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Papers by Robert Romanchuk
... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancou... more ... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancour-Laferriere perceptively notes: ... Law. Gogol"s debt to Narezhnyi's "Bursak" and Zhukovskii's "Bailada, v kotoroi opisyvaetsia, kak odna starukha ekhala na chernom kone" has been remarked by various ...
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
The Slavic and East European Journal, 2007
Slavic and East European Journal, 2013
Vestnik of Saint Petersburg University. History, 2017
Russian History
This survey of intellectual endeavor in medieval Slavia orthodoxa proposes a different way to thi... more This survey of intellectual endeavor in medieval Slavia orthodoxa proposes a different way to think through the problem of the “intellectual silence of Old Rus′,” first set forth by Georges Florovsky and explored by George Fedotov, Francis Thomson, Simon Franklin, and now Donald Ostrowski. It examines the resources and opportunities for secondary schooling and their apparent outcomes in Kyivan Rus′ from the eleventh through the thirteenth century, among South Slavs on Mount Athos in the later fourteenth century, and at the Kirillo-Belozerskii (Kirillov) Monastery in northern Russia in the later fifteenth century. It concludes that intellectual endeavor is not necessarily bound to an international language of scholarship (e.g., Greek), one the one hand, or to a particular religious mentalité (e.g., that of the Western Church), on the other. Rather, it is cultivated by “schematizing” (educational) institutions oriented upon academic (heuristic) interpretive strategies and—most importa...
Speculum a Journal of Medieval Studies, 2005
Canadian Slavonic Papers, 2009
... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancou... more ... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancour-Laferriere perceptively notes: ... Law. Gogol"s debt to Narezhnyi's "Bursak" and Zhukovskii's "Bailada, v kotoroi opisyvaetsia, kak odna starukha ekhala na chernom kone" has been remarked by various ...
... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancou... more ... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancour-Laferriere perceptively notes: ... Law. Gogol"s debt to Narezhnyi's "Bursak" and Zhukovskii's "Bailada, v kotoroi opisyvaetsia, kak odna starukha ekhala na chernom kone" has been remarked by various ...
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
Byzantine Hermeneutics and Pedagogy in the Russian North, 2007
The Slavic and East European Journal, 2007
Slavic and East European Journal, 2013
Vestnik of Saint Petersburg University. History, 2017
Russian History
This survey of intellectual endeavor in medieval Slavia orthodoxa proposes a different way to thi... more This survey of intellectual endeavor in medieval Slavia orthodoxa proposes a different way to think through the problem of the “intellectual silence of Old Rus′,” first set forth by Georges Florovsky and explored by George Fedotov, Francis Thomson, Simon Franklin, and now Donald Ostrowski. It examines the resources and opportunities for secondary schooling and their apparent outcomes in Kyivan Rus′ from the eleventh through the thirteenth century, among South Slavs on Mount Athos in the later fourteenth century, and at the Kirillo-Belozerskii (Kirillov) Monastery in northern Russia in the later fifteenth century. It concludes that intellectual endeavor is not necessarily bound to an international language of scholarship (e.g., Greek), one the one hand, or to a particular religious mentalité (e.g., that of the Western Church), on the other. Rather, it is cultivated by “schematizing” (educational) institutions oriented upon academic (heuristic) interpretive strategies and—most importa...
Speculum a Journal of Medieval Studies, 2005
Canadian Slavonic Papers, 2009
... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancou... more ... signifier "Vii" structures and organizes the reader's desire, as Daniel Rancour-Laferriere perceptively notes: ... Law. Gogol"s debt to Narezhnyi's "Bursak" and Zhukovskii's "Bailada, v kotoroi opisyvaetsia, kak odna starukha ekhala na chernom kone" has been remarked by various ...
by Foteini Spingou, Charles Barber, Nathan Leidholm, Thomas Carlson, Ivan Drpić, Alexandros (Alexander) Alexakis, elizabeth jeffreys, Theocharis Tsampouras, Mircea G . Duluș, Nikos Zagklas, Ida Toth, Alexander Riehle, Brad Hostetler, Michael Featherstone, Emmanuel C Bourbouhakis, Shannon Steiner, Efthymios Rizos, Divna Manolova, Robert Romanchuk, Maria Tomadaki, Kirsty Stewart, Baukje van den Berg, Katarzyna Warcaba, Florin Leonte, Vasileios Marinis, Ludovic Bender, Linda Safran, Sophia Kalopissi-Verti, Rachele Ricceri, Luisa Andriollo, Alex J Novikoff, Annemarie Carr, Marina Bazzani, Greti Dinkova-Bruun, Renaat Meesters, Daphne (Dafni) / Δάφνη Penna / Πέννα, Annemarie Carr, Alexander Alexakis, Jeremy Johns, Maria Parani, Lisa Mahoney, Irena Spadijer, and Ilias Taxidis
ISBN: 9781108483056 Series: Sources for Byzantine Art History 3 In this book the beauty and m... more ISBN: 9781108483056
Series: Sources for Byzantine Art History 3
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.