original ) (raw )PAINTING AND ~ EXPERIENCE IN FI.FTEENTH CENTURY ITALY A primer in the social history qfpictorial sryle SECOND EDITION
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Invention and Authorship in Early Modern Italian Visual Culture
Evelyn Lincoln
DePaul Law Review 52 (2002/3): 1093-1119
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'Introduction: The virtues of the medium: the patronage of sculpture in Renaissance Italy', Patronage and Italian Renaissance Sculpture (2010)
Kathleen Christian
2010
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Cleaning Out The Workshop: How Preparatory Drawings became Collector's Treasure in Renaissance and Baroque Italy
John Marciari
When Michelangelo was Modern: Collecting, Patronage, and the Art Market in Italy, 1450–1650, 2022
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Drawing and Painting in the Italian Renaissance Workshop: part 4
carmen bambach
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"Style and Authorship in Early Italian Renaissance Art," Zeitschrift für Kunstgeschichte 78 (2015): 370-85.
Joost Keizer
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From Artist to Audience: Italian Drawings and Prints from the 15th Through 18th Centuries
Sara Pattiz
2016
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Connoisseurship and the Stakes of Style
Richard Neer
Critical Inquiry, 2005
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Drawing Relationships in Northern Italian Renaissance Art. Patronage and Theories of Invention
Gabriele Neher
The Art Book, 2005
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"The Rebirth of the Amateur Artist: The Effect of Past Opinions on the Amateur Artist in Current Research." In I. Unetič, M. Germ, M. Malešič, et al. (Eds.), Art and its Responses to Changes in Society, 63-74. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016.
Wendy Wiertz
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On painted portraiture in Seventeenth-Century Rome
Patrizia Cavazzini
Roemisches Jahrbuch der Bibliotheca Hertziana, 2015
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Drawing and Painting in the Italian Renaissance Workshop: part 1
carmen bambach
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Painters and Patrons in Venetian Documents
Helena Szepe
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Association of Art Historians 2013 871 Reviews Subject Matters in Early Modern Art Helen Hills Subject as Aporia in Early Modern Art edited by
Helen Hills
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The men of letters and the teaching artists: Debating invention at the Accademia di San Luca in Rome during the first decades of the nineteenth century, ART HISTORY FOR ARTISTS, Technische Universität Berlin, Berlin, July 7-9, 2016
Pier Paolo Racioppi
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REVIEW: Francis Ames-Lewis, The Intellectual Life of the Early Renaissance Artist. New Haven and London: Yale University Press, 2000; Robert Williams, Art, Theory, and Culture in Sixteenth-Century Italy: From Techne to Metatechne. Cambridge and New York: Cambridge University Press, 1997, in The Art Bulletin LXXXIII (2001), 150-153.
Stephen J. Campbell
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In search of the patron: late antique styles in context
Bente Kiilerich
Acta ad archaeologiam et artium historiam pertinentia, XXX, 2018
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The Sculptor-Architect’s Drawing and Exchanges between the Arts. In Donatello, Michelangelo, Cellini. Sculptors’ Drawings from Renaissance Italy, ed. Michael W. Cole, London: Paul Holberton Publishing, 2014, pp. 57-73.
Alina Payne
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Defining Artistic Identity in the Florentine Renaissance: Vasari, Embedded Self-Portraits, and the Patron's Role
Azar Rejaie
2006
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Michelangelo Merisi da Caravaggio and Valentin de Boulogne: Repetition, Competition, and Invention in Seventeenth-Century Rome
Anthony M . Huffman
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L'abbiam Fatta Tutti Noi: Collaboration and Originality in Early Modern Art
James Hutson
Art and Design Review, 2020
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Sculptors’ Signatures and the Question of Audience
David Boffa
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Subject Matters in Early Modern Art
Helen Hills
Art History, 2013
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Poetics and painting in late-Medieval and early Renaissance Italy
Laura Jacobus
Art History, 2010
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Style and Significance in Art History and Art Criticism
Jenefer Robinson
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Notions of Method: Text and Photograph in Methods of Connoisseurship
Alexandra Provo
2010
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The art behind the words. Exploring the gap between criticism and the paintings.
Hans Raben
2021
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Revaluing Renaissance Art
Sara James
Revaluing Renaissance Art, 2002
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Describing Art
Marco Ruffini
Art Without an Author. Vasari's Lives and Michelangelo's Death, 2011
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Word & Image A Journal of Verbal/Visual Enquiry Artists' writings, 1850–present: introduction
Linda Goddard
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Raphael and the redefinition of art in Renaissance Italy. In memoriam Robert Williams, Rev. Robert Williams: Raphael and the Redefinition of Art in Renaissance Italy, Cambridge 2017
Alessandro Nova
Journal of Art Historiography, No. 20, June 2019
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“Italian Renaissance Portraits that Disappoint: Isabelle d’Este, Francesco del Giocondo and Other Disgruntled Patrons”
Jonathan K Nelson
Bad Reception: Negative Reactions to Italian Renaissance Art, ed. by Diletta Gamberini, Jonathan K. Nelson, and Alessandro Nova, special number of the Mitteilungen des Kunsthistorischen Institutes in Florenz LXIII (2021), pp. 15-31, 2020
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Images-within-Images in Italian Painting (1250-1350): Reality and Reflexivity - Intro
Peter Bokody
Images-within-Images in Italian Painting (1250-1350): Reality and Reflexivity. Burlington: Ashgate, 2015
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The Artist as Catalyst in the Age of Greater Engagement
June Jennings
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IMPLICIT DECONTEXTUALIZATION Visual Discourse of Religious Paintings in Roman Collections circa 1600, in: Sacred possessions : collecting Italian religious art, 1500 - 1900 [Kongressband], Los Angeles, Calif. 2011, S. 39-54 (Issues & debates ; 20).
Valeska von Rosen
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