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استُخدِمت البُسط الشرقية ذات الأصول الشرق أوسطية، مثل: السجاد التركي والسجاد الإيراني والسجاد الأذري أو من المشرق (الشرق الأدنى) ودولة المماليك في مصر أو شمال أفريقيا، كخصائص زخرفية في الفنون التشكيلية لأوروبا الغربية من القرن الرابع عشر وما بعده. وُجدت رسوم للبُسط الشرقية بكثرة في لوحات عصر النهضة، مقارنةً بالسجاد الفعلي الذي أُنتج قبل القرن السابع عشر، رغم أن أعدادها ازدادت في العقود الأخيرة. لذا، اعتمدت الأبحاث الفنية في المقارنات التاريخية على السجاد المُمثل في اللوحات الأوروبية المؤرَّخة في أواخر القرن التاسع عشر. (ar) Orientteppiche wurden ab dem 13. bis in das 17. Jahrhundert hinein immer wieder als dekoratives Element in westeuropäischen Gemälden der Renaissancezeit abgebildet. Es sind sogar mehr Orientteppiche in der Renaissancemalerei abgebildet als erhaltene Teppiche bekannt sind. Die vergleichende islamische Kunstwissenschaft hat sich daher seit Beginn der Forschung zur islamischen Teppichkunst im späten 19. Jahrhundert auf Teppichdarstellungen in europäischen Gemälden verlassen, deren Entstehungszeit dokumentiert ist. Die Untersuchung der Gemälde leistete somit einen wichtigen Beitrag zur islamischen Kunstgeschichte, insbesondere zur Chronologie der Knüpfteppiche als Medium der islamischen Kunst. (de) Alfombras orientales en la pintura renacentista son las alfombras procedentes del Oriente Medio, ya sea de Anatolia, Persia, Armenia, Azerbaiyán, el Levante, como el estado mameluco de Egipto o el norte de África, que se utilizaron como elementos decorativos en las pinturas de Europa occidental desde el siglo XIV en adelante. (es) Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Azerbaijan, the Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings. (en) I tappeti orientali nei dipinti del Rinascimento sono tappeti di origine mediorientale, provenienti dall'Anatolia, dalla Persia, dall'Armenia, dall'Azerbaigian, dal Levante, dallo stato mamelucco d'Egitto o dal Nord Africa, usati come elementi decorativi nei dipinti dell'Europa occidentale a partire dal XIV secolo. Diversi dipinti sono giunti ai nostri giorni, ma poiché rimangono pochi tappeti mediorientali prodotti prima del XVII secolo, sebbene il numero di quelli noti sia aumentato negli ultimi decenni, quelli presenti nelle opere pittoriche sono l'unica fonte che possa far conoscere la loro fattura e disegno. Pertanto, la ricerca storico-artistica comparata ha fatto il suo esordio alla fine del XIX secolo facendo affidamento su tappeti rappresentati in dipinti europei databili. (it) |
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Domenico Ghirlandaio: Madonna and Child enthroned with Saint, circa 1483 (en) West Anatolian ‘Ghirlandaio’ rug, late 17th century (en) |
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Left image: Pieter de Hooch: Portrait of a family making music, 1663, Cleveland Museum of Art (en) Right image: "Transylvanian" type prayer rug, 17th century, National Museum, Warsaw (en) Right image: Small-pattern Holbein carpet, Anatolia, 16th century. (en) Right image: Konya 18th century carpet with Memling gul design. (en) Right image: Anatolian animal carpet, circa 1500, found in Marby Church, Sweden. (en) Left image: Lippo Memmi's Virgin Mary and Child features an "animal carpet" with two opposed birds besides a tree, 1340-50. (en) Right image: Phoenix-and-dragon carpet, first half or middle of the 15th century, Berlin. (en) Right image: Re-entrant prayer rug, Anatolia, late 15th to early 16th century. (en) Left image: Hans Memling's Still Life with a Jug with Flowers, late 15th century. (en) Right image: Prayer rug, Anatolia, late 15th to early 16th century, with "re-entrant" keyhole motif. (en) Left image: Carlo Crivelli's Annunciation with St Emidius, 1486, with Crivelli carpet in the upper left corner. See enlarged detail at left. Note that there is a second, different carpet at top center. (en) Left image: Domenico di Bartolo's The Marriage of the Foundlings features a large carpet with a Chinese-inspired phoenix-and-dragon pattern, 1440. (en) Left image: yellow Oriental carpet in Hans Memling altarpiece of 1488–1490. The "hooked" motif defines a "Memling carpet". Louvre Museum. (en) Left image: The Alms of St. Anthony by Lorenzo Lotto, 1542, with two magnificent Oriental carpets, the one in the foreground the type for the Lotto carpet, the other a "para-Mamluk". (en) Left image: A "Bellini type" Islamic prayer rug, seen from the top, at the feet of the Virgin Mary, in Gentile Bellini's Madonna and Child Enthroned, late 15th century. (en) Left image: Unknown painter, The Somerset House Conference, with a small-pattern Holbein carpet. (en) Right image: Western Anatolia knotted wool "Lotto carpet", 16th century, Saint Louis Art Museum. (en) Right image: "Crivelli" carpet, Anatolia, late 15th-early 16th century. (en) Right image: Mugan carpet, Karabakh school, late 14th to early 15th century, Azerbaijan Carpet Museum (en) Left image: Lorenzo Lotto's Husband and Wife, 1523, with a "Bellini" carpet showing the keyhole re-entrant motif. (en) |
