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Book chapters by Theocharis Tsampouras
Papers by Theocharis Tsampouras
Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions
Νέοι Ερευνητές: Φιλόλογοι - Ιστορικοί της Τέχνης (πρακτικά ημερίδας 5/11/2009), Εταιρεία Σπουδών Σχολής Μωραΐτη, Αθήνα 2011.
Ιωαννίδου Μ. (επιμ.), Η τέχνη του 20ού αιώνα: Ιστορία-Θεωρία-Εμπειρία, Πρακτικά Γ΄συνεδρίου Ιστορίας της Τέχνης (2-4/11/2007), στη μνήμη του Γιώργου Σίμου Πετρή, Θεσσαλονίκη 2009.
Conference proceedings by Theocharis Tsampouras
Conference Posters by Theocharis Tsampouras
Talks by Theocharis Tsampouras
MA Thesis by Theocharis Tsampouras
Phd thesis by Theocharis Tsampouras
Books by Theocharis Tsampouras
by Foteini Spingou, Charles Barber, Nathan Leidholm, Thomas Carlson, Ivan Drpić, Alexandros (Alexander) Alexakis, elizabeth jeffreys, Theocharis Tsampouras, Mircea G . Duluș, Nikos Zagklas, Ida Toth, Alexander Riehle, Brad Hostetler, Michael Featherstone, Emmanuel C Bourbouhakis, Shannon Steiner, Efthymios Rizos, Divna Manolova, Robert Romanchuk, Maria Tomadaki, Kirsty Stewart, Baukje van den Berg, Katarzyna Warcaba, Florin Leonte, Vasileios Marinis, Ludovic Bender, Linda Safran, Sophia Kalopissi-Verti, Rachele Ricceri, Luisa Andriollo, Alex J Novikoff, Annemarie Carr, Marina Bazzani, Greti Dinkova-Bruun, Renaat Meesters, Daphne (Dafni) / Δάφνη Penna / Πέννα, Annemarie Carr, Alexander Alexakis, Jeremy Johns, Maria Parani, Lisa Mahoney, Irena Spadijer, and Ilias Taxidis
ISBN: 9781108483056 Series: Sources for Byzantine Art History 3 In this book the beauty and m... more ISBN: 9781108483056
Series: Sources for Byzantine Art History 3
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
Conferences, Workshops, Panels by Theocharis Tsampouras
The Twelfth Congress of South-East European Studies, Bucharest, 2019
The Twelfth Congress of South-East European Studies. Bucharest, September 5, 2019. This day-long ... more The Twelfth Congress of South-East European Studies. Bucharest, September 5, 2019. This day-long group of papers investigates the afterlives of Byzantine monuments, memories and ideas in diverse societies and intellectual settings, ranging from Italy, Serbia, Wallachia, and Moldavia to Greece under Ottoman rule. Though the category of post-Byzantine is usually associated with 1453, it can be argued that various dates could be considered as starting points for productive discussions of the 'post-Byzantine.' The thirteen papers by scholars from several countries range in approaches from appropriation, to archaeology of knowledge, intellectual history, exchange, resistance and reception. Topics for discussion include stationary and portable, colossal and diminutive, public and private objects. These papers shed light on diverse constructions of Byzantium which emerged in the centuries after the empire's demise.
Conference Program by Theocharis Tsampouras
Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions
Νέοι Ερευνητές: Φιλόλογοι - Ιστορικοί της Τέχνης (πρακτικά ημερίδας 5/11/2009), Εταιρεία Σπουδών Σχολής Μωραΐτη, Αθήνα 2011.
Ιωαννίδου Μ. (επιμ.), Η τέχνη του 20ού αιώνα: Ιστορία-Θεωρία-Εμπειρία, Πρακτικά Γ΄συνεδρίου Ιστορίας της Τέχνης (2-4/11/2007), στη μνήμη του Γιώργου Σίμου Πετρή, Θεσσαλονίκη 2009.
by Foteini Spingou, Charles Barber, Nathan Leidholm, Thomas Carlson, Ivan Drpić, Alexandros (Alexander) Alexakis, elizabeth jeffreys, Theocharis Tsampouras, Mircea G . Duluș, Nikos Zagklas, Ida Toth, Alexander Riehle, Brad Hostetler, Michael Featherstone, Emmanuel C Bourbouhakis, Shannon Steiner, Efthymios Rizos, Divna Manolova, Robert Romanchuk, Maria Tomadaki, Kirsty Stewart, Baukje van den Berg, Katarzyna Warcaba, Florin Leonte, Vasileios Marinis, Ludovic Bender, Linda Safran, Sophia Kalopissi-Verti, Rachele Ricceri, Luisa Andriollo, Alex J Novikoff, Annemarie Carr, Marina Bazzani, Greti Dinkova-Bruun, Renaat Meesters, Daphne (Dafni) / Δάφνη Penna / Πέννα, Annemarie Carr, Alexander Alexakis, Jeremy Johns, Maria Parani, Lisa Mahoney, Irena Spadijer, and Ilias Taxidis
ISBN: 9781108483056 Series: Sources for Byzantine Art History 3 In this book the beauty and m... more ISBN: 9781108483056
Series: Sources for Byzantine Art History 3
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
The Twelfth Congress of South-East European Studies, Bucharest, 2019
The Twelfth Congress of South-East European Studies. Bucharest, September 5, 2019. This day-long ... more The Twelfth Congress of South-East European Studies. Bucharest, September 5, 2019. This day-long group of papers investigates the afterlives of Byzantine monuments, memories and ideas in diverse societies and intellectual settings, ranging from Italy, Serbia, Wallachia, and Moldavia to Greece under Ottoman rule. Though the category of post-Byzantine is usually associated with 1453, it can be argued that various dates could be considered as starting points for productive discussions of the 'post-Byzantine.' The thirteen papers by scholars from several countries range in approaches from appropriation, to archaeology of knowledge, intellectual history, exchange, resistance and reception. Topics for discussion include stationary and portable, colossal and diminutive, public and private objects. These papers shed light on diverse constructions of Byzantium which emerged in the centuries after the empire's demise.
The American Society for Eighteenth-century Studies 52nd Annual Conference, 31 March- 2 April 202... more The American Society for Eighteenth-century Studies 52nd Annual Conference, 31 March- 2 April 2022, Baltimore, Maryland
Session: How 'Byzantine' was the Eighteenth Century? New Insights on the Christian Orthodox Art and Architecture of the Late Ottoman Empire (Chairs: Demetra Vogiatzaki and Nikolaos Magouliotis)
Part I : Alper Metin, Theocharis Tsampouras (p. 7)
Part II: Alexandra Courcoula, Maria Georgopoulou, Cosmin Minea (p. 11)
The full program is avaliable at the following link:
https://www.asecs2022.org/_files/ugd/acf0d2_d9b207742a814758ae15737c05852348.pdf