday in the age of spectacle: Jean-Luc Godard’s artistic and political response to modernity in his early works, Studies in French Cinema 15.2: 123-137, 2015

Ahmet Süner

Studies in French Cinema , 2015

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Difficult Work in a Popular Medium: Godard on Hitchcock's Method in Histoire(s) du cinéma

Rick Warner

Critical Quarterly, 2009

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Jean-Luc Godard and the Dilemma of Postcolonial Cinema

Mohammad Salama

Journal of Modern Art History, University of Belgrade ( Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta u Beogradu. - ISSN 2217-3951. - Br. 10 (2014), str. 9-30., 2014

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The Essay Film as Adaptive Process

Rick Warner

Adaptation 6, no. 1 (2013): 1-24.

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Review Essay: Daniel Morgan, Late Godard and the Possibilities of Cinema

Andrew Ryder

Journal of French and Francophone Philosophy, 2013

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Michel Serres and film 4: Jean-Luc Godard's Alphaville

Christopher Watkin

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The Evidence of Film and the Presence of the World: Jean-Luc Nancy’s Cinematic Ontology

Josef Früchtl

Chrono-topologies, 2010

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Video in the Work of Jean-Luc Godard: Interviews and Statements (1969–2001). Compiled and Introduced by Thomas Helbig, in: Dieter Daniels und Jan Thoben (Hg.), Video Theories: A Transdisciplinary Reader (Critical Media Aesthetics), New York/ u.a.: Bloomsbury Academic 2022, S. 169–179

Thomas Helbig

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Cinema and Art as Archive. Form, Medium, Memory

Francesco Federici

2014

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Framing the Postmodern Art of Jean Luc Godard

Cristina Buta

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Responsibility and amnesia: how cinema talks about a historical trauma according to Jean-Luc Godard

Adam Wieclawski

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Mapping Film Studies: Symposium on Dominique Château's Cinéma et philosophie

thorsten botz-bornstein

Film-Philosophy, 2009

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