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0001-08-19 (xsd:gMonthDay) Marby carpet.jpg (en) Pieter de Hooch 019.jpg (en) Phoenix and dragon carpet Anatolia first half or middle 15th century.jpg (en) Turkey Prayer rug.jpg (en) Domenico Ghirlandaio Madonna and Child enthroned with Saint c 1483.jpg (en) Hans Memling La Vierge et l Enfant entre Saint Jacques et Saint Dominique 1488 1490.jpg (en) The Annunciation, with Saint Emidius - Carlo Crivelli - National Gallery.jpg (en) Gentile Bellini Madonna and Child Enthroned late 15th century.jpg (en) Western Anatolian knotted woll carpet with Lotto patern 16th century Saint Louis Art Museum vertical.jpg (en) Hans Memling 076.jpg (en) Konya 18th carpet with Memling gul design.jpg (en) Lippo memi , madonna del latte, 1340-50 ca.JPG (en) Lotto, Lorenzo - Husband and Wife.jpg (en) West Anatolian ‘Ghirlandaio’ Rug.jpg (en) Zili xalçası.jpg (en) Re_entrant_prayer_rug_Anatolia_late_15th_early_16th_century_reverse.jpg (en) Crivelli carpet Anatolia late 15th early 16th century.jpg (en) Domenico di Bartolo The Marriage of the Foundlings 1440.jpg (en) Small pattern Holbein carpet Anatolia 16th century.jpg (en) Alms of Saint Anthoninus by Lorenzo Lotto - Santi Giovanni e Paolo - Venice 2016 1.jpg (en) Re entrant prayer rug Anatolia late 15th early 16th century reverse.jpg (en) |
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استُخدِمت البُسط الشرقية ذات الأصول الشرق أوسطية، مثل: السجاد التركي والسجاد الإيراني والسجاد الأذري أو من المشرق (الشرق الأدنى) ودولة المماليك في مصر أو شمال أفريقيا، كخصائص زخرفية في الفنون التشكيلية لأوروبا الغربية من القرن الرابع عشر وما بعده. وُجدت رسوم للبُسط الشرقية بكثرة في لوحات عصر النهضة، مقارنةً بالسجاد الفعلي الذي أُنتج قبل القرن السابع عشر، رغم أن أعدادها ازدادت في العقود الأخيرة. لذا، اعتمدت الأبحاث الفنية في المقارنات التاريخية على السجاد المُمثل في اللوحات الأوروبية المؤرَّخة في أواخر القرن التاسع عشر. (ar) Orientteppiche wurden ab dem 13. bis in das 17. Jahrhundert hinein immer wieder als dekoratives Element in westeuropäischen Gemälden der Renaissancezeit abgebildet. Es sind sogar mehr Orientteppiche in der Renaissancemalerei abgebildet als erhaltene Teppiche bekannt sind. Die vergleichende islamische Kunstwissenschaft hat sich daher seit Beginn der Forschung zur islamischen Teppichkunst im späten 19. Jahrhundert auf Teppichdarstellungen in europäischen Gemälden verlassen, deren Entstehungszeit dokumentiert ist. Die Untersuchung der Gemälde leistete somit einen wichtigen Beitrag zur islamischen Kunstgeschichte, insbesondere zur Chronologie der Knüpfteppiche als Medium der islamischen Kunst. (de) Alfombras orientales en la pintura renacentista son las alfombras procedentes del Oriente Medio, ya sea de Anatolia, Persia, Armenia, Azerbaiyán, el Levante, como el estado mameluco de Egipto o el norte de África, que se utilizaron como elementos decorativos en las pinturas de Europa occidental desde el siglo XIV en adelante. (es) Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Azerbaijan, the Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings. (en) I tappeti orientali nei dipinti del Rinascimento sono tappeti di origine mediorientale, provenienti dall'Anatolia, dalla Persia, dall'Armenia, dall'Azerbaigian, dal Levante, dallo stato mamelucco d'Egitto o dal Nord Africa, usati come elementi decorativi nei dipinti dell'Europa occidentale a partire dal XIV secolo. Diversi dipinti sono giunti ai nostri giorni, ma poiché rimangono pochi tappeti mediorientali prodotti prima del XVII secolo, sebbene il numero di quelli noti sia aumentato negli ultimi decenni, quelli presenti nelle opere pittoriche sono l'unica fonte che possa far conoscere la loro fattura e disegno. Pertanto, la ricerca storico-artistica comparata ha fatto il suo esordio alla fine del XIX secolo facendo affidamento su tappeti rappresentati in dipinti europei databili. (it) |
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البسط الشرقية في عصر النهضة (ar) Orientteppiche in der Renaissancemalerei (de) Alfombras orientales en la pintura renacentista (es) Tappeti orientali nei dipinti del Rinascimento (it) Oriental carpets in Renaissance painting (en) |
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wikipedia-en:Oriental_carpets_in_Renaissance_painting |
