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Stelios Psaroudakes
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Mikhail Lopatin, review on: Antonio Calvia and Maria Sofia Lannutti, eds, Musica e poesia nel trecento italiano (Florence, 2015), published in PMM 26/2, 2017, p. 198-206
Mikhail Lopatin
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Lorenzo Verderame
Agnès Garcia-Ventura, Claudia Tavolieri, Lorenzo Verderame, The Study of Musical Performance in Antiquity: Archaeology and Written Sources, Cambridge Scholars Publishing, Newcastle upon Tyne, 2018, 2018
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Angelo Meriani
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Le parole delle Muse: La formazione del lessico tecnico musicale nella Grecia antica
Angelo Meriani
Aestimatio: Critical Reviews in the History of Science, 2015
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De musica disserenda IX/1-2
Katarina Ster , Czagány Zsuzsa , Robert Bernagiewicz , Stefan Engels , Roman Hankeln
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Edited by Richard Dumbrill Prima la musica e poi le parole i
Theo Krispijn
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The Kalevala, Popular Music, and National Culture
Kimi Kärki
Journal of Finnish Studies, 2009
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Оксана Горожанкина
Postmodern Openings
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(with Giovanna Vizzola) Music at San Martino delle Scale (Palermo) during the Renaissance period: the “Lamentationes ac Responsoria” for the Holy Week by Mauro Ciaula
Ilaria Grippaudo
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Ana Lombardía: Text for the CD Musica Scotica by Orpheus Musicus (dir. Sergio Suárez). Madrid, La Tirana/ Lindoro NL-3064, 2023.
Ana Lombardía
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Alexandrine Boudreault-Fournier
Popular Music, 2008
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Siel Agugliaro
Rivista Italiana di Musicologia, 2019
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Ferran Escrivà-Llorca , Abel Puig Gisbert , Ramon Canut
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Maria Caraci Vela
2016
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Drew Edward Davies
Eighteenth Century Music, 2020
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Πατρίκιος Κοπροφάγος
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Ars musica and its contexts in medieval and early modern culture, ed. by Paweł Gancarczyk
Paweł Gancarczyk
2016
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Luca Graverini
F. Bué, A. Vannini (eds.), Sonus in Metaphora. La rhétorique sonore et musicale dans l’Antiquité, Besançon: Presses Universitaires de Franche-Comté 2021, pp. 151-167., 2021
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Margaret Bent
Journal of the American Musicological Society, 1979
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LUCIANO BERIO: SiNfONiA 1968 FROM ETyMOLOGy TO GENRE PARADIGM
Ketevan Chitadze
MA AND PHD STUDENTS SECOND INTERNATIONAL …
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Riccardo La Spina
Plainsong and Medieval Music , 2015
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Gisa Jähnichen
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Barocco Padano 6: Atti del XIV Convegno internazionale sulla musica italiana nei secoli XVII-XVIII (Brescia, 16-18 luglio 2007). Ed. by Alberto Colzani, Andrea Luppi, and Maurizio Padoan
Michael Eisenberg
Music and Letters, 2012
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Barocco Padano 6, Atti del XIV Convegno internazionale sulla musica nei secoli XVII-XVIII, Brescia 16-18 luglio 2007, a cura di A. Colzani, A. Luppi, M. Padoan, A.M.I.S., Como 2010, pp. 700
Alberto Colzani
2010
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sergio cavaliere , Andrea Arcella
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Call for papers «Sicut in caelo, et in terra»: Commissioning and Production of Sacred Music in Italy from the Middle Ages to Today
Galliano Ciliberti
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Hayley Fenn
RMA Newsletter, 2017
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Nejc Sukljan
Muzikološki zbornik/Musicological Annual, 2020
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Music in Popular Theater and Ritual. XVI SYmposium of the ICTM Group on Iconografphy of the Performing Arts
Marita Fornaro , Monica Vermes , Danilo Kuhn
2019
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Orgoglio nazionale e modernità nei trattati d’orchestrazione italiani del primo Novecento
Marica Bottaro
Music, Individuals and Contexts. Dialectical Interaction, edited by Nadia Amendola, Alessandro Cosentino, Giacomo Sciommeri, Università degli Studi di Roma “Tor Vergata”, 27-28 aprile 2017, Roma, UniversItalia, 2019, pp. 309-318. , 2019
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CONFERENCE PROGRAM-IMSB International Musicological Society-National Music of Bucharest, September 2019
Tanya Karamanos
2019
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Rodriguez Lopez I Romero Mayorga C «The Reception of Hellenistic Musical Iconography in the Iberian Art: The Patera of Santisteban del Puerto»
Claudina Romero Mayorga
Music in Art: International Journal for Music Iconography , 2019
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Angela Bellia
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Kalevala through Translation: Continuity, Rewriting and Appropriation of an Epic
Eric Plourde
Meta: Journal des traducteurs, 2006
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