original ) (raw )THE LANGUAGE OF ITALIAN CINEMA
laert mezani
2017
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‘Fare gli itagliani’ in the Bolognese countryside. Some notes on language, literature and cultural history in postunification Italy*
Guido Bonsaver
The Italianist, 2010
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Film studies - "Italians in Italian Cinemas"
Giulia Nemeye G . - N . Giubertoni
Film studies - "Italians in Italian Cinemas", 2020
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Abstracts_Second International Conference_Global intersections and artistic interconnections: Italian cinema and media across times and spaces
Abdelhaleem Solaiman
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Deterritorialized Spaces and Queer Clocks: Intertextuality in Italian Cinema
Marguerite Waller
A Companion to Italian Cinema, 2017
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Re-Making the Northeast: Trieste in Italian Cinema and the Re-Mediation of Silenced History
Romana Turina
CLOK (University of Central Lancashire), 2016
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M.B. Urban, Cities and Landscapes: Physical Spaces and Topoi of Identity in the Films of Tornatore and Mazzacurati, in L. Bolton, C. Siggers Manson (eds.), Italy on Screen: Italian Identity in the National Imaginary and International Symbolic. London: Peter Lang, 2010, pp. 173-186
Maria Bonaria Urban
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A Lexicon for Italian cinema: A conversation about history, theory and critique (JICMS 5.1)
Giacomo Tagliani , Francesco Zucconi , Massimiliano Coviello
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“Destabilizing Mobility: Emigration from the South in Postwar Italian Nonfiction Cinema and TV”, in A. Mariani, S. Schneider (a cura di), And Yet it Moves! On Cinema, Media and Mobility, Milano-Udine, Mimesis, 2023, pp. 125-131
Massimiliano Gaudiosi
A. Mariani, S. Schneider (eds), And Yet It Moves! On Cinema, Media and Mobility, Milano, Mimesis , 2023
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Writing (and Screening) the National Identity: Italian Film Stars in the 1930s
Enrico Biasin
2007
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Editorial, The Italianist Film 36.2 (2016): 155-157.
Dana Renga , Charles Leavitt
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Special Issue, Modern Italy (22:2) History and Memory in Italian Cinema
Giacomo Lichtner
Modern Italy, 2017
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Review of Lombardi, Giancarlo, and Christian Uva, eds. Italian Political Cinema. Public Life, Imaginary, and Identity in Contemporary Italian Film. Bern: Peter Lang, 2016. In: G/S/I 4 (2017)
Alberto Luca Zuliani
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TESTA C Italian political cinema: Surveying ...
Carlo Testa / Forschung
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“At the Margins of Rome, at the Margins of the World. The Hawks and the Sparrows and Sacro GRA as Peripatetic Analyses of Capitalist Society” in the Journal of Italian Cinema and Media Studies, 7:1. January 2019 pp. 35-53
Eleonora Sartoni
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"Il Mulatto: The Negotiation of Interracial Identity in the Italian Post-War Narrative Film" in "From Terrone to Extracomunitario:: New Manifestations of Racism in Contemporary Italian Cinema. London: Troubador Press, 2010. 25-60.
Shelleen Greene
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Tetti, strade e condomini: l’abitare collettivo nel cinema italiano del dopoguerra / Rooftops, streets and blocks: the “collective living” in the Italian post-war cinema.
Elisa Uffreduzzi
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Italian Cinema in the Twenty- First Century: Representing the Precarious Subject
Malvina Giordana
Italian Industrial Literature and Film, Edited by C. Baghetti, J. Carter and L. Marmo, Peter Lang, Oxford-New York, 2021
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The Invention of Periphery . The Contemporary Identity of Suburbs in Italian Cinema
Mattia Cinquegrani
New Urban Identities Conference
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Q+A on Contemporary Italian Cinema Studies
Alan O'Leary
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"Uno stile di regime": Realism in Italian war films (1940‐1943)
Marie-France Courriol
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REVIEW_Francesca Italiano and Irene Marchegiani. Percorsi: l’Italia attraverso la lingua e la cultura. 3rd ed
Daria Bozzato
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Review of Alberto Zambenedetti, Acting Across Borders: Mobility and Identity in Italian Cinema (Edinburgh: Edinburgh University Press, 2020)
Emiliano Perra
H-Italy, 2021
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• Review of Louis Bayman, The Operatic and the Everyday in Post-War Italian Film Melodrama, in Journal of Italian Film and Media Studies, 4:3 (2016), 483-85
Catherine O'Rawe
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CALL FOR PAPERS Global Intersections and Artistic Interconnections: Italian Cinema and Media across Times and Spaces
Milly Buonanno
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Images of Germans in Post-war Italian Cinema
Damiano Garofalo
Cinema as a Political Media. Germany and Italy Compared, 1945–1950s (edited by Lutz Klinkhammer and Clemens Zimmermann, Heidelberg University Press, 2021), 2021
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Language under Attack: The Iconoclastic Theatre of Societas Raffaello Sanzio
Gabriella Calchi Novati
'TRI - Theatre Research International' 34:1, 50-65, 2009
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The Myth of the Good Italian in the Italian Cinema
Sanja Bogojevic
Mediterranean Journal of Social Sciences, 2014
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‘Whose Films are These?’ Italian–Spanish Co-Productions of The Early 1940s
Valeria Camporesi
Historical Journal of Film, Radio and Television, 2014
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Looking back on the myth of the Great War: Anti-rhetoric, war culture and film in Fascist Italy
Marie-France Courriol
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Themes and Challenges for Italian Film Studies
Guido Bonsaver
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“Building Simultaneity in Fascist Italy: Film, Furniture, and the Reframing of the Nation”
Ignacio Gonzalez Galan
Journal for the Society of Architectural Historians, 2021
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Friend or Foe? Representations of WWI in Italian Fascist Cinema
Francesco Bono
European Journal of Interdisciplinary Studies, 2020
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“Work, Welfare, Biopolitics: Italian and American Film Propaganda in the Age of Neorealism.” The Italianist 31:2 (2011), 155-180.
Paola Bonifazio
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A History of Italian Cinema
Federico Pacchioni
History, 2017
